Showing results by narrator "Shaun Taylor-Corbett" in All Categories

In powerful, vivid verse, the master behind The Watch That Ends the Night recounts one of history’s most harrowing - and chilling - tales of survival.

The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent. The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?

Look outward beyond the stars with six stories from bestselling visionary authors. An AI awakens to its purpose. A researcher seeds a thousand new worlds for one more chance at love. A murder rocks the crew of an interstellar ship. With a sweeping sense of wonder, these stories explore the galaxy . . . and the horizons of humanity’s potential.

Fleeing the aftermath of a bizarre college prank and mourning the death of his deadbeat dad, Garrett Deaver escapes Pennsylvania for a salmon processing plant in remote Alaska, a state he has only known from his father’s stories. There he renames himself Beaver—just like a beaver, he’s “an industrious motherf*cker”—and he connives to become a supervisor at Klak Fancy Salmon, LLC, thinking it will solve his psychological and financial issues. He soon falls in with an entrepreneurial Turkish fish processor and a cynical old woman who mends nets and tells filthy jokes.

An innovative work of research and reportage, We Are the Middle of Forever places Indigenous voices at the center of conversations about today’s environmental crisis. The book draws on interviews with people from different North American Indigenous cultures and communities, generations, and geographic regions who share their knowledge and experience, their questions, their observations, and their dreams of maintaining the best relationship possible to all of life.

Julie Jones has left her suffocating marriage. With her teenage daughter, Jess, she’s starting over. Their new house in Oceanside is the first step toward a new life. Even if it does come with the unexpected. The previous owners, a pastor and his wife, have left something - or rather someone - behind. Tom Dean has a bitter hatred for the father who considers him a lost cause, and for the woman who’s moved into their family’s house. The only home he’s ever known. He’s never going to leave. She thinks he’ll be gone in three days, but Tom has the perfect plan.

Freddie and Greg Tyler seem to have it all: a comfortable home, a beautiful young daughter, a bond that feels unbreakable. But when Greg is diagnosed with a rare and aggressive form of cancer, the sense of certainty they once knew evaporates. Throughout their town, friends and neighbors face the most difficult of life’s challenges and are figuring out how to survive thanks to love, grace, and hope.

Luther Standing Bear was seemingly everywhere in the course of his extraordinary life. He met Chief Crazy Horse on the eve of the Battle of the Little Bighorn, was enrolled in the first class at the government-run Carlisle Indian Industrial School, witnessed the Ghost Dance movement, toured the US and Europe with showman Buffalo Bill, and devoted his later years to Indian rights. His firsthand accounts of those experiences—and his reflections on Sioux culture, customs, and traditions—combine to make this narrative a landmark of Native American literature.

The freeway is coming. It will cut the neighborhood in two. Construction has already started, pushing toward this corridor of condemned houses and cracked concrete with the momentum of the inevitable. Yet there you are, in the fifth house on the left, fighting for your life. Ramey, I. The victim of the bet between two manufactured gods: the seductive and lethal Roxy (Oxycontin), who is at the top of her game, and the smart, high-achieving Addison (Adderall), who is tired of being the helpful one, and longs for a more dangerous, less wholesome image.

Johnny Frias has California in his blood. A descendant of the state’s Indigenous people and Spanish settlers, he has Southern California’s forgotten towns and canyons in his soul. He spends his days working for the California Highway Patrol pulling over speeders, ignoring their racist insults, and pushing past the trauma of his rookie year, when he killed a man who was in the midst of assaulting a young woman named Bunny, who proceeded to run away.

The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent

Nina is a Lipan girl in our world. She's always felt there was something more out there. She still believes in the old stories. Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he's been cast from home. He's found a new one on the banks of the bottomless lake. Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli's best friend, will drive their worlds together in ways they haven't been in centuries.

One thousand years in the future, the zyme, a thick blanket of luminous green slime, covers the oceans. Glaciers three-miles-high rise over the continents. The old stories say that when the Jemen, godlike beings from the past, realized their efforts to halt global warming had gone terribly wrong, they made a desperate gamble to save life on earth and recreated species that had survived the worst of the earth's Ice Ages. Sixteen-summers-old Lynx and his best friend Quiller are members of the Sealion People - archaic humans known as Denisovans.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

Reclaiming Two-Spirits decolonizes the history of gender and sexuality in Native North America. It honors the generations of Indigenous people who had the foresight to take essential aspects of their cultural life and spiritual beliefs underground in order to save them.

After the death of his brother, a grief-stricken young man seeks refuge and oblivion in a secluded fishing village dominated by a family of brujas in this haunting debut novel, inspired, in part, by the ramifications of Diné history and thought—a mesmerizing, original tale in the tradition of works by Toni Morrison, Haruki Murakami, and Gabriel García Márquez.

Edward feels ready to move in with his dad’s girlfriend and her son, Nathan. He might miss having his dad all to himself, but even if things in their new home are a little awkward, living with Nathan isn’t so bad. And Nathan is glad to have found a new guardian for Dew, the young water monster who has been Nathan's responsibility for two years. Now that Nathan is starting to lose his childhood connection to the Holy Beings, Edward will be the one to take over as Dew’s next guardian. But Edward has a lot to learn about taking care of a water monster.

Twelve-year-old Okwaho’s life has suddenly changed. While out hunting with his best friend, his friend is kidnapped by marauders from a neighboring tribe. Okwaho barely escapes back to his village where everyone lives in fear of raids and killings: The five tribes of the Iroquois have been at war with each other for far too long, and no one can even remember what it was like to live in peace. Okwaho seeks only revenge, which will just perpetuate the violence. But before he can retaliate, a visitor with a message of peace comes to him in the woods.

As fans of Tony Hillerman's detective novels know, he is a skilled interpreter of southwestern Indian cultures. In this book, first published in 1972, he recounts a Zuni myth first recorded a century ago by the anthropologist Frank Hamilton Cushing. Hillerman's version of the story, written to be listened to by children ten years old and up, will have equal appeal for adults with an interest in Native American culture.

Bryce Andrews was raised to do no harm. The son of a pacifist and conscientious objector, he moved from Seattle to Montana to tend livestock and the land as a cowboy. For a decade, he was happy. Yet, when Andrews inherited his grandfather’s Smith & Wesson revolver, he felt the weight of the violence braided into his chosen life. Other white men who’d come before him had turned firearms like this one against wildlife, wilderness, and the Indigenous peoples who had lived in these landscapes for millennia. This was how the West was “won.”