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A collection of The New Yorker‘s groundbreaking writing on race in America - including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more - with a foreword by Jelani Cobb.

New Yorker fiction writers read their stories.

Wayne Cabot and Paul Murnane have the morning's top headlines from the WCBS 880 newsroom.

A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

Walking her dog, Beatrice, Jody falls under the spell of Everett's bewitching smile. Everett begins to appreciate his post-divorce life only when he falls in love with Howdy, Polly's puppy. Polly lives with her brother, George, and wants him to fall in love. George isn't so much looking for a love life as for life direction, and Howdy leads him right to it. Doris hates the trash on her block, she hates the pee on her SUV's tires, and, above all, she hates dogs. That is, until she gets one of her own.

Profiles, storytelling and insightful conversations, hosted by David Remnick.

A Century of Poetry in The New Yorker is a celebratory selection from 100 years of influential, entertaining, and taste-making verse in The New Yorker. Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

Over the last 20 years, New York City has been convulsed by enormous challenges: terrorist attack, blackout, hurricane, recession, pandemic. New Yorkers is a grand portrait of the irrepressible city and a hymn to the vitality and resilience of its people. Craig Taylor spent years meeting New Yorkers - rich and poor, old and young, native and immigrant - and getting them to share indelible true tales.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

Since its earliest days, The New Yorker has been a tastemaker: literally. As the home of A. J. Liebling, Joseph Wechsberg, and M. F. K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes, including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink.

A Century of Fiction in The New Yorker is a celebratory selection from 100 years of short stories in the magazine which has been the most influential and important showcase for the form and has launched dozens of stellar careers in fiction Adichie, Borges, Carver, Cheever . . . Danticat, DeLillo, Diaz, Erdrich, Gaitskill . . . Lahiri, Moore, Munro, Murakami . . . Nabokov, O'Hara, Paley, Rushdie, Saunders, Sontag . . . Trevor, Updike, Welty, Wolff...There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years.

Readings and conversation with The New Yorker's poetry editor, Kevin Young.

Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this ...

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

Part philosophy, part anecdote collection, and part no-nonsense guide, Ask a Native New Yorker will become the default gift for transplants to New York, whether they're here for internships, college, or starting a new job.

In Victory City, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing listeners with a groundbreaking new look into the greatest city on earth during the most transformative - and costliest - war in human history.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent.

Why did Winthrop Rockefeller, scion of one of the most powerful families in American history, leave New York for an Arkansas mountaintop in the 1950s? In this richly detailed biography of the former Arkansas governor, John A. Kirk delves into the historical record to fully unravel that mystery for the first time. Kirk pursues clues threaded throughout Rockefeller’s life and casts a powerful new light on his relationship with his adopted state, where his legacy continues to be felt more than half a century after his governorship.