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Here, Rex tells the story of his coming out and his father’s rejection of his identity, navigating abuse and survival on the streets. Road Home is a devastating and incandescent reflection on Rex’s hunger for food, for love, and for a place to call home, completing the trilogy of memoirs that began with the award-winning Free Lunch.

Twenty-four hours: that's how long fourteen-year-old Elvira Gonzalez is given to come up with the $40,000 she needs to save her kidnapped mother from a drug cartel. It's 2006 and Elvira's hometown of Laredo, Texas, has become engulfed by the Mexican Drug War. Elvira's life is unraveling around her—setting her on a harrowing path that leads her to being locked up in one of South Texas's worst juvenile detention centers. After Elvira's released from juvie, she's resolved to never go back. That's when her unexpected salvation arrives in the form of 33-inch-high plastic hurdles.

Edie is a talented dancer and a skilled gymnast with hopes of making the Olympic team. Between her rigorous training and her struggle to find her place in a family where she’s the daughter “with brains but no looks,” Edie’s too busy to dwell on the state of the world. But life in Hungary in 1943 is dangerous for a Jewish girl.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer–and whose stories deserve to be celebrated in their entirety.

Girls of color have always been on the front lines of the fight for equal rights—to vote, to learn, to live—even when they are the last to benefit from the outcomes of their work. In Don’t Wait, journalist Sonali Kohli follows three teenagers’ efforts to make their communities safer, healthier places. Don’t Wait highlights what propelled the teenagers into their activism to their experiences organizing and incorporates Q&As with important lessons from activists who have led the way.

It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company. Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers.

Christine has always felt she is just half: Half American, half Japanese. As a biracial Japanese American who was born in Tokyo but raised in the US, she knows all too well what it’s like to be a part of two different worlds but never feeling as though you belong to either. Now on the brink of adulthood, Christine decides it’s time to return to the place she once called home. So she sets forth on a year abroad in Tokyo, believing that this is where she truly belongs. After years of feeling like an outsider, she will finally be complete. Except Tokyo isn’t the answer she thought it would be.