This list is part of our Best of the Year collection, an obsessively curated selection of our editors' and listeners' favorite audio in 2022. Check out The Best of 2022 to see our top picks in every category.
There are few stories more compelling or more intimately told than those soul-baring memoirs that seek not just to recount the experiences of one's own life but to draw some greater commentary on the big existential questions. What does it mean to be human? What is our purpose in being here? How much of who we are is purely self-determined? How much is an amalgamation of all those who have left an impact on us?
Like all great autobiographies, the very best memoirs of 2022 muse on those questions, contemplating everything from the impact of art and culture on identity to navigating the labyrinthine worlds of grief and illness, addiction and recovery. Exceptional in both their prose and narration, these listens represent a few of the year's best memoirs.
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Audible's Memoir of the Year, 2022 To call Margo Jefferson’s exquisite Constructing a Nervous System a memoir is a bit of a misnomer. After all, this skillfully crafted autobiography dances between genres so fluidly, leaping from the personal to deft cultural analysis in a dazzling display of narrative choreography. Jefferson constructs this stunner of a memoir through a literary lens, one that all but embodies the artists she riffs off of and analyzes, developing a story of the self through the creations, personalities, and perspectives of other artists. In a totally unique style that splinters the form of memoir altogether and frequently sees the text in dialogue with itself, this sharp listen illuminates that so much of who we are is built upon what we love and the things we encounter—be it the lasting presence of a late family member or a voice rising from a turntable. —Alanna M.
Told through the perspective of his nine-year-old self, Javier Zamora’s Solito is a moving account of his perilous, exhausting solo journey from El Salvador to the United States, where his parents awaited him. Zamora was entirely reliant on the support and compassion of his fellow migrants to survive—a story that is both his own and shared by many. Zamora is a poet first, and his delivery is pitch-perfect, lending a lyrical cadence and a well of emotion to an already beautifully crafted memoir. His voice, at times quivering, small, or uncertain, much like his young self, is wielded as an instrument of the story, not an appendix, reminding the listener of the human beings behind the statistics and political platforms. —A.M.
There are some sounds I consider synonymous with my Irish heritage: the slap of ghillies and the clack of reel shoes, the melodic jaunt of lilting or swell of an accordion, and the entrancing lull of a good story. The latter is embodied in Séamas O’Reilly’s tender retrospective on grief, family, and childhood, all amidst the din of the Troubles. However, a dry tearjerker this is not. Instead, whether musing on his father’s unmatched haggling abilities or offering asides on the oddities of death’s theatrics, O’Reilly brings so much joy and soul into his story that it’s impossible not to smile along. There is simply so much love, life, and heart in this rich memoir that you can almost hear it breathing. —A.M.
In this deeply researched and insightful memoir, author Meghan O’Rourke illuminates how chronic illness has become the defining medical mystery of our times, and the source of a painful dissonance between the promises of modern medicine and the lived experiences of so many. Drawing on her own health issues as well as her background as a poet, O’Rourke weaves insights from doctors, patients, researchers, and other experts into a captivating and lyrical narrative. The current spotlight that long COVID has thrown on autoimmune and other “invisible” conditions is a central focus of the memoir, and many people will feel seen—and hopefully heard—by the eloquent voice O’Rourke gives to a monumental challenge. —Kat J.
I’ve always found something peculiar about “loss” as a euphemism for death. Even still, it feels so apt—that sense that something is missing, at first an acute awareness and in time, an understanding of that absence’s permanence. Kathryn Schulz pulls on this thread in her gorgeous memoir Lost & Found, an account of the universality and ubiquity of those two most human experiences—love and death—as filtered through the loss of her father and the life she built with her wife. As someone muddling through a similar grief journey while trying to nurture a relationship of my own, I found a resonant comfort and hope in Schulz’s thoughts on bereavement and all the life there is still left to lead. —A.M.
As someone with a mood disorder, I find solace in listens that take new avenues for exploring the complicated and often isolating side effects of mental health conditions. Reconstructing her experiences with guided meditation and using recordings from real therapy sessions, Stephanie Foo takes a highly journalistic approach to dissecting her CPTSD diagnosis in this vulnerable and intelligent memoir. Unpacking how and why her trauma affects her the way it does, What My Bones Know is not only uniquely suited for audio but constructs a creative audio experience that challenged me as a listener in unexpected and illuminating ways. —Haley H.
This juicy and culturally significant listen, which happens to be the memoir of one of my Audible colleagues, is one of the best I’ve had the pleasure of gulping down. In Quite the Contrary, Yvonne Durant gradually unfurls the mother of all cocktail-party stories—the intimate account of her love affair with jazz legend Miles Davis—against her equally compelling career trajectory as a rare Black woman making waves in advertising’s competitive heyday. Witty, poignant, and funny, Durant lets us into secret spaces of celebrity, culture, and bygone New York, unforgettably brought to life by narrator Allyson Johnson. —K.J.
This landmark biography from Washington Post reporters Robert Samuels and Toluse Olorunnipa is built on more than 400 interviews conducted in the aftermath of George Floyd’s death, offering the most complete portrait of Floyd’s life and legacy to date. Star narrator Dion Graham pairs with the authors to create a powerhouse performance that moves from Floyd’s ancestral roots in the tobacco fields of North Carolina to the housing projects of Houston and his death at the hands of Minneapolis police, paying homage to his life while revealing its deep intersections with America’s history of racism and inequality. —H.H.
To fans of Brandon Stanton's street photography project and bestselling book Humans of New York, Stephanie Johnson—better known as Tanqueray—is nothing short of a superstar. So, to finally hear the septuagenarian share more unfiltered, incredible stories about being a burlesque dancer in 1970s New York City—and many other necessary reinventions to survive life's ups and downs—in her own feisty, raunchy, badass way is a milestone storytelling event that is at times hilarious as well as heartbreaking. Millions fell in love with her indomitable spirit by reading about her life on social media, but listening to this legendary lady is unforgettable. As she says: "Make room for Tanqueray, because here I come." —Jerry P.
Told in collaboration with renowned journalist Jelani Cobb, The Book of Baraka combines poetry and prose with the history that helped to shape Ras Baraka, the current mayor of Newark, New Jersey, into the man he is today. It’s the story of a young Black boy’s coming of age as the son of one of the most influential and controversial poets and revolutionaries of the era but also of how that boy would later shape his city—first as a poet, then as an educator, and now, as mayor. As a former resident of Newark myself, I have nothing but praise for Baraka’s accomplishments. But don’t just take it from me. His is a story you definitely don’t want to miss out on, and it should be heard from the mayor himself. —Michael C.
Full disclosure: I’m a sucker for any story involving animals, particularly when those little critters are of the motley variety. Needless to say, I was drawn to Laurie Zaleski’s Funny Farm immediately. An account of running a rescue for beasties ranging from cats to horses? That ridiculously cute cover? Sign me up. What I didn’t expect, however, was a truly affecting memoir that extended far beyond barnyard antics, exploring the depths of Zaleski’s difficult childhood, her mother’s remarkable strength, and carrying on a mission inherited. So sure, come for the adorable furry and feathered friends, but stay for the author’s graceful, heartrending tribute to her late mother and a testament to the redemptive power of caring for others, four-legged or otherwise. —A.M.
If you’re a fan of true crime podcasts, you probably already know Rabia Chaudry’s euphonic voice—as host of both Undisclosed and Rabia and Ellyn Solve the Case, her skills behind the microphone are well documented. Chaudry's gifts for performance and storytelling shine the clearer in her deeply personal debut memoir. So named in reference to Chaudry’s childhood nickname, Fatty Fatty Boom Boom is an immensely relatable listen for anyone who has ever battled body image issues, a rumination on those most complicated relationships (with both food and family), and a love letter to Pakistani cuisine. —A.M.
A true blend of biography and memoir, Ada Calhoun’s Also a Poet is a fascinating gem of a listen. Calhoun, the author behind nonfiction listens like Why We Can’t Sleep and St. Marks Is Dead, turns her eye toward a subject matter far closer to home. In examining her strained, complicated relationship with her father, the acclaimed art critic Peter Schjeldahl, Calhoun comes across an unexpected connection between them: the late bohemian poet Frank O’Hara. Twisting in its exploration of family, legacy, and art, this Audible Original—which features exclusive archival audio of artistic giants—is an evocative act of catharsis. —A.M.
Journalist Keri Blakinger has dedicated much of her career to shining a light on the stark realities of criminal justice in America. Her ongoing work with nonprofit news collective The Marshall Project aims to provide a better quality of life for prisoners, with Blakinger advocating for inmate safety and well-being while underscoring their oft-disregarded humanity. But Blakinger’s focus isn’t merely academic—as detailed in Corrections in Ink, she’s lived through the prison system herself. Employing well-crafted, blazing prose and narration marked by an uncommon frankness, she recounts her battle with addiction and subsequent incarceration. Listening to her story is sometimes difficult, painful even, but that’s part of its power—this is a courageous, contemplative memoir poised to change the conversation. —A.M.
Kidlit author Isaac Fitzgerald rocketed into the capital-L literary landscape with this astounding memoir-in-essays, its instantly iconic title matched by an unforgettable voice. With his origins firmly in Massachusetts, Fitzgerald grew up with a love of literature and a bohemian sensibility that transcended his rough-and-tumble background and its narrow presentation of masculinity. That foundation serves him well in this fiercely honest, vulnerable, and rowdy collection of reminiscences that range from Boston to Burma (now Myanmar), connecting the dots from Fitzgerald’s former lives as an altar boy, fat kid, and small-time criminal to lightning-bolt musings on religion, race, body image, and family. Both literally and literarily speaking, his voice is one to savor. —K.J.