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In late 31 AD, after the Roman senators murdered Lucius Sejanus, the Roman Emperor Tiberius's closest confidant, the Empire was forever changed. If Sejanus had not been murdered, Jesus would never have been crucified. This profound connection between the lives of Sejanus and Jesus is the first of many revelations in this startling reexamination of the Roman world in which Jesus walked. With new evidence and meticulous research, Dr. James Lacey weaves a majestic and accurate description of who Jesus was.

When Gareth Harney was first handed a Roman coin by his father as a child, he became entranced by its beauty, and its unique ability to connect us with the distant past. He soon learned that the Romans saw coins as far more than just currency—these were metal canvases on which they immortalized their sacred gods, mighty emperors, towering monuments, and brutal battles of conquest. Revealed in those intricate designs struck in gold, silver, and bronze was the epic story of the Roman Empire.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the center of Rome and power, in AD 121. Award-winning author and translator Tom Holland provides a masterful new translation of Suetonius' renowned biography of the twelve Caesars, bringing to life a portrait of the first Roman emperors in stunning detail.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

In The Buried City, the director of Pompeii, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of the city and reveals the new artefacts and remains that are now being unearthed in the biggest dig of the site in a generation. He reconstructs Pompeii as it would have been, revealing who lived here, what mattered to them and what happened in their final hours, while also reflecting on our role as keepers of this heritage.

In Unfortunately, She was a Nymphomaniac, Smith pieces together the stories of these women, showing how they struggled for control of their lives at a time when both the law and culture were stacked against them. It is not a conventional history but an interpretation of the original texts informed by what we know now about the mechanics of domestic abuse. There are no ‘nymphomaniacs’ here but the picture that emerges is one of spirited, inspiring and sometimes reckless resistance to male authority.