-
How to Write a Mystery
- A Handbook from Mystery Writers of America
- Narrated by: Laurie R. King, Cary Hite, Caroline McLaughlin, Nigel Patterson, Fred Sanders, Jackie Sanders, Machelle Williams
- Length: 9 hrs and 52 mins
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Publisher's summary
From 70 of the most successful mystery writers in the business, an invaluable guide to crafting mysteries - from character development and plot to procedurals and thrillers - “this is a writing guide that readers and writers will turn to again and again” (Booklist, starred review).
Mystery Writers of America (MWA) is known for providing unparalleled resources on the craft, art, and business of storytelling, helping writers of all levels improve their skills for nearly a century. Now, this new handbook helps authors navigate the ever-shifting publishing landscape - from pacing, plotting, the business side of publishing, to the current demand for diversity and inclusivity across all genres, and more.
Featuring essays by a new generation of best-selling experts on various elements of the craft and shorter pieces of crowd-sourced wisdom from the MWA membership as a whole, the topics covered can be categorized as follows:
- Before writing (rules; genres; setting; character; research; etc.)
- While writing (outlining; the plot; dialogue; mood; etc.)
- After writing (agents; editors; self-pub; etc.)
- Other than novels (short stories; true crime; etc.)
- Other considerations (diverse characters; legal questions; criticism)
Also included is a collection of essays from MWA published authors - including Jeffery Deaver, Tess Gerritsen, and Charlaine Harris - selected by best-selling authors Lee Child and Laurie King, and arranged thematically, answering, “What piece of writing advice do you wish you’d had at the beginning of your career?”
“Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery” (Kirkus Reviews), this inclusive manual provides practical, current, easily digestible advice for new and established authors alike.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
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By: Courtney Maum
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Batman Unauthorized
- Vigilantes, Jokers, and Heroes in Gotham City
- By: Dennis O'Neil - editor, Leah Wilson - editor
- Narrated by: Colby Elliott
- Length: 7 hrs and 21 mins
- Unabridged
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Compiled by a veteran writer of the comic series, this collection of essays explores Batman’s motivations and actions, as well as those of his foes. Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive, and a really well-made suit.
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batman uninformed opinions
- By Aurey C. on 04-13-17
By: Dennis O'Neil - editor, and others
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Talking About Detective Fiction
- By: P. D. James
- Narrated by: Diana Bishop
- Length: 4 hrs and 18 mins
- Unabridged
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To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.
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Fascinating and Informative
- By Nancy J on 03-17-13
By: P. D. James
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Directing Actors
- By: Judith Weston
- Narrated by: Judith Weston
- Length: 12 hrs and 41 mins
- Unabridged
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In this essential guide to acting, internationally renowned directing coach Judith Weston demonstrates what constitutes a good performance, what actors want from a director, and what directors do wrong. She also goes over script analysis and preparation and how actors work, and she shares important and helpful insights into the director/actor relationship.
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Directing Humans
- By Jacob Moore on 10-15-19
By: Judith Weston
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Accidental Genius
- Using Writing to Generate Your Best Ideas, Insight and Content
- By: Mark Levy
- Narrated by: Bronson Pinchot
- Length: 4 hrs and 27 mins
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When it comes to creating ideas, we hold ourselves back. Thats because inside each of us is an internal editor whose job is to forever polish our thoughts, so we sound smart and in control, and so that we fit into society. But what happens when we encounter problems for which such conventional thinking fails us? How do we get unstuck? For Mark Levy, the answer is freewriting....
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Great Ideas
- By Amazon Customer on 12-31-10
By: Mark Levy
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The Art of Fiction
- By: Ayn Rand
- Narrated by: Marguerite Gavin
- Length: 6 hrs and 50 mins
- Unabridged
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Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.
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Get Stein on Writing
- By Lois on 12-04-09
By: Ayn Rand
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Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs. This means you can learn to plan and implement theme. In doing so, you will deepen your ability to write not only stories that entertain, but also stories that stay with readers long after the end. Conscious mastery of theme will elevate every story you write and allow you to craft fiction of depth and meaning. Take control of your story via a powerful implementation of theme.
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Awesome info if you get past the drama.
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what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process...Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.
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Bell's excellent advice, less well conveyed
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Romancing the Beat: Story Structure for Romance Novels
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What makes a romance novel a romance? Writing a well-structured romance isn't the same as writing any other genre - something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats. Told in conversational (and often irreverent) prose, Romancing the Beat is like sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure - the way she does with her clients, some of whom are regular inhabitants of the best-seller lists.
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short but full of great information
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By: Gwen Hayes
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Creating Character Arcs
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Have you written a story with an exciting concept and interesting characters - but it just isn't grabbing the attention of readers or agents? It's time to look deeper into the story beats that create realistic and compelling character arcs. Internationally published, award-winning novelist K.M. Weiland shares her acclaimed method for achieving memorable and moving character arcs in every book you write.
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Why We Read (Listen To) These Books
- By C. Deputy on 06-07-18
By: K.M. Weiland
What listeners say about How to Write a Mystery
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- GHJ
- 01-09-23
Helpful
A burgeoning writer, I am Austin taunted by the process of publishing. As an aspiring, mystery writer, I often question what comes next. So this book amounts to a collection of essays, I found much of the material extraordinarily help. If you are considering this book, and you are an aspiring mystery, writer, know that not every bit of information in teams will directly apply to you. That being said, I feel that there is something for every rider in these pages.
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- M W
- 09-09-22
Great Advice From Those Who Know
Useful information for anyone who wants to write books of any kind not just mysteries.
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- OBB
- 10-18-22
Great Info
While listening to all the great talent I felt like I was attending a Master Class of the best writing advice available
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- Desiree Matlock
- 12-31-21
Broad strokes
The performance is great, but I find I’m not satisfied that the book kept the promise inherent in the title. I would have preferred more about crafting a MYSTERY specifically. There are several gems in this collection of advices from authors that do talk specifically about mystery, but there’s also plenty that’s well covered elsewhere - general advice for authors. Everything covered is helpful, but I bought this book because I thought it might break down the craft of writing a mystery. Only a few of the contributions did so, although if you’re looking for a broad array of writerly advice not just about what sets mystery apart, this might be good for you.
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5 people found this helpful
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- JK
- 07-27-22
All Right...
My primary problem with this book is that I purchased it for the wrong reason--my fault. This is a very formulaic compilation for frustrated amateur writers wishing to become professional. I'm not interested in being published, not at all. I've been reading and loving mysteries for a half century since teenaged years, so the 'genre', as these writers love to discuss, is nothing new to me at all. Unfortunately, I wanted to go deeper than these contributors, most of whom offer facile advice and platitudes. That might be exactly what another purchaser might want, and for them this would be fantastic. I think the best autobiography I ever read by a mystery writer was from nearly 100 years ago, written by the then-very-famous Mary Robert Rinehart. Closest modern book on writing was Steven King's book, "On Writing" a couple of decades ago. Additionally, I found that many of the writers on this compilation should've confined their contribution to writing, not narrating. I found many of them just plain irritating to listen to. Again--if you're a frustrated amateur wanting to get published, perhaps this book will suit you. But I'll bet that not one in twenty of these successful writers ever bought a book like this.
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- Jeff
- 08-07-24
Very insightful and fascinating!
Throughout my time with this book, I found myself continually impressed by the various writers guidance, and tips of the trade. I feel even better equipped now to start my own writing journey.
The listening experience was fantastic! Having different writing styles and different readers helped keep the material fresh and engaging.
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- Lisa Weaver
- 08-26-24
Excellent resource for writers
This was excellent! So much good information here for mystery writers. The multiple readers make it easy to follow the chapters without mentally wandering off. The information in this book was useful enough that I wanted to be able to easily reference it again, so I ended up purchasing the paperback version of the book as well.
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- Mark Mears
- 05-20-21
Excellent!
It was very educational and inspiring to learn so much from such talented and successful writers.
I greatly appreciate the time and effort, and the humility the authors displayed. The reader did not feel “talked down to” which made the lessons learned quite enjoyable.
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1 person found this helpful
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- Booklass
- 10-15-23
Excellent
I enjoyed this so much, I bought the print version. It's entertaining and informative on all aspects of the mystery writing process, as well as, the different mystery subgenres. Actually, there's a lot more in the book than just this. I bought the print version after listening to it because there IS so much information on offer.
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1 person found this helpful
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Overall
- Brenda
- 12-02-21
investigate before you buy.
While there are nuggets within, the title is misleading. It's a book of articles or essays, even two paragraphs snippets.
if I wanted to read a book of essays and excerpts. this might be a great book, but it's not exactly what I consider the title to indicate. My fault.
Out of the 6 hours I've put in listening, I've gained at least 20 minutes worth of good input. This is my fault because I should have investigated past the title and the hugely printed author's name. It's not what you expect from the greats to put their name on something and then stuff it full of other people's commentaries.
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3 people found this helpful