“There’s the existing AI and the dream of artificial general intelligence that is aligned with our values and will make our lives better. Certainly, the techno-utopian dream is that it will lead us towards utopia. It is the means of organizing human collectivities, human societies, in a way that would reconcile all the variables, all the things that we can't reconcile because we don't have enough of a fine-grained understanding of how people interact, the different motivations of their psychologies and of societies, of groups, of people. Of course, that's another kind of psychology that we're talking about. So I think the dream of AI is a utopian dream that stands correcting, but it is itself being corrected by those who are the curators of that technology. Now you asked me about the changing role of artists in this landscape. I would say, first of all, that I'm for virtuosity. And this makes me think of AI and a higher level AI, it would be virtuous before it becomes super intelligence.”

S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.

https://profiles.laps.yorku.ca/profiles/sylwiac/

www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopie

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast