Mostrando resultados por autor "Martin Amis" en Todas las categorías

What happens when we discover who we really are? And how do we come to terms with it? Can we even meet each other's eye, after we have seen who we really are? Fearless and original, The Zone of Interest is a violently dark love story set against a backdrop of unadulterated evil, and a vivid journey into the depths and contradictions of the human soul.

Martin Amis first tackled the Holocaust in 1991 with his bestselling novel Time's Arrow. He returns again to the Shoah with this astonishing portrayal of life in "the zone of interest," or "kat zet"-the Nazis' euphemism for Auschwitz. The narrative rotates among three main characters: Paul Doll, the crass, drunken camp commandant; Thomsen, nephew of Hitler's private secretary, in love with Doll's wife; and Szmul, one of the Jewish prisoners charged with disposing of the bodies. Through these three narrative threads, Amis summons a searing, profound, darkly funny portrait.

Time's Arrow tells the story, backwards, of the life of Nazi war criminal, Doctor Tod T. Friendly. He dies and then feels better, breaks up with his lovers as a prelude to seducing them and mangles his patients before he sends them home.

The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.

The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are? In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

His most intimate and epic work to date, Inside Story is the portrait of Martin Amis' extraordinary life, as a man and a writer. This novel had its birth in a death - that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his 20s, the alluringly amoral Phoebe Phelps. 

The year is 1970, and it's a long, hot summer. In a castle on a mountainside in Italy, half a dozen young lives are afloat on a sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, the boys are going on acting like boys, and Keith Nearing - 20 years old, a literature student all clogged up with the English novel - is struggling to twist feminism and women's ascendency toward his own ends.

There were conjugal visits in the slave camps of the USSR. Valiant women would travel continental distances, over weeks and months, in the hope of spending a night with their particular enemy of the people, in the House of Meetings. The consequences of these liaisons were almost invariably tragic. House of Meetings is about one such liaison.

How can one writer hurt another where it really counts? The answer: attack his reputation. This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire - The Information skewers high life and low in Martin Amis's brilliant return to the territory of Money and London Fields.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

The murderee is Nicola Six, a 'black hole' of sex and self-loathing who is intend on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honourable, and dimly romantic Guy Clinch. And as Nicola leads her suitors towards the precipice, London - and, indeed, the whole world - seems to shamble after them in a corrosively funny novel of complexity and morality.

John Self is addicted to life. Porn freak and jetsetter, a aficionado of wealth and women, Self is the shameless heir to a fast-food culture where money beats out an insistent invitation to futile self-gratification. Out in New York, mingling with the mighty, making a fortune but spending more, Self is embroiled in the corruption, the brutality and the obscenity of the money conspiracy.

It was summer 1970 – a long, hot summer. In a castle in Italy, half a dozen young lives are afloat on the sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, and the boys are going on acting like boys, and Keith Nearing – twenty years old, a literature student all clogged up with the English novel – is struggling to twist feminism and the rise of women towards his own ends.

"C'era una volta un re, e questo re incaricò il suo mago prediletto di fabbricare uno specchio magico. Questo specchio non ti mostrava il tuo riflesso. Ti mostrava la tua anima - ti mostrava chi eri realmente". E il campo di concentramento è quello specchio. Nella zona d'interesse del campo, Golo Thomsen, nazista mediocre, riscopre un sentimento che pareva impossibile in quel luogo e in quel tempo. S'innamora di Hannah Doll, una donna sposata, che come lui sta scrutando lo specchio per capire chi è. Ma c'è un problema: Hannah è la moglie del Comandante: il cinico, spietato, grottesco Paul Doll.