Mostrando resultados por narrador "Eunice Wong" en Todas las categorías

Ren has never held an iPhone, googled the answer to a question, or followed a crush on social media. What she has done: read a book or two, or three (okay, hundreds). Taught herself to paint. Built a working wind-power system from scratch. But for all the books she’s read, Ren has never found one that’s taught a woman raised on a homestead and off the grid for most of her 22 years how to live in the real world. So when she finally achieves her lifelong dream of attending Corona College, it feels like her life is finally beginning.

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love.

Massively damaged in Aliens and Alien 3, the synthetic Bishop asked to be shut down forever. His creator, Michael Bishop, has other plans. He seeks the Xenomorph knowledge stored in the android’s mind and brings Bishop back to life—but for what reason? No longer an employee of the Weyland-Yutani Corporation, Michael tells his creation that he seeks to advance medical research for the benefit of humanity. Yet where does he get the resources needed to advance his work. With whom do his new allegiances lie?

Vera Wong is a lonely little lady of a certain age who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her shop. In his outstretched hand, a flash drive. After calling the cops like any good citizen, she swipes the flash drive. Why? Because Vera is sure she would do a better job than the police possibly could.

From the acclaimed authors of the runaway New York Times bestseller 2034 comes another explosive work of speculative fiction set twenty years further in the future, at a moment when a radical leap forward in artificial intelligence combines with America’s violent partisan divide to create an existential threat to the country, and the world.

Young Wang has received plenty of wisdom from his beloved uncle: don’t take life too seriously, get out on the road when you can, and everyone gets just seven great loves in their life—so don’t blow it. This last one sticks with Young as he is an obsessive cataloger of his life: movies watched, favorite albums . . . all filtered through Chinese numerology and superstition. He finds meaning in almost everything, for which his two best friends endlessly tease him. But then, at the end of 1995, when Young is at New York University, he meets Erena.

Rumors begin to spread of a species of hyperintelligent, dangerous octopus that may have developed its own language and culture. Marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed the remote Con Dao Archipelago, where the octopuses were discovered, off from the world. Dr. Nguyen joins DIANIMA’s team on the islands: a battle-scarred security agent and the world’s first android.

After a personal tragedy and professional scandal forces homicide detective Vanessa Castro out of Seattle, she takes a new job in Seaside, Washington, determined to make a fresh start. The small beach town, best known for its popular amusement park, Wonderland, seems like the perfect place to raise her young son and teenage daughter. But it's not that easy starting over, especially as the town's new Deputy Chief of Police. When a dead body turns up at the park her first day on the job, and then a teenage Wonder Worker goes missing, Vanessa's investigation is met with resistance.

Delphi has spent years working at a vast and iconic theme park in California after fleeing a trauma in her rural hometown. But following the disturbing death of a beloved Hollywood starlet on the park grounds, Delphi is tasked with shuttering it for good. Meanwhile, two siblings with ties to the park exchange letters, trying to understand why people who work there have been disappearing. Before long, they learn that there’s a reason no one is meant to see behind its carefully guarded curtain.

Twenty-five years ago, when Pat Robertson and other televangelists first spoke of the United States being a Christian nation that would build a global Christian empire, it was hard to take such hyperbolic rhetoric seriously. Today, such language no longer sounds like hyperbole but poses, instead, a very real threat to our freedoms and our way of life.

Not since Maxine Hong Kingston and Amy Tan has a fiction writer explored with such powerful intensity the experience of being Asian American. The characters who inhabit this extraordinary fictional debut are caught between the burden of their past history and the fragility of their unchartered future. Hunger illuminates how first-generation immigrants from China, culturally and emotionally uprooted from their homeland, mistrust connection even as they hunger for attachment - and how the past affects and shapes their children.

Desperate to obliterate her past, a young widow flees California for the French Riviera in this compelling debut, a tale of loss, rebirth, modern friendship, and romance that blends Sally Rooney’s wryness and psychological insight with Emma Straub's gorgeous scene-setting and rich relationships.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion.

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable.

In H Is for Hope, Elizabeth Kolbert investigates the landscape of climate change—from “A,” for Svante Arrhenius, who created the world’s first climate model in 1894, to “Z,” for the Colorado River Basin, ground zero for climate change in the United States. Along the way she looks at Greta Thunburg’s “blah blah blah” speech (“B”), learns to fly an all-electric plane (“E”), experiments with the effects of extreme temperatures on the human body (“T”), and struggles with the deep uncertainty of the future of climate change (“U”).

This book examines one of the most contested issues facing feminists, human rights activists, and governments around the globe - the international sex trade. For decades, the liberal left has been conflicted as to whether pro-prostitution activists or abolitionists hold the correct view, and debates are ongoing as to who holds the key to the solutions facing the women and girls involved.

LOS ANGELES, 1932: Lulu Wong, star of the silver screen and the pride of Chinatown, has a face known to practically everyone, especially the Chow sisters—May, Gemma, and Peony—Lulu’s former classmates and neighbors. So the girls instantly know it’s Lulu when they discover a body one morning in an out-of-the-way stable, far from the Beverly Hills home where she lived after her fame skyrocketed. The sisters suspect Lulu’s death is the result of foul play, but the police don’t seem motivated to investigate. Even worse, there are signs that point to a cover-up.

It’s a truth universally acknowledged that terrible apologies are the worst. We’ve all been on the receiving end, and oh, how they make us seethe. Horrible public apologies—excuse-laden, victim blame-y, weaselly statements—often go viral instantaneously, whether they’re from a celebrity, a politician, or a blogger. We all recognize bad apologies when we hear them. So why is it so hard to apologize well? How can we do better? How could they do better? Marjorie Ingall and Susan McCarthy show us the way.

Nine months before Rosa Parks kicked off the bus boycotts, Claudette Colvin was arrested for refusing to give up her seat on a segregated bus in Montgomery, Alabama. She was fifteen. In 1912, women’s rights activists organized a massive march in support of women’s suffrage. Leading them up Fifth Avenue in Manhattan was not one of the mothers of the movement, but a teenage Chinese immigrant named Mabel Ping-Hua Lee.