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Mitteilungen aus den Memoiren des Satan
- Narrado por: Peter Bieringer
- Duración: 10 h y 37 m
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Resumen del Editor
Die Handlung der Novelle spielt in der ersten Hälfte des 19. Jahrhunderts in Deutschland. Der Ich-Erzähler, wohl Hauffs Alter Ego, verpflichtet sich, die Memoiren Satans herauszugeben, damit seine Seele verschont werde. Wo und in welcher Gesellschaft sich Gottes Ewiger Widersacher in Deutschland tummelt, soll hier nicht ausführlich verraten werden, aber seine bissige Sicht auf den akademischen Betrieb deutscher Universitäten, die nationalistische Geheimbündelei der Burschenschaften, des Militärs und der Philister wären auch heute noch ein Leckerbissen für jeden scharfzüngigen Satiriker.
Erster Teil:
- Einleitung
- Die Studien des Satan auf der berühmten Universität
- 2. Unterhaltungen des Satan und des ewigen Juden in Berlin
- 3. Satans Besuch bei Herrn von Goethe
- 4. Der Festtag im Fegefeuer
Zweiter Teil
- Vorspiel
- Der Fluch
- Mein Besuch in Frankfurt
- Der Festtag im Fegefeuer
Schon auf der Universität hatte Hauff vermutlich die ersten Skizzen zu seinen Memoiren des Satan entworfen und, wenn auch des künftigen Zweckes noch unbewusst, zum Teil in der uns vorliegenden Form fertig geschrieben; davon zeugen mit fast unumstößlicher Gewissheit die Frische und Lebendigkeit so mancher Szene, sowie die lebhaften Karikaturen bestimmter Persönlichkeiten. Hauffs Sprache ist präzise und bannt unsere Aufmerksamkeit. Der Stil in dem er erzählt, ist sympathisch und umgänglich, die Dialoge wirken echt und nicht gekünstelt. Es fällt nicht schwer, in das hier von Peter Bieringer gesprochene Wort einzutauchen.
Coverabbildung: Unter Verwendung einer Fotografie von Dundanim / shutterstock_1782147263. Das in Kapitel 15 zu hörende Des Ewigen Juden Trinklied wurde von Peter Bieringer komponiert, gesungen und mit Gästen extra für dieses Hörbuch eingespielt. Schlussmusik 1. Teil: freemusic(.)com. Das im 2. Teil in Kapitel: Der Fluch / Novelle (Fortsetzung) zu hörende Lied Herr, schütz uns vor dem Antichrist... wurde von Peter Bieringer arrangiert, gesungen und extra für dieses Hörbuch eingespielt. Schlussmusik 2. Teil: Assai moderato (Nr.12) von Sergei Sergejewitsch Prokofjew, gespielt von Jo Roloff. Coverschrift gesetzt aus der Kleist-Fraktur Zierbuchstaben.
Die Reihe words&music/audiolab verbindet ausgewählte literarische Texte aus aller Welt mit emotionaler Musik. Es entstehen vielleicht bisher ungeahnte Zugänge zum Textverständnis oder eröffnen im Zusammenspiel zwischen Inhalt, Klang und Form ganz neue Möglichkeiten des eigenen genussvollen Hörerlebens.
Über den Sprecher:
Peter Bieringer (*1957) gehörte viele Jahre zum Ensemble der NDR-Sprecher, seit 2006 ist er freischaffend. Seine Stimme ist präsent in zahllosen Radiofeatures, TV-Dokumentationen, Synchronrollen und Hörspielen. In seinem eigenen Studio entstanden bisher Dutzende Hörbuchtitel, darunter Heeresbericht, Ich kann nicht vergeben, Luther lesen, Wie man ein Kind lieben soll, Jetzt ist unser Gesang der Jazz, Die Frau ohne Schatten, Acht Tage im Mai, Gefallene Ritter, und zuletzt auch für die hoerbuchedition words and music: Die Lebensansichten des Katers Murr, Meister Floh und Die Fermate von E. T. A. Hoffmann und Die Sängerin von Wilhelm Hauff.
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