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Greatest Hits
- Herald Classics
- Narrado por: Harlan Ellison, Grover Gardner, Hillary Huber, Tim Lounibos, Scott Brick, Steven Jay Cohen, Robert Fass, Neil Hellegers, Dion Graham, Edoardo Ballerini, Stefan Rudnicki, Angelo Di Loreto, Luis Moreno
- Duración: 17 h y 35 m
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Colonial Union Ambassador Ode Abumwe and her team are used to life on the lower end of the diplomatic ladder. But when a high-profile diplomat goes missing, Abumwe and her team are last minute replacements on a mission critical to the Colonial Union’s future. As the team works to pull off their task, CDF Lieutenant Harry Wilson discovers there’s more to the story of the missing diplomats than anyone expected... a secret that could spell war for humanity.
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Obumwe said, Eagan said, Wilson said, Rickney said
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The Literature of Lovecraft, Vol. 1
- De: various
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In his Commonplace Book and and his lengthy essay "Supernatural Horror in Literature", author H.P. Lovecraft carefully assessed weird tales through the ages. He named a great many stories that he admired. The H.P. Lovecraft Historical Society has curated a collection of 43 of the best of them and recorded them as audiobooks for your listening enjoyment. Read by the HPLHS' own Andrew Leman and Sean Branney and featuring original music by Troy Sterling Nies, these eerie tales will delight your mind and chill your blood.
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Here is a table of contents
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De: various
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When Things Get Dark
- Stories Inspired by Shirley Jackson
- De: Ellen Datlow - editor
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A chilling anthology in tribute to the genius of Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant, and strange, her stories have inspired a generation of writers and listeners. This anthology, edited by legendary horror editor Ellen Datlow, brings together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.
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Come for the Oates, stay for the rest!
- De Rebecca Rowland, author en 12-23-21
Resumen del Editor
A collection of award-winning short stories by Harlan Ellison, an eight-time Hugo Award winner, five-time Bram Stoker Award winner, and four-time Nebula Award winner
Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.
Featuring these stories and many more:
“‘Repent Harlequin!’ Said the Ticktockman”—Hugo Award winner
“Jeffty Is Five”—British Fantasy Award winner
“The Whimper of Whipped Dogs”—Edgar Allan Poe Award winner
Includes two bonus stories:
“The Prowler in the City at the Edge of the World”
“Shattered Like a Glass Goblin”
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Great stories, great narration. Poor format.
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The Last Dangerous Visions
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Stalking the Nightmare and Other Works
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Ellison Wonderland
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This collection shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are "All the Sounds of Fear", "The Sky Is Burning", "The Very Last Day of a Good Woman", and "In Lonely Lands". Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than 50 years later.
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Your Audio Guide to Ellison Wonderland
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Again, Dangerous Visions
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Dangerous Visions
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A landmark short story collection that put the more character-based New Wave science fiction on the map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards.
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I Have No Mouth & I Must Scream and Other Works
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The following books are included: Paingod and Other Delusions, I Have No Mouth & I Must Scream, and From the Land of Fear.
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Great stories, great narration. Poor format.
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The Last Dangerous Visions
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- Duración: 12 h
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Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including: David Brin, Max Brooks, Cory Doctorow, Dan Simmons, AE van Vogt, Edward Bryant, and Robert Sheckley, among others.
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Stalking the Nightmare and Other Works
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Ellison Wonderland
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The Beast that Shouted Love at the Heart of the World and Other Works
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In a post-apocalyptic future, 15-year-old Vic wanders the wasteland with Blood, his genetically-altered telepathic dog, in the Hugo Award-nominated and Nebula Award-winning novella, A Boy and His Dog - the basis of the cult classic film. An intergalactic conspiracy infects the minds of the most powerful politicians in the Republican Party - and only one jolly old elf can save them in “Santa Claus vs. S.P.I.D.E.R.” And in the Hugo Award-winning title story, disparate threads of violence, conflict, and conversation weave an intricate tapestry across worlds and times.
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Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974.
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wonderful and brilliantly written
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The City on the Edge of Forever
- De: Harlan Ellison
- Narrado por: full cast, Orson Scott Card, Bonnie MacBird, y otros
- Duración: 8 h y 1 m
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The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, The City on the Edge of Forever won the 1966-67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo Award.
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Ok Harlan, we get it
- De S.E.B. en 02-11-17
De: Harlan Ellison
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Slippage
- De: Harlan Ellison
- Narrado por: Cindy Kay, Luis Moreno
- Duración: 14 h y 28 m
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With this, his bestselling and most critically acclaimed collection ever, Ellison celebrates four decades of brilliant, outrageous writing. The award-winning novella Mefisto in Onyx is the centerpiece of an irreverent and wildly imaginative book that the San Diego Union-Tribune called "electrifying … Ellison is back, as unsettling as ever."
De: Harlan Ellison
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The Compleat Glass Teat
- De: Harlan Ellison
- Narrado por: Luis Moreno
- Duración: 24 h y 30 m
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In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.
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Harlan Ellison as Time Capsule.
- De TG en 08-12-22
De: Harlan Ellison
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Troublemakers
- Stories
- De: Harlan Ellison
- Narrado por: Luis Moreno
- Duración: 9 h y 58 m
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In a career spanning more than 50 years, Harlan Ellison has written or edited 75 books; more than 1700 stories, essays, articles and newspaper columns; two dozen teleplays; and a dozen movies. Now, for the first time anywhere, Troublemakers presents a collection of Ellison's classic stories—chosen by the author—that will introduce new listeners to a writer described by the New York Times as having "the spellbinding quality of a great nonstop talker, with a cultural warehouse for a mind."
De: Harlan Ellison
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Love Ain't Nothing but Sex Misspelled and Other Works
- De: Harlan Ellison
- Narrado por: Luis Moreno, Mia Barron
- Duración: 24 h y 22 m
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The following books are included: Gentleman Junkie and Other Stories of the Hung-Up Generation and Love Ain't Nothing but Sex Misspelled.
De: Harlan Ellison
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Web of the City
- De: Harlan Ellison
- Narrado por: Stefan Rudnicki
- Duración: 6 h y 28 m
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In Rusty Santoro's neighborhood, the kids carry knives, chains, bricks, and broken glass. And when they fight, they fight dirty, leaving the streets littered with the bodies of the injured and the dead. Rusty wants out - but you can't just walk away from a New York street gang. And his decision may leave his family to pay a terrible price.
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Riveting
- De Kukhri en 07-23-18
De: Harlan Ellison
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Sherlock Holmes
- Adventures in the Realms of HP Lovecraft, Volume Two
- De: Derrick Belanger, Stephen Herczeg, Mike Adamson, y otros
- Narrado por: Kevin E Green
- Duración: 10 h y 53 m
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What if the darkness of Lovecraft’s decadent New England overlapped into the Victorian era of Sherlock Holmes? What if a trail of clues led to impossible visions, malevolent gods, and unspeakably eldritch vistas of terror? Could Holmes survive? Could his sanity survive? Twenty-five new stories across two volumes pit Holmes and Watson against myriad nightmares from Lovecraft’s fiction––and against those nightmares which his writings have inspired.
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Great collection
- De Chris S en 04-23-24
De: Derrick Belanger, y otros
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The Deadly Streets and Other Works
- De: Harlan Ellison
- Narrado por: Michael Braun, Mia Barron
- Duración: 15 h y 59 m
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The following books are included...The Deadly Streets and No Doors, No Windows.
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Listen for No Doors, No Windows
- De William en 01-28-21
De: Harlan Ellison
Lo que los oyentes dicen sobre Greatest Hits
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Susannah
- 04-23-24
Huge fan of the writing but NOT of this production
From a great Harlan Ellison Fan:
People. C'mon.
J. Michael Straczynski, the editor of the book, is a discerning film-maker, isn't he? He's also the curator of Harlan's work, from what he says (or what Grover Gardner says) in the intro? Harlan's audio work deserves better treatment. (Where's audio producers Yuri Rasovsky (RIP) or Stefan Rudnicki, who is very much still with us, for that matter?) As the editor actually says in the intro, Harlan was meticulous in curating his audio work. As an audiobook, this obviously had no captain at the helm (no producer or director credits at the end?) And although there was a big disclaimer at the top about offending anyone with outdated politically incorrect attitudes and words from the past, there is absolutely NO explanation as to what the heck we're listening to. The listener is absolutely lost as to what the heck is going on. There are live clips of Harlan reading his own material; then out of the blue we get contemporary narrators, most of whom have no grasp whatsoever on the mercurial quality of Harlan's work. Who cast this? Every one of the new readers sound like they're in a different studio and no attempt to fix the sound quality of the current narrators. Even otherwise great narrators like Gardner and Ballerini and Graham are completely at sea with this type of writing; they seem more interested in sounding pretty than biting into Harlan's writing. Of course, Rudnicki and Fass get it on the mark, but all others fall painfully short. (BTW, where was Scott Brick? He's listed but never introduced.) Some narrators introduce themselves, others don't. No years given on each work to help us navigate (they are listed in the book.) Everyone knows Neil Gaiman narrates, so why didn't someone push and get him to narrate his foreword? Why didn't Straczynski narrate his intro? Why didn't Cassandra Khaw read hers (she's all over Youtube and has a very distinctive accent which the lady reader couldn't copy.) This is the day and age of super-curated audiobooks, and this one gets such casual treatment? I can't give it a lower star rating than a four because of Harlan's writing and Rudnicki and Fass' performances, but the production is not a tribute to the amazing writer that was Harlan Ellison. It saddens me as a fan.
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- Jeff G
- 04-29-24
Narrators Mostly Miss the Mark
Most of the narrators were screeching during the stories. One or 2 understood how to read them. Spoiled the book so much :(
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- Amazon Customer
- 04-20-24
Loved every minute
The stories are so good. I liked the ones narrated by Harlan Ellison himself and especially the insights into his life throughout the book.
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- Cousin Spacewarp
- 05-12-24
Nope. Intro Super Inappropriate.
J. Michael Straczynski's introduction has some very unfortunate wording. "You’re thinking, How is it possible that I, a bon vivant revered by presidents and popes and politicos, invited to all the best parties (including the ones no one is supposed to know about) (especially those) where the arts are favored above all things, ..." Nope. This doesn't fly in the days of Diddy and Epstein. Ellison was a jerk and his toxic waste isn't worth your credit.
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- Carter Hooper
- 05-07-24
Anxiety-Inducing
Most of the stories are good, though for someone who marched with Dr. King, it's remarkable how racist some of this is. I know he definitely wasn't, but some of the stuff just comes off as an open-minded guy in the 60s and 70s trying to write non-racist stories that come across whitewashed. The thing I absolutely couldn't handle is Ellison's narration of his own stories. I mean, they are HIS stories, so he obviously tells 'em like he writes them, but it's just...too much. I just wanted him to calm down a bit instead of the ceaseless yelling and rushing through passages. And the other narrators are just the opposite so that you almost miss Harlan's rea...and then you just say hell with the whole thing.
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