-
Alice Sadie Celine
- Narrado por: Chloë Sevigny
- Duración: 8 h y 36 m
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Resumen del Editor
“Obsessed!” —Chloë Sevigny
“I am literally obsessed.” —Busy Philipps
A hypnotic, sexy, and incisive debut adult novel following one woman’s affair with her daughter’s best friend that tests the limits of love and ambition from #1 New York Times bestselling author of Red Riding Hood.
It’s opening night, but Alice’s performance in the local Bay Area production of The Winter’s Tale is far from glamorous. She doesn’t have dreams of stardom, but the basement theater in a wildfire-choked town isn’t exactly what she envisioned for her career back home in Los Angeles. To make matters worse, her best friend Sadie is not even coming.
Pragmatic, serious Sadie and flighty, creative Alice have been best friends since high school—really one another’s only friends—but now that they are through with college (which they attended together) and living on opposite ends of California, Alice would at least expect her friend’s support. Sadie, determined not to cancel her plans with her boyfriend, ends up enlisting the help of her mother, Celine.
A professor of women’s and gender studies at UC Berkeley, Celine’s landmark treatise on sex and identity made her notorious, but she’s struggling to write her new book in a post-second-wave feminist world. So, when Sadie begs her to attend Alice’s play, she relents, if only to escape writer’s block. But in a turn of perplexing events, Celine becomes entranced by Alice’s performance and realizes that her daughter’s once lanky, slightly annoying best friend is now an irresistible young woman.
Set over the course of decades—from Alice and Sadie’s early friendship days and Celine’s decision to leave her husband to the radical movements of 1990s Berkeley and navigating contemporary Hollywood—Alice and Celine’s affair will test the limits of their love for Sadie and their own beliefs of power, agency, and feminism. Witty and relatable, sexy and surprising, Sarah Blakley-Cartwright’s debut adult novel is a mesmerizing portrait of the inner lives of three very different women.
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The actual book The Art of War, not a commentary
- De Fred271 en 12-31-19
De: Sun Tzu
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Technically Speaking
- De: Michael Elliot
- Narrado por: Coco Jones, Keith Powers, Queen Latifah, y otros
- Duración: 1 h y 50 m
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Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.
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Overdue Diverse Representation in Tech!
- De Jatai Pollock en 09-26-24
De: Michael Elliot
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Starship Troopers
- De: Robert A. Heinlein
- Narrado por: R.C. Bray
- Duración: 8 h y 15 m
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- De Kristopher G. Hesson en 10-03-24
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Brain Damage
- De: Freida McFadden
- Narrado por: Megan Tusing
- Duración: 9 h y 32 m
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- De Jennifer Chichester en 09-16-22
De: Freida McFadden
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Ghost Stories: Stephen Fry's Definitive Collection
- De: Stephen Fry, Washington Irving, M.R. James, y otros
- Narrado por: Stephen Fry
- Duración: 8 h y 18 m
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- De Michael Fuchs en 11-07-23
De: Stephen Fry, y otros
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Fahrenheit 451
- De: Ray Bradbury
- Narrado por: Tim Robbins
- Duración: 5 h y 1 m
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- De Joel en 03-27-17
De: Ray Bradbury
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Slayers: A Buffyverse Story
- De: Christopher Golden, Amber Benson
- Narrado por: Amber Benson, Charisma Carpenter, James Charles Leary, y otros
- Duración: 8 h y 2 m
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- De Anonymous User en 10-12-23
De: Christopher Golden, y otros
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Dracula [Audible Edition]
- De: Bram Stoker
- Narrado por: Alan Cumming, Tim Curry, Simon Vance, y otros
- Duración: 15 h y 27 m
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- De Jim "The Impatient" en 11-05-15
De: Bram Stoker
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Holiday Hideaway
- A Short Story
- De: Mary Kay Andrews
- Narrado por: Eva Kaminsky
- Duración: 1 h y 59 m
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Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.
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I ain’t afraid of no ghosts
- De 🔥 Phx17 🔥 en 10-31-24
De: Mary Kay Andrews
Lo que los oyentes dicen sobre Alice Sadie Celine
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- DOK
- 01-07-24
Mostly unlikable characters dealing with age-defying immaturity
This book/audiobook is quite ambivalent. I hated the writing and the narration but i suspect those are exactly the way they’re intended to be.
I know a lot of this story is supposed to be sarcastic, but phrasing like describing a young woman’s natural blush as “rosacea “ and then lines like fear “pulsing in her amygdala” (paraphrasing) are just a turn off, even if they intend to describe the character’s tendency to intellectualize life and emotions.
The characters are superficial, sheltered with industrial levels of internalized boredom with a pathetic desperation to be unique or important. Almost like a tragic case of Affluenza.
That said i kept thinking, i could enjoy this story on a screen where the visual narration could eliminate a lot of the inner dialogue.
Lastly, I suspect in the original story the girls, Sadie and Alice may have been closer to 19, so that the a lot of the immaturity would make sense, but then again the book would have to cover more on exploitation that it definitely isn’t willing to do and despite trying hard to be edgy it plays it safe.
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- Emily Johl
- 01-13-24
extremely dull and joyless performance
This vocal performance had absolutely no life or candor. It made already unlikeable characters even more unbearable. The story is semi interesting but a little tedious and again -joyless kind of a slough to get through and Chloe’s work did not help! I think i would have enjoyed it more if i just read it instead :/
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- Amazon Customer
- 01-09-24
One dimensional characters who are bored by their sad lives.
The main characters are flimsy—-detailed quirks with very little honest emotion. My lasting impression of this book is that it’s a great lesson in how not to be a mother, daughter, friend or adult. The main characters are all supremely unhappy with their lives and do little to improve their happiness. The reader’s irritating tone of constant ennui added to that.
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