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Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.

The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice, and vicious cruelty - all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history.

During the 1600s—between the end of the Renaissance and the start of the Enlightenment—Europe lived through an era known as The Age of Reason. By exploring all the key events and bringing to life some of the most influential characters of the era—including Caravaggio, Rembrandt, Newton, Descartes, Spinoza, Louis XIV, and Charles I—acclaimed historian Paul Strathern tells the vivid story of this paradoxical age, while also exploring the painful cost of creating the progress and modernity upon which the Western world was built.

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

Between the birth of Dante in 1265 and the death of Galileo in 1642, something happened that transformed the entire culture of Western civilization. Painting, sculpture, and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born - or emerge in an entirely new guise.

The Republic of Venice was the first great economic, cultural, and naval power of the modern Western world. After winning the struggle for ascendency in the late 13th century, the Republic enjoyed centuries of unprecedented glory and built a trading empire which at its apogee reached as far afield as China, Syria, and West Africa. This golden period only drew to an end with the Republic's eventual surrender to Napoleon. The Venetians illuminates the character of the Republic during these illustrious years by shining a light on some of the most celebrated personalities of European history.

Leonardo da Vinci, Niccolò Machiavelli, and Cesare Borgia - three iconic figures whose intersecting lives provide the basis for this astonishing work of narrative history. They could not have been more different, and they would meet only for a short time in 1502, but the events that transpired when they did would significantly alter each man's perceptions - and the course of Western history.

Having founded the bank that became the most powerful in Europe in the 15th century, the Medici gained massive political power in Florence, raising the city to a peak of cultural achievement and becoming its hereditary dukes. Mary Hollingsworth argues that the idea that the Medici were enlightened rulers of the Renaissance is a fiction that has now acquired the status of historical fact. In truth, the Medici were as devious and immoral as the Borgias - tyrants loathed in the city they illegally made their own.

Focusing on key characters from the seventeenth to the eighteenth centuries, including Caravaggio, Rembrandt, Newton, Descartes, Spinoza, Louis XIV and Charles I, Dark Brilliance is a fascinating and wide-ranging history that explores the human costs of imposing progress and modernity.

Immanuel Kant taught and wrote prolifically about physical geography yet never traveled further than forty miles from his home in Kvnigsberg. How appropriate it is then that in his philosophy he should deny that all knowledge was derived from experience. He insisted that all experience must conform to knowledge. According to Kant, space and time are subjective; along with various "categories," they help us to see the phenomena of the world, though never its true reality.

A dazzling new history of the world told through the 10 major empires of human civilization. Combining breathtaking scope with masterful narrative control, Paul Strathern traces these connections across four millennia and sheds new light on these major civilizations - from the Mongol Empire and the Yuan Dynasty to the Aztec and Ottoman, through to the most recent and biggest empires: the British, Russo-Soviet, and American.

With Friedrich Nietzsche, philosophy was dangerous not only for philosophers but for everyone. His ideas presaged a collective madness that had horrific consequences in Europe in the early 1900s. Though his philosophy is more one of aphorisms than a system, it is brilliant, persuasive, and incisive. His major concept is the will to power, which he saw as the basic impulse for all our acts. Christianity he saw as a subtle perversion of this concept, thus Nietzsche's famous pronouncement, "God is dead."

"If we accept Wittgenstein's word for it," Paul Strathern writes, "he is the last philosopher. In his view, philosophy in the traditional sense was finished."

In an age when philosophers had scarcely glimpsed the horizons of the mind, a boy named Aristocles decided to forgo his ambitions as a wrestler. Adopting the nickname Plato, he embarked instead on a life in philosophy. In 387 B.C. he founded the Academy, the world's first university, and taught his students that all we see is not reality but merely a reproduction of the true source. And in his famous Republic he described the politics of "the highest form of state."

David Hume reduced philosophy to ruins: he denied the existence of everything, except our actual perceptions themselves. I alone exist, he argued, and the world is nothing more than part of my consciousness. Yet we know that the world remains, and we go on as before. What Hume expressed was the status of our knowledge about the world, a world in which neither religion nor science is certain.

From a young age, James Joyce showed a precocious and original intellect and a confidence in his own artistic destiny. He would indeed go on to transform the nature of modern literature, employing a unique stream-of-consciousness technique rich in symbolism and wordplay. Through his art, the Dublin native sought to reveal the radiance and meaning that lurks in the everyday world - "the soul of the commonest object" - evoking a heightened sense of consciousness within the grit of common life.

Schopenhauer, the "philosopher of pessimism", makes it very plain that he regards the world and our life in it as a bad joke. But if the world is indifferent to our fate, it doesn't thwart us on purpose. The world's facade is supported by what Schopenhauer calls the Universal Will, blind and without purpose. This Will brings on all our misery and suffering; our only hope is to liberate ourselves from its power and from the trappings of individualism and egoism that are at its mercy.

Beckett in 90 Minutes offers a concise, expert account of Beckett's life and ideas and explains their influence on literature and on man's struggle to understand his place in the world. The book also includes a list of Beckett's chief works, a chronology of his life and times, and recommended reading for those who wish to delve deeper.

Kierkegaard wasn't really a philosopher in the academic sense. Yet he produced what many people expect of philosophy. His subject was the individual and his or her existence, the "existing being." In Kierkegaard's view, this purely subjective entity lay beyond the reach of reason, logic, philosophical systems, theology, or even "the pretenses of psychology." Nonetheless, it was the source of all these subjects. The branch of philosophy to which Kierkegaard gave birth has come to be known as existentialism.

Latin American literature was never primitive; yet, from its beginnings, it was suffused with a fresh, often childish lyricism. Gabriel Garcia Marquez stands on the shoulders of a great Latin American literary heritage, but he is a modern rarity: a writer with aspirations to high art who also remains hugely popular. For those who fall under his spell, his novel One Hundred Years of Solitude is one of the richest literary dreams ever written.