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Il passeggero
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- Duración: 11 h y 59 m
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Resumen del Editor
Nel cuore di una fredda notte del 1980, Bobby Western indossa la sua muta da sommozzatore e si tuffa nelle nere profondità della baia del Mississippi. Laggiú scorge il profilo di un aereo con nove corpi in cabina, gli occhi vuoti e le braccia protese verso un gelido abbraccio. Che fine ha fatto il fantomatico decimo passeggero? Quali oscure macchinazioni cela la sua scomparsa?
Dolente viandante del mondo da sempre braccato dalla perdita e dalla colpa, ora Bobby deve tornare a fuggire, inseguendo la libertà e il ricordo di una donna per sempre irraggiungibile.
Cormac McCarthy ritorna con il suo romanzo piú atteso e ci stupisce e conquista con un'opera di disperata bellezza e apicale bravura.
"Un'impresa piú grande di Meridiano di sangue, il suo capolavoro piú antico, o di La strada, il suo capolavoro piú recente".
Graeme Wood, "The Atlantic": Altri scrittori saccheggeranno queste pagine per farne epigrafi, quasi fosse l'Ecclesiaste, per i prossimi 150 anni".
Dwight Garner, "The New York Times": Durante una missione di recupero al largo della costa del Mississippi Bobby Western vede quel che non avrebbe dovuto vedere: un JetStar apparentemente intatto adagiato sul fondale e, in cabina, chiome fluttuanti, bocche aperte e occhi vuoti, nove corpi senza vita. Da dove viene quell'aereo, che fine ha fatto la scatola nera, e che ne è stato della decima persona sulla lista passeggeri?
Queste le domande a cui Bobby, perseguitato da due emissari governativi "con un'aria da missionari mormoni", non sa dare risposta. Capisce allora di dover scom- parire. Del resto a fuggire ci è abituato, da tanto tempo è inseguito dai sensi di colpa nei confronti del mondo e di lei, Alicia, l'amore del suo cuore, la rovina della sua anima. Alicia Western, sua sorella.
Mente matematica sopraffina ed esperta mondiale di violini cremonesi, donna bellissima e perciò piú difficile da perdere, "perché la bellezza ha il potere di suscitare un dolore inaccessibile ad altre tragedie", anche Alicia, come Bobby, ha guardato dove non doveva guardare, nel cuore delle tenebre. Visitata sin da bambina dalle "coorti", un'accozzaglia di allucinazioni da vaudeville capeggiate da un piccolo focomelico scurrile chiamato il Kid, e afflitta da un amore che offende, Alicia ha provato a opporre l'ordine del numero al caos della vita ma non ce l'ha fatta perché "certe cose un numero non ce l'hanno".
Ora cosa resta a Bobby, se non la fuga? Via da New Orleans, Knoxville e la baia petrolifera della Florida, da bettole, bagnarole e topaie. Un mondo popolato di reietti, ubriaconi e reduci - dall'amorevole trans Debussy al killer di blatte Borman al dandy dissacrante Sheddan - ma brulicante di vita e inventiva. Via da tutto quel rumore, via dalle oscure macchinazioni del potere e dai peccati ereditati come da quelli bramati, verso una nuda bicocca dall'altra parte dell'oceano, verso un posto.
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