Ghosts of Tomorrow

De: Michael R. Fletcher

Narrado por: Rosa B. Watkinson

The Brain Trade: Grown in crèches and programmed with a tribal warrior code, the minds of children are harvested by the black market. Sold to the highest bidder, they're installed in deadly combat machines and assassin chassis.

Griffin, a junior Investigations agent for the North American Trade Union, is put on the case: Find and close the illegal crèches. Installed in a combat chassis, Abdul, a depressed 17-year-old killed during the Secession Wars in Old Montreal, is assigned as Griffin's Heavy Weapons support. Nadia, a state-sanctioned investigative reporter working the stolen children story, pushes Griffin ever deeper into the nightmare of the brain trade.

In the La Carpio slums of Costa Rica, the scanned mind of an autistic girl named only 88 runs the South American Mafia's business interests. But 88 wants more. She wants freedom. And she has come to see humanity as a threat. She has an answer: Archaeidae. He died when he was eight. At 14, a six-gun slinging, katana-wielding machine of death, he is the deadliest assassin alive.

Two children against the world. The world is going to need some help.

©2017 Michael R. Fletcher (P)2018 Michael R. Fletcher

wicked cool!

super fun! dark awesome world, relatable and fun characters, well the mechanics are anyway. hope this is just the start of a long series.

A wild ride

My copy was a bit buggy in places, might be a feature for all I know.

The story itself was amazing, if a bit grimdark, and I never felt like it was predictable.

ending was a bit of a downer but the story is all the better for it.

Best Cyberpunk yarn in a decade.

This is best cyber punk story since Snow Crash, absolutely incredible! fletcher is my new fav.

The cover art brought me in...

I had my eye on this book for awhile because that cover artwork is freakin' spectacular! Love that image, and while I don't necessarily feel it captures the character and environment from the book (I get a serious weird western vibe), it certainly evokes a story unto itself as any great illustration should. As for the narrative, it was GRITTY, DARK, and VIOLENT. Caps are on purpose, because everything is dialed to eleven here (Spinal Tap reference which illustrates my point perfectly to those who know) so readers need to be prepared. I really liked the technology posited, and it made for a compelling and thought provoking world in which to explore. The narrator likewise was perfect for the novel, though I found myself noticing British pronunciations of various words because they were just different enough to pull me out of the narrative at times. This would not be an issue if reading the novel in print, so chalk one up for the added dimension of Audible narration! Needless to say, this is highly recommended on all counts.

Great sci fi story!

The narrator did an excellent job with the different voices! The storyline was interesting and much different from what I am used to. I would read additional books in this series.

Amazing dystopian science fiction

Brilliantly narrated - this is a complex story told from many viewpoints - the action never lets up. In the near future, brains are hardwired into computers - usually you sign your brain away on your deathbed when you die of old age, but there is more demand than supply and a black market has sprung up that uses the brains of children. The place the children are held and their brains culled are called crèches. Griffin, a junior Investigations agent for the North American Trade Union, is put on the case: Find and close the illegal crèches. No one really expects him to succeed. Meanwhile, the harnessed mind of an autistic girl is being used by the mafia - but she dreams of being free, and using the incredible power of the net, she seeks Archaeidae, the worlds most dangerous killer, the mind of a fourteen year old boy trapped in an assassin's chassis. But Archaeidae has no inkling of humanity, and he only obeys his god. When the two join forces, the whole world is suddenly in danger. The narrator was perfect for this dystopian, cyberpunk sci-fi book - I highly reccommend it.

cyberpunk awesomeness

I definitely loved this. I'm usually a die hard sword and sorcerer or space opera fan but I'm really glad I have this a try.

I read another reviewer mention that this book might have been better with a male narrator. I kept that in mind while listening and although 95% of my audiobooks have male narrators, I'd have to politely disagree for a couple of reasons. 1. Watkinson has a voice that can easily do, not only a man's voice but multiple men's voices. 2. There are child characters and she nailed those. Almost creepily as often those child voices were engaged in bloodshed.

The writing is well done and if there are sequels I hope he keeps Watkinson. I love it when a narrator can use a different voice for each character but Watkinson also uses her acting skills on ALL parts of this book. Which is hard to explain unless you listen. I really looked forward to the times I could resume listening

One thing and it's not really a negative but the first short section (1/2 a page of a physical book?) of the audiobook starts with a character talking about his hero worship and it comes of really weird (at least it did to me). Keep listening. The characters really really grow on you.

Very good book. Great narrator.

For Fans Of Ghost In The Shell

A much darker world of Ghost In The Shell with a little Skynet as a Scanned Autistic Girl that is trying to make sense of the world. A mass of action, blood, and robots that keep you in the world.
A Cyberpunk must read!

Best cyberpunk I've read since Snow Crash

Snow Crash was an affectionate parody of cyberpunk's excesses with a black samurai pizza boy who worked for the Italian mob and a 15-year-old Fedex girl with a sedative-equipped chastity belt. Ghosts of Tomororw, by contrast, embraces every one of the excesses of Neil Stephenson's book but manages to present them in a horrifying as well as tragic light. Many of the murderous cyborg killers in this book act like hyperactive overstimulated video-game addicted fourteen-year-olds. Which makes sense because they are hyperactive overstimulated video-game addicted fourteen-year-olds. They've just had their brains destroyed to make scans so the easily-indoctrinated child-soldiers can be unleashed on the rest of the world.

The premise is humanity has become addicted to the use of scans as a substitute for still-undeveloped artificial intelligence. Scans are a process where a human brain is destroyed but their personality and intelligence is copied onto an electronic format. They're much faster than regular humans in piloting, managing business assets, and even serving as assassins but the demand for them is overwhelming. This has resulted in the mob and other organized crime syndicates start trafficking children to be killed in their preteen years by the thousands, providing society with the scans they don't question the origin of.

Thankfully, not everyone is a monstrous psychopath and a few individuals are trying to curb the rampant child-murder. Griffin is a NATU (North American Trade Union) agent working with plucky reporter Nadia and a 17-year-old new combat-chassis-equipped scan named Abdul. Griffin failed in his first attempt to shut down a child slavery ring and has resolved to never do so again, no matter how much collateral damage gets in his way. Abdul is a man who "died" thanks to a spider-mine and has taken what form of survival he could but is going rapidly insane from the sensory deprivation his new life entails. Naida? Naida regurgitates the party line even though it's complete nonsense. These are the "good guys" on the case.

The bad guys are Riina, a mid-level mafia boss who has murdered and scanned thousands of children with the belief he's doing the impoverished children of Third World Nations a favor. 88 is an autistic girl murdered as a pre-teen and turned into a digital goddess on the quest for a "mother" she barely remembers. There's Miles Lorkner, a billionaire who believes scans are the future of humanity and thus it's perfectly justified to murder however many people necessary to resolve the world's problems with them. Finally, there's Archaeidae who is the aforementioned fourteen-year-old cowboy spider samurai assassin--and a character so insane that he steals the show every time he's on page.

It's difficult to say what character is my favorite as they're all so vividly realized. I really liked Griffin and Nadia's relationship despite them being the two most normal characters in the book. Abdul's existential angst is entirely justified since he's in a sensory-deprivation tank with the only purpose left to him being murder. 88 is also blissfully tragic and I sympathized with her even as her bodycount approaches five figures. I even liked reading about Lorkner's psychotic breakdown as it's clear the man envisioned himself as an ubermensch but is incredibly unprepared for life as a scan.

The book is full of action, intrigue, murder, crazy situations, double-crosses, triple crosses, and allegiances shifting constantly. Every character is motivated and three-dimensional but all of them tend toward the extreme because it's an extreme world. However, the saddest part of the book is that it's depiction of thousands of children used up for scans every year is not so different from the same kinds of kids today being used up for other kinds of trafficking. We're not so far removed from the cyber-hell in the book and the only difference is we have less block-destroying battles between cyborgs. Which is a shame.

The narrator does an excellent job but I note I think a male narrator would have done a better job given so many of the parts were men and Rosa's voice sounds distractedly similar to Marina Sirtis (Star Trek: The Next Generation, Mass Effect). The characters aren't British for the most part as well. Even so, I approve of this book greatly.

Awesome

This is an awesome book for any cyberpunk fans out there. The narration and the way the characters are written that no matter what they do you root for them