Evelina

Or, the History of a Young Lady's Entrance into the World

De: Frances Burney

Narrado por: Orson Scott Card, Emily Rankin, Stefan Rudnicki, Gabrielle de Cuir

Duración: 18 h y 16 m

Resumen del Editor

Originally published in 1778, Evelina is Frances Burney's first and most beloved novel. It was a landmark in the development of the novel of manners and went on to influence such enduringly popular authors as Jane Austen.

By turns hilarious and grim, witty and lyrical, the story follows young Evelina as she leaves the seclusion of her country home and enters into late eighteenth-century London society - both its pleasures and its dangers. Life in eighteenth-century England is vividly rendered as Evelina is educated in the ways of the world and, eventually, love. As she battles such cruelties as social snobbery and delights in such thrills as pleasure gardens and balls, Evelina strives toward her final triumph, while capturing the hearts of listeners everywhere along the way.

Public Domain (P)2014 Blackstone Audio, Inc.

An entertaining listen

Though this novel was written in 1778, it feels fresh in its observations and language. The characters are fairly well-drawn--though with the limitation of the narrators being the letter writers, there are some motivations and characters that are left with shallow outlines. Some of the characters and events also seemed superfluous--though that is also common in Dickens, Gaskell, and Trollope--but it made me appreciate how tightly written Jane Austen's novels are. I enjoyed the narration, though at times it tended toward the melodramatic--though at somewhat melodramatic moments! Orson Scott Card's afterword also seems superfluous--I didn't find that it added anything to listening to the novel--and he needs to read Lady Susan if he thinks Jane Austen utterly rejected the epistolary form.

A hidden gem

If you like Jane Austen, then Evelina is a must! It is an engaging story and I could hardly pause the story for anything. Highly recommend!

Immersive reading

The readers were amazing, and I was so impressed with the amount of expression and accuracy to the characters. Truly excellent

American accent

Great book when known to the history of it.
Next time please choose British native performers. The American accent was out of place.

Off to read the rest of Fanny Burney’s works

This is the type of underrated classic we need to make viral!

P.S. I loved Orson Scott Card’s Afterword (he is the author of Ender’s Game, for those who aren’t aware)

Happy discovery

First of all, it is lovelily read. The only negative I could find about the performance, is the accent not being British, taking away some of the authenticity. However, it is a good performance, therefore after my original deception, I enjoyed every minute.
As for the story itself, I read it because I learnt it was one of Jane Austen's favourites. As I said in the title, it is a happy discovery. I will read Cecilia next with the hopes of another lovely read.

A bit over the top …

It’s an engaging story, but many, even most, of the characters are too extreme—all bad or all good— and some of them are simply insufferable. Many scenes and events are also repeated—this nit-wit of a girl gets herself into the same ridiculous situations again and again, and she can never get up the gumption to say NO when someone is “forcing” her to do something she knows is unwise. So, while you frequently want to wring the heroine’s neck, it’s nonetheless pretty entertaining and very well performed.

Satisfactory, a solid B

Appreciated there being multiple narrators and the main woman does a good job portraying different voices, etc. However I do wish everyone had an English accent (or Scottish where it pertains), as it would have felt more authentic.

American Narrator...but don't let that stop you

I get that the venerable Orson Scott Card loves this book so much that he selected the narrators (and bought the rights...?) but an American woman is a poor choice to voice an English girl. That being said, I found the story itself so charming and the narration otherwise so faultless that it was easy for me to sink into the book. May be harder for a British reader, however, to get over the very English story voiced by an American.

Lovely story loved by Jane Austen

Fascinating look at English women of the late 1700s, written in letters, mostly from a naive young woman, raised by an English country parson, but, of course, the true daughter of a wronged English woman and a French aristocrat who denies her birthright.