"It was one of the albums released at this time that was not the focus of thrash and heavy metal that I was so indulgent with during 1989. This album acted as one that could be listened to in all company, and it was. For the remainder of 1989 from May onwards, and into the next year, my three closest friends at the time and I would go on car trips to Sydney, just under two hours drive from where we lived, once a month on a Friday. We all found a way to either get out of work or avoid uni, and go to Sydney for the day, almost always in the same friend’s car. During this time, he had purchased “The Miracle” on cassette so we could listen to it in the car. Thing was, at some stage, the cassette got stuck, and so it was the ONLY album that we could listen to, inn his car, on these trips. So, we listened to this album, much as Freddie sings in “Scandal”, ‘over and over and over and over again’. So, I can assure you we knew every word of every song. Great times and great memories. And it was a good thing we loved this album, and that another album wasn’t the one that got caught in there, like the rubbish dance music he also liked at the time, such as New Order or Pet Shop Boys. Ugh" On this episode we are going to talk about “The Miracle” by Queen, the band’s 13th studio album released 35 years ago this week, on today’s ‘I’m a man with a one track mind’ episode of Music from a Lifetime.

"Blackie’s response to the views of “KFD” from critics and fans alike was that, in retrospect, he may have gone too far down a path that was not familiar to the fan base, and that for the next album the band would look to retrieve some of that ground by moving the band back to more traditional ground. A lot of fans took that news in great glee, perhaps anticipating an album that could combine the energy and drive of the first three albums, hopefully incorporated with the maturity of the following two albums. That of course would appear to be a practically impossible task. What the band produced instead was an album that took the essence of much of the perspective of those first three albums, and tried to recreate and transpose that onto an album some 15 years after the event. The result perhaps spoke more of the struggle within the band leader’s demons than anything else in the music, and in retrospect may have been a turning point for his future music ambitions".

On this episode we are going to talk about “Helldorado” by W.A.S.P., the band’s 8th studio album released 25 years ago this week, on today’s ‘this ain’t no joyride’ episode of Music from a Lifetime.

"Having come across Alcatrazz at the end of the 1980’s, essentially through the names Graham Bonnet and Yngwie Malmsteen, I have always found them to be a band that has all the ability in the world, but for the most part their albums fell short of what I expected, or at least what I was hoping for. Let’s face it, both characters named here have been known for their volatile natures, and neither can seem to hold a place down in a band for longer than one or two albums at most. In this case Yngwie lasted one, before striking out on his own with his Rising Force solo project, where he still seems to be unable to retain a solid band around himself, but at least he is in charge of the hiring and firing. Bonnet’s previous history and litany of bands is well known, and would continue beyond this album and band".

On this episode we are going to talk about “Live Sentence” by Alcatrazz, the band’s only live album released 40 years ago this week, on today’s ‘island in the sun’ episode of Music from a Lifetime.