You Are Not a Gadget

A Manifesto

By: Jaron Lanier

Narrated by: Rob Shapiro

Length: 7 hrs and 35 mins

Publisher's summary

Jaron Lanier, a Silicon Valley visionary since the 1980s, was among the first to predict the revolutionary changes the World Wide Web would bring to commerce and culture. Now, in his first book, written more than two decades after the web was created, Lanier offers this provocative and cautionary look at the way it is transforming our lives for better and for worse.

The current design and function of the web have become so familiar that it is easy to forget that they grew out of programming decisions made decades ago. The web’s first designers made crucial choices (such as making one’s presence anonymous) that have had enormous - and often unintended - consequences. What’s more, these designs quickly became “locked in”, a permanent part of the web’s very structure. Lanier discusses the technical and cultural problems that can grow out of poorly considered digital design and warns that our financial markets and sites like Wikipedia, Facebook, and Twitter are elevating the “wisdom” of mobs and computer algorithms over the intelligence and judgment of individuals. Lanier also shows:

• How 1960s antigovernment paranoia influenced the design of the online world and enabled trolling and trivialization in online discourse
• How file sharing is killing the artistic middle class
• How a belief in a technological “rapture” motivates some of the most influential technologists
• Why a new humanistic technology is necessary.

Controversial and fascinating, You Are Not a Gadget is a deeply felt defense of the individual from an author uniquely qualified to comment on the way technology interacts with our culture.

©2010 Jaron Lanier (P)2010 Random House

Critic reviews

"Computer scientist and Internet guru Lanier's fascinating and provocative full-length exploration of the Internet's problems and potential is destined to become a must-read for both critics and advocates of online-based technology and culture." ( Publishers Weekly)

A very good counterpoint piece

The book is a manifesto and it not only makes that clear in the title, but the author cops to it and while taking a strong position, LEAVES ROOM and GIVES PERMISSION for the reader to think differently or disagree.
So, while a manifesto, it didn't feel myopic and it wasn't merely a "preaching to the choir" confirmation piece -- it is a thoughtful take on some modern issues that doesn't require one "join this side" nor throw the baby out with the bathwater.

Agree or disagree or something else (I found myself doing all 3, sometimes on a single issue) -- I think it's worth a listen

Interesting content, amazingly well read

I really enjoyed the pace of the reading of this book. The reader seemed interested in the content he was reading and had just the right pace for the absorption of the content.

The content of the book itself is also very good. You may not agree with everything Jaron says but there are definitely some insights that are worth thinking about and investigating for yourself. He finishes off with a personal account of his research interests which I found both enlightening and heart-warming.

A unique perspective on digital life

Lanier is one of the founders of virtual reality, who offers a thoughtful perspective on when technology serves us and when it limits us. Key to the book is the concept of 'lock in', whereby and arbitrary decision on how to code some piece of software becomes a building block for the next generation of software and then becomes incredibly difficult to change. He gives the example of MIDI, the standard for digitizing music. MIDI simpllfies music in such a way that the richness of live music cannot be fully captured, and it's possible to conceive of a better way of digitizing music that would better capture its essence. But, MIDI has become the standard and now it's extremely difficult to introduce a new one.

Lanier worries that the same is happening to aspects of human life. For example, in order for us to interact on social networks, engineers have essentially made a simplified model of human behavior online. This model omits some very necessary nuances of human interaction, but it's close enough that people use social networks to the exclusion of live person to person interaction. Lanier says if this kind of simplification of the human experience gets 'locked in', humans will accept an essentially incomplete facsimile of real human life.

The book is a really necessary perspective when so much of our lives is lived online. It's necessary to be thoughtful about what we might lose as well as what we might gain.

Great book! Highly Recommended!

I really enjoyed the insight and thought provoking points in this book!

A Flawed Presentation but Well Worth the Effort

Any additional comments?

This book offers some compelling arguments that Internet technology has put the essence of humanity at risk of annihilation from the destructive forces of mob rule. The book starts out strongly, effectively framing the evolution of Internet technology up through the current domination of hive-mind social engineering interfaces and systems, and effectively stoking a fire for a technological counter revolution needed to save humanity.

Many important arguments are made regarding the dangers of the hive mind, such as the societal costs of devaluing individual first-order creativity, the corrosive effects of anonymous discourse, the disenfranchisement of productive individuals by profiteering aggregators, and the denial of the role that closed systems and competition must play in the ongoing forward evolution of humanity. In my opinion, these are conversations are desperately prescient -- which is why I gave this book a positive review.

As a book, however, the narrative suffers from inconsistent organization, superfluous content, and failure to drive home many ideas which should be treated with more centrality. As a computer scientist / technologist with musical endeavors of my own, I am perhaps more adapted to this particular author's perspective than the average reader. Yet, I still found much of the book to be self-indulgent, often abandoning efforts to relate to lay people and periodically drifting from its stated flight path.

That said, the overarching questions and warnings explored in this book are of profound importance to the future of humanity. This alone makes the book worth reading. That these questions are being explored by a productive computer scientist, rather than, say, a theologian, makes this book required reading -- even you skim through the second half.

excellent

Amazing insights from a person truly on the inside of the heart of technology for the past 30+ years

Incoherent, But Often Enlightening

Having gone backwards in the Lanier bibliography, I at first found this book to be much clearer in explicating complicated ideas presented in those books. Toward the end, this book does begin to feel a little incoherent and the last chapter about cephalapods and VR seemed out of place with the overall theme of the first half of the book. Overall, an interesting read/listen though as Lanier consistently seems to offer up an evolving thread of techno philosophical ideas.

Jaron has an axe to grind. AKA Old man blames Internet for pre-existing cultural/economic issues

There are quite a few salient points, but few are all together unique I novel (especially for people listening/reading in the mid 2020s). Additionally, they are often muddled by odd tangents that turn into personal grudges. Like Jaron really doesn't care for wikipedia, at all, heaven forbid something is crowdsourced and unpaid (because incentivising pariticipation of public goods has never corrupted a culture, curious what he would think of modern crypto). He also hates the collective commons because... he wants to be able to give someone music for free, or say no, or at least force them to put a foot note that he dislikes their use? I'm not kidding he really uses that last part as an example. I'm not a lawyer but I'm pretty sure he could do just that withing standard licensing practices. Creative commons is an additional option to licensing, not the ONLY way music and media is handled (see various DMCA crisis, those wouldnt be possible if licensing and copyright wasn't alive and well in the Internet). I suppose it is a race to a bottom in some ways, but as others have observed that is generally the way it is for artists or passion driven businesses in a capitalist culture. Should it be that way? IMO, probably not, but I don't think the Internet is the problem there, it just makes it easier to notice. Actually that's a good summary, new title for this review...

Mind blowing!

I will never look at web 2.0 sites, human learning, midi or the open source movements the same way again. Jaron handles each complex topic in extremely precise and well-considered language. Unfortunately, the chapters are not ordered with the same precision. Normally the rambling around would probably cause me to loose interest, but there are so many truly insightful and mind-bending ideas in this book that it is well worth the ramble. I consider this one of the most amazing books I've ever read.

Excellent

This is a thought-provoking listen, helped by an excellent narrator. Mr. Lanier's expertise makes his skepticism about Web 2.0 culture all the more interesting, but he never rants or preaches. His insistence on the primacy of the individual and of individual creativity in the face of crowd-sourcing and aggregation is particularly convincing and timely.
Warmly recommended.