-
We Were the Universe
- A Novel
- Narrado por: Kristen Sieh, Justis Bolding
- Duración: 9 h y 49 m
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Resumen del Editor
A MOST ANTICIPATED BOOK OF 2024
A young mother, in denial after the death of her sister, navigates the dizzying landscapes of desire, guilt, and grief in this darkly comic, highly anticipated debut novel from Kimberly King Parsons, author of the story collection, Black Light (long-listed for the National Book Award).
"Kimberly King Parsons sings the lushest, cruelest, kindest, weirdest, darkest and most hilarious songs on paper; I want to hang these sentences in my house and admire them like the interdimensional multisensory illuminated artworks they truly are."—Karen Russell, Pulitzer Prize finalist and author of Swamplandia!
The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.
When she returns to the Dallas suburbs, Kit tries to settle into her routine—long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother’s phone calls. But in the secret recesses of Kit’s mind, she’s reminiscing about the band she used to be in—and how they’d go out to the desert after shows and drop acid. She’s imagining an impossible threesome with her kid’s pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?
Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe is an ambitious, inventive novel from a revelatory new voice in American fiction—a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take.
Reseñas de la Crítica
"A wrenchingly honest novel, full of dark wit and feral delight, about a new mother navigating the trippy, uncharted wilderness between love and grief."—Jenny Offill, New York Times bestselling author of Weather
“With psychological perspicuity and psychedelic inventiveness, Kimberly King Parsons reveals the shapeshifting nature of grief, the wiliness of desire, the fluidity of linear time, and the truth that what begs to be felt will always find a way to be felt.”—Melissa Broder, author of Death Valley
"We Were the Universe is a grief-and-lust-and-breastmilk saturated psychedelic journey, a story told in the eternal present of an acid trip and the spiraling everyday life of a young Texan mother, pushing her daughter’s stroller around an unspeakable loss. This novel is a tonal masterpiece, a record I want to spin forever, and I feel so lucky that I can return to its deep magic.”—Karen Russell, Pulitzer Prize finalist and author of Swamplandia!
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Historia
Once upon a time, the Peacock sisters were little girls who combed each other’s tangled hair. But decades of secrets have led them to separate lives—and to telling lies, to themselves and to one another. Sylvie is getting married. Again. A librarian and widow who soothes her grief by escaping into books (and shelving them perfectly), Sylvie has caught the attention of an unlikely match: Simon Rampling, a mysterious, wealthy man from Northern England. Sylvie allows herself to imagine a life beside him—one filled with the written word, kindness, and companionship.
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The dialogue was painful
- De treehouse en 05-17-24
De: Amanda Eyre Ward
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Consent
- A Memoir
- De: Jill Ciment
- Narrado por: Eileen Stevens
- Duración: 4 h
- Versión completa
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General
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Narración:
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Historia
In this close-up look at the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was seventeen and he was forty-seven and married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1990s memoir on the subject, Half a Life. She asks herself if she told the whole truth when she wrote about their passion back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love.
De: Jill Ciment
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Ejecución
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Historia
- Dave Garrett
- 05-24-24
More prose than plot advancement
Good writer with potential. Bisexual woman in monogamous relationship with a good man. So much relates to her clearly spoiled child. Dealing with mental issues and a difficult childhood. Would have been more interesting if she had gone into more detail relating to her past relationships.
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