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The Story Grid
- What Good Editors Know
- Narrated by: Dan Portnoy
- Length: 8 hrs and 9 mins
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Publisher's summary
What is the Story Grid?
The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not.
The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).
The Story Grid is a tool with many applications:
- It will tell a writer if a story "works" or "doesn't work".
- It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a story (not the person creating the story) has failed.
- It will tell the writer the specific work necessary to fix that story's problems.
- It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer.
- It is a tool that can inspire an original creation.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
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The Stephen King Companion is an authoritative look at horror author King's personal life and professional career, from Carrie to The Bazaar of Bad Dreams. King expert George Beahm, who has published extensively about Maine's main author, is your seasoned guide to the imaginative world of Stephen King, covering his varied and prodigious output: juvenalia, short fiction, limited edition books, best-selling novels, and film adaptations.
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A Kingopedia: Books, Movies, Bio and Art
- By tru britty on 02-28-16
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To Show and to Tell
- The Craft of Literary Nonfiction
- By: Phillip Lopate
- Narrated by: Arthur Morey
- Length: 7 hrs and 9 mins
- Unabridged
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Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” ( Dallas Morning News). Here, combining more than 40 years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction. A phenomenal master class shaped by Lopate’s informative, accessible tone, and immense gift for storytelling.
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Not a guide on writing personal essays
- By A. Yoshida on 08-07-13
By: Phillip Lopate
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Cultural Amnesia
- Notes in the Margin of My Time
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- Narrated by: Clive James
- Length: 6 hrs and 16 mins
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From Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Charlie Chaplin, this varied and unfailingly absorbing book is both story and history, both public memoir and personal record - and provides an essential field-guide to the vast movements of taste, intellect, politics and delusion that helped to prepare the times we live in now.
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Very enjoyable and well narrated
- By Larbi on 05-18-08
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How to Write Short
- Word Craft for Fast Times
- By: Roy Peter Clark
- Narrated by: Roy Peter Clark
- Length: 5 hrs and 20 mins
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In How to Write Short , Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed - from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services.
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Ironically long
- By Amazon Customer on 03-14-16
By: Roy Peter Clark
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Abridged and censored- not the full book!
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Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Legendary writing teacher John Truby provides a guide to understanding the major genres of the story world.
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Analysis of stories that entice the writer
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How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.
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What listeners say about The Story Grid
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 05-25-21
great
Great boost for writers. I understand my story better now. Shares a lot of experience.
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- Michael Maloney
- 03-05-20
Fantastic information with poor narration.
Coyne does a great job explaining his system in general, but the organization of the book is a little fractured. Far too many chapters could have been compressed and there’s a fair amount of repeated concepts. There’s also a bit too much “we’ll cover that later” in the beginning. The first half of the book sounds like it’s still trying to sell you the book. Then there is the shoddy narration. Often it repeats lines and many times the voice changes to a much lower quality, as if it were corrected and the narrator phoned it in. Overall, it gets the point across, but I feel like the physical book would be better. Some of the images on the attached PDF are low quality as well.
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- Anonymous User
- 03-18-21
Excellent starting point for a struggling writer
I really needed this. I’ve known for years that writing fiction is what I want to do with my life. I have about 35 notebooks on my bookshelf, filled with stories that fizzled out and went nowhere. I had acquired some talent for turning a phrase. I had some talent in world-building, character creation/development, and plotting a decent inciting incident, crisis, and conclusion. But it wasn’t enough.
I got lost. Every single time. I would constantly rewrite my first draft as I wrote it. My pacing was atrocious. Worst of all, I would put in the titanic effort to execute my plan to the best of my abilities, only to find that it didn’t work at all.
This book really helped me understand what I subconsciously love as a reader when I’m tearing through an exciting book. I think I wanted to believe that if you had the correct ingredients, the dish would come out perfect. Execution is as important as the underlying creative output.
I’m still lost. But now I have a map!
(My only complaint is that I can’t read it because the pdf is not a high enough resolution to view on my phone...but I can view it on the website).
Most important of all, I’m enjoying writing again! With any luck (and a titanic effort), I will actually complete my first novel using this method. And I’d you’re anything like me, maybe you can too!
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- RB
- 02-08-22
Oh the irony that this book was not edited.
This book is masterful at helping the writer learn the grid of a story and how to make it work. It is ironic that the audio version was not edited and often repeated itself or skipped. The narrator was good, but was ruined by the producers not double checking and editing out bad spots. Kind of crazy.
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- Aleah Marie
- 04-17-21
Buy the Print, reader is not great.
It's ironic that the reader of a book about editing would fail to edit his recording. Multiple times in the recording he reads the same thing over and over again, stumbling over his words, failing to get it right. Most audiobook readers would, afterwards, go back and edit the places they marked as spots where they stumbled. This reader does not.
Aside from that, he reads extremely fast, and this book is all about exacting details of form and function of the anatomy of books and stories.
Save yourself a credit and buy the Print book instead.
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- The bookworm
- 01-31-20
Terrible narrator
Dan, I hope this was your first book as narrator, and that you have improved your skills since recording this. There are so many technical and quality issues with the narration, that it completely distracts from Shawn’s writing. Sudden changes in volume, missing words (including verbs!), spliced-in sentences using a suddenly more/less hoarse voice, double readings and stumbling over sentences, incorrect reading of words (“causal” not “casual”), irritating and inconsistent use of the word “slash”, etc. I’d recommend redoing this narration to give listeners a better experience. It was hard to finish.
Shawn, this is an awesome tool that you have laid out for story writers. Thank you. Your final chapter is key to understanding the philosophy of how to best use this tool. I look forward to applying this tool to my own work.
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- Dustin Allen Smith
- 11-11-21
a godsend
The book answered so many questions I had. I'm glad I picked it up. The book is actually intended for editors, well, for writers that have to edit their own book.
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- PB&MO
- 10-11-22
Great info!
Loved all of it. Will definitely be going over it again and again as a tool and reference. The audio was obviously recorded over a few times (intermediate change in voice/audio quality, and saying the same thing twice). It was a little distracting at times. But I would still highly recommend this title.
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- readynworking
- 10-26-21
The info & Study I have been looking for!
The information and depth of practical application is invaluable to me. The thorough way that Shaun goes through the details of writing and editing a work is challenging to me and his use of well known literature to illustrate his points were so well done that I did not find it necessary to have read them all.
A must have for writers, enthusiasts and every-day hobbyists!
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- Brenda
- 12-28-19
A great manual for any writer!
This book will give new perspective to authors and help aspiring novelists look at the task of writing a novel in a new way.
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