I trust no one. I thrive with control and I've learned to be ruthless and coldhearted. A love life? I'm not interested. But I still have desires. That's where Dahlia came in; my treasure. She had never been a submissive before and I was eager to train her. When I saw her on stage at the auction, dressed in gold, I knew I had to have her. She's mine for an entire month. I own her. But one lie changed everything.

Tiernan de Haas doesn’t care about anything anymore. The only child of a film producer and his starlet wife, she’s grown up with wealth and privilege but not love or guidance. And when they suddenly pass away, she knows she should be devastated. But has anything really changed? She’s always been alone, hasn’t she? Jake Van der Berg, her father’s stepbrother and her only living relative, assumes guardianship of Tiernan who is still two months shy of 18. She's sent to live with him and his two sons, Noah and Kaleb, in the mountains of Colorado.

There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I've always been good at following rules. Until she came. Then I learned new rules.

They call me a slut. Maybe I am. Sometimes I do things I despise. Sometimes men take without asking. But I have a musical gift, only a year left of high school, and a plan. With one obstacle. Emeric Marceaux doesn’t just take. He seizes my will power and bangs it like a dark note. When he commands me to play, I want to give him everything. I kneel for his punishments, tremble for his touch, and risk it all for our stolen moments.

Rollo Tomassi is one of the leading voices in the globally growing, male-focused online consortium known as the "Manosphere". Outlined are the concepts of positive masculinity, the feminine imperative, plate theory, operative social conventions, and the core psychological theory behind game awareness and "red pill" ideology. Tomassi explains and outlines the principles of intergender social dynamics and foundational reasoning behind them.