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The Clockwork Rocket
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- Length: 15 hrs and 2 mins
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Welcome to Ringworld, an intermediate step between Dyson Spheres and planets. The gravitational force created by a rotation on its axis of 770 miles per second means no need for a roof. Walls 1,000 miles high at each rim will let in the sun and prevent much air from escaping. Larry Niven's novel, Ringworld, is the winner of the 1970 Hugo Award for Best Novel, the 1970 Nebula Award for Best Novel, and the 1972 Ditmars, an Australian award for Best International Science Fiction.
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Genuinely Creative
- By Kennet on 05-25-03
By: Larry Niven
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Seveneves
- A Novel
- By: Neal Stephenson
- Narrated by: Mary Robinette Kowal, Will Damron
- Length: 31 hrs and 55 mins
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A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.
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Odd narrator choice
- By Josh Mitchell on 05-30-15
By: Neal Stephenson
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Queen of Angels
- By: Greg Bear
- Narrated by: George Guidall
- Length: 19 hrs and 15 mins
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Emanuel Goldsmith, a famous poet, murdered eight people, then disappeared. Three people want to find him: an aspiring writer, an embittered scientist who wants to use him, and a policewoman who needs to put him in custody before the Selectors, a vigilante organization, get to him first.
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fantastic, a whole new experience on audio
- By Tungsten on 04-02-16
By: Greg Bear
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The Black River Chronicles, Level One
- By: David Tallerman, Michael Wills, Digital Fiction
- Narrated by: Alan Ross
- Length: 7 hrs and 54 mins
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Three months into his studies at the Black River Academy of Swordcraft and Spellcraft, Durren Flintrand is shocked by the news that from now on he'll be assigned to a party and that his only hope of progressing beyond the lowly rank of level one is to succeed with his new companions. However, Durren has a secret that may make that impossible, and his three partners have problems of their own.
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what the heck?
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By: David Tallerman, and others
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The Star Diaries
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Ijon Tichy, Lem's Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride.
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Gulliver in Space
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The very far future: The galaxy is a drifting wreck of black holes, neutron stars, and chill white dwarfs. The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light... The 27th century: Proxima Centauri, an undistinguished red dwarf star, is the nearest star to our sun. How would it be to live on such a world?
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No Sense of Conclusion
- By Lisa Davidson on 04-24-16
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The Engines of God
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Humans call them Monument-Makers. An unknown race, they left stunning alien statues scattered on distant planets throughout the galaxy, encoded with strange inscriptions that defy translation. Searching for clues about the Monument-Makers, teams of 23rd century linguists, historians, engineers and archaeologists have been excavating the enigmatic alien ruins on a number of planets, uncovering strange, massive false cities made of solid rock. But their time is running out.
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Conceptually intriguing, but uneven writing style
- By Michael G Kurilla on 05-12-11
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The Sigil Blade
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The people of An Innis have fallen on hard times. Vengeful thieves, rumored to be men returned from death, have brought the island to its knees. Using a fleet of captured ships, they systematically plunder everything that enters or attempts to leave the coastal waters that surround the island. The Sigil Blade, the first book of the Archon Sigil trilogy, tells the story of Edryd, a man who is trying to reinvent himself and conceal the truth about his past.
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Good story
- By Debra Jean McCullough on 02-08-16
By: Jeff Wilson
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Thief's Magic
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In a world where an industrial revolution is powered by magic, Tyen, a student of archaeology, unearths a sentient book called Vella. Once a young sorcerer-bookbinder, Vella was transformed into a useful tool by one of the greatest sorcerers of history. Since then she has been collecting information, including a vital clue to the disaster Tyen’s world faces.Elsewhere, in an land ruled by priests, Rielle the dyer’s daughter has been taught that to use magic is to steal from the Angels.
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Great!
- By MissRed on 06-14-14
By: Trudi Canavan
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What listeners say about The Clockwork Rocket
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- SciFi Kindle
- 12-05-14
Noble Math to the rescue; plot & characters follow
This novel follows the familiar formula that Egan fans delight in: an alien hero works out fundamental physics to defend his/her/its species in a race against impending cataclysm from natural forces that are not, initially, well understood. Here, the greatest stylistic twist is that there is no counterpoint perspective from a more familiar human or near-human protagonist, nor indeed, any additional first-person characters. The story is told in a sequence of episodes from the lifetime a single creature, our protagonist Yalda. Her planet and species are never named, being alone in their perceived cosmos, so I’ll call them ‘Orthogonals’ in reference to the unique premise that the story stems from. I can’t do any justice to the carefully described mathematics provided at every step of the hero’s journey, but can summarize by saying that her pocket universe has a different, orthogonal geometry from our own, and Egan has extrapolated this to invent a marvelous and internally consistent set of physics for her to discover along with the reader.
The novel’s theme is also a familiar one: The triumphant of applied science and nobility of those who practice it’s careful pursuit. Egan even pays homage to history’s persecuted and martyred scientists by including a dash of this to the ‘Orthogonal’ civilization he’s created. In his world, however, the selfless scientists manage to escape their adversaries and found a society of their own, where all injustices are banished and the whole community labor together for the common good and a grand project to rescue their planet. Great care is given to the details of each discovery and the particulars of the plot are largely devised in service to this exposition. I feel the story would have been more engaging and the characters more relatable if these narrative priorities could be reversed. I also would have enjoyed more interpersonal conflict and greater moral ambiguity in the characters, who all felt a little too single-minded and one dimensional (no mathematical connotation intended). Yalda particularly, is a bit too righteous, and would have been much more interesting with some dramatic flaw or dark angle. Her one social handicap is an unavoidable accident of nature, completely a faultless situation, that makes her subsequent sufferings at the hands of the unenlightened seem in parallel to historical figures like Alan Turing and other victimized minorities. The story ends with moderate abruptness, although not exactly a cliffhanger, and the largest question tensely unanswered in anticipation of the follow-up novel(s). However on its own, it still stands suitably complete, and will satisfy the reader.
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6 people found this helpful
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- James
- 09-08-16
Good Egan Hard SF story near ruined by the narator
What did you like best about The Clockwork Rocket? What did you like least?
As with other works by Egan, it's an excellent exploration of scientific ideas & "what if" physics thought-experiments in story form.
What other book might you compare The Clockwork Rocket to and why?
Other work by Egan? Otherwise Egan's works are difficult to find direct comparisons for.
How could the performance have been better?
The narrator has an extremely monotonous pattern to his speech. Nearly all non-dialog is spoken in the exact same pattern of intonation and emphasis on words & phrases. As though he decided that every 4th work would have higher intonation & emphasis, no matter it's actual use or importance in the sentence. Dialog isn't much better, with character voices that sound almost universally to be whining or sad.
Was The Clockwork Rocket worth the listening time?
If you're a fan of Egans work, then yes; Otherwise, the narration is likely to turn off listeners, possibly even other fans of Egan.
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6 people found this helpful
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- Anonymous User
- 06-02-18
I came for the physics, that is all
Clockwork Rocket is a story you read for the physics. I recommend reading the first chapter, which is the only well written, the supplementary material and finding a summary of the rest of the book since only a handful of the 20 chapters contain any of the physics. Adam Epstein is incredibly monotonous, but after a while you learn to focus on the story he’s reading anyway and at least he’s understandable. All in all, I can’t really recommend buying.
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- Eric W. Tetz
- 10-29-23
Unlistenable narrator
I honestly can't comment on the story. I couldn't get past the first chapter. This is one of the worst readers I've ever heard. He has the quality of bad AI readers, where it sounds like he doesn't understand anything he's reading, it all has the same inflection and often the wrong inflection.
It's shocking to me that someone paid for this performance.
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- Richard
- 09-26-14
Tedious, disjointed, pedantic
Caveat: I tried very hard to finish this book, but I gave up about 2 hours from the end. So, maybe there's some big reveal that makes the rest of this mess worth it, but I wasn't willing to stick it out any longer.
The narrator was bizarre. His entire speech pattern is choppy, and he makes a lot of bizarre choices with character voices. A lot of the characters sounded either drugged or severely depressed. I usually have a high tolerance for poor narrators, but Mr. Epstein was bad enough that I'll think twice about listening to anything else that he narrates.
Worse, huge chunks of this book are tedious descriptions of made up physics. I really liked the idea of a story set in a universe with different physics than our own. However, I'm not interested in hearing the details of the equations that govern light in that universe. A little bit would be good, so that the reader could get a handle on the "rules of the game," but there's way too much of it. It's like if you read a fantasy novel that not only described a system of magic, but also described all the necessary wand movements in excruciating detail.
The book repeatedly jumps forward in time by a few years to move the story along. It's jarring, and it gets in the way of developing an attachment to the main character. All of the skipping forward means that every character point is "developed" with a sledgehammer. There's no time for Yalda to grow, she just gets hit over and over with major life events.
Finally, this book seems to be trying to explore some feminist themes, but everything it has to say on the subject is so basic that I can't even begin to call it provocative. Nonetheless, Greg Egan seems to really want the reader to know that oppressing women is bad. He mainly presents this earth-shattering insight by repeatedly creating flat female extras and then assaulting or killing them. It's the "woman in a refridgerator" trope bizarrely used in support of (again, the most basic possible) feminism.
This book is miserable.
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