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First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account". For 15 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

My Favorite Husband hit the CBS Radio airwaves in 1948, starring Lucille Ball and Richard Denningas Liz and George Cugat - who later became Liz and George Cooper when confusion with bandleader Xavier Cugat prompted a name change. Set in the fictitious town of Sheridan Falls, the show follows the happily married couple, residents of 321 Bundy Drive, through mischief and various predicaments, from faked illnesses to trouble with exes.

This collection contains 12 of the greatest Christmas radio shows ever broadcast during the golden age of radio!

The detective series Let George Do It came to radio in 1946. It starred Bob Bailey as George Valentine, ex-GI and detective for hire. Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock-in-trade. If the job's too tough for you to handle, you've got a job for me, George Valentine. Write full details."

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

Philo Vance is a fictional character featured in numerous crime novels written by S. S. Van Dine, published in the 1920s and 1930s, who was later revived in film and on radio and television. During that time Vance was immensely popular. He was portrayed as a stylish, even foppish dandy, a New York bon vivant with a highly intellectual bent - America's Sherlock Holmes. He worked closely with his secretary and right-hand woman, Ellen Deering, and his pal, John Markham, New York County district attorney.

In 1949, NBC brought handsome Irish American actor Brian Donlevy to the radio microphones as international troubleshooter Steve Mitchell in the spy series Dangerous Assignment. Mitchell worked for an unnamed US government intelligence agency, whose boss, "the Commissioner," dispatched him to world trouble spots. Mitchell's assignment was to solve problems in record time and in accordance with US interests.

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Radio westerns were strictly for kids until 1952, when Gunsmoke hit the radio airwaves. The stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one western on the radio.

Our Miss Brooks was a highly popular radio sitcom that was eventually adapted for both television and film. It starred Hollywood film and New York stage veteran Eve Arden, who specialized in playing the wisecracking friend. She often did it better than anyone else, receiving an Oscar nomination for the 1945 film Mildred Pierce. Since her skill with the wicked one-liner was beginning to lead to typecasting, Arden signed on for the lead in radio's Our Miss Brooks to find a new image.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

Created by author Jack Boyle, Boston Blackie was a master safecracker and hardened criminal who served time in a California prison. Rehabilitated, he decided to use his knowledge of the underworld to fight crime as an amateur detective. Known as "an enemy to those who make him an enemy, friend to those who have no friend", Boston Blackie's exploits were adapted to film, radio, and television.

Dimension X was one of old-time radio's first adult science-fiction shows. Though it ran for only a short time, the show made its mark by adapting short stories written by some of the best-known masters of the genre - Isaac Asimov, Ray Bradbury, Robert Heinlein, Kurt Vonnegut, and others. Writers Ernest Kinoy and George Lefferts adapted the stories, occasionally contributing original scripts of their own.

Michael Shayne, "the reckless, redheaded Irishman", was a popular hard-boiled detective created by crime novelist Brett Halliday. In the novels, Michael Shayne settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The backstory on Mike is that he was happily married, but it hit him hard when his wife was tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of the city.

Dimension X was one of radio's first adult science fiction series, and made its mark by adapting short stories by acknowledged masters in the field, including Isaac Asimov, Clifford D. Simak, and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the original stories. At the start of every broadcast, host Norman Rose promised us "adventures in time and space, told in future tense" and you knew you were about to be transported from your everyday existence.

A thrilling collection of episodes from the classic radio show Suspense.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills," the show focused on suspenseful thrillers starring the biggest names in Hollywood.

This collection contains 13 of the greatest science fiction shows ever broadcast during the golden age of radio - including two episodes each of Dimension X, CBS Radio Workshop, and X Minus One, plus three episodes of Suspense and Escape. You'll be entertained by stories from such master science fiction writers as H. G. Wells, Aldous Huxley, Graham Doar, Mary Shelley, H. L. Gold, and George Steward.

"Countdown for blastoff...X minus five, four, three, two, X minus one.... Fire! From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future - adventures in which you'll live in a million could-be years on a thousand may-be worlds." Thus began each episode of X Minus One, a half-hour science fiction radio series that was broadcast from 1955 until 1958.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

Set in Los Angeles, and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.