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破戒
- Narrado por: 佐々木 健
- Duración: 12 h y 36 m
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Resumen del Editor
それまでの和歌や俳句などの定型詩や漢詩とは異なる新しい文体の詩人として出発し、近代詩を確立していきました。
その後、小説執筆へと転じます。あるがままの現実を描き、且つ人間の内面を正直に描くという、写実主義と浪漫主義の両方を併せ持った、自然主義文学の代表的な作家となりました。
また、在籍期間は短かったものの、東京音楽学校にてヴァイオリン、ピアノ、コーラスを学んだという経歴も持っており、音楽に関する知識も豊富だったことがうかがえます。
出会った人物から様々な影響を受け、新しいものに対する情熱と探求心を常に持ち、それが創作の糧となっていたのでしょう。
1913年から3年間渡仏した際には、日本に残してきた4人の子どもたちに土産話として聞かせるために童話集をまとめています。
その童話集もたくさん版を重ねていることから、いかに読まれてきたかをうかがい知ることができます。
この書の世に出づるにいたりたるは、函館にある秦慶治氏、及び信濃にある神津猛氏のたまものなり。労作終るの日にあたりて、このものがたりを二人の恩人のまへにさゝぐ――
蓮華寺では下宿を兼ねた。瀬川丑松が急に転宿を思ひ立つて、借りることにした部屋といふのは、其蔵裏つゞきにある二階の角のところ。寺は信州下水内郡飯山町二十何ヶ寺の一つ、真宗に附属する古刹で、丁度其二階の窓に倚凭つて眺めると、銀杏の大木を経てゝ飯山の町の一部分も見える。さすが信州第一の仏教の地、古代を眼前に見るやうな小都会、奇異な北国風の屋造、板葺の屋根、または冬期の雪除として使用する特別の軒庇から、ところ/″\に高く顕れた寺院と樹木の梢まで――すべて旧めかしい町の光景が香の烟の中に包まれて見える。たゞ一際目立つて此窓から望まれるものと言へば、現に丑松が奉職して居る其小学校の白く塗つた建築物であつた……
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