
Playworld
A Novel
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Narrado por:
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Adam Ross
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De:
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Adam Ross
Acerca de esta escucha
"Starting off 2025 with a novel this terrific gives me hope for the whole year."—Ron Charles, The Washington Post
"A gorgeous cat's cradle of a book . . . The swirling vapors of Holden Caulfield are present in Playworld, for sure, but also Lolita, Willy Loman, Garp."—Alexandra Jacobs, The New York Times Book Review
"Extraordinary . . . A beguiling ode to a lost era . . . Line for line the book is a revelation."—Leigh Haber, Los Angeles Times
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • A big and big-hearted novel—one enthralling, transformative year in the life of a child actor coming of age in a bygone Manhattan, from the critically acclaimed author of Mr. Peanut
“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.”
Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.
Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.
Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.
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Reseñas de la Crítica
"Engrossing . . . Things come to a head one fateful summer as, amid personal and family tumult, the maturing Griffin begins to inhabit his most important role: himself." —The New Yorker
“Dazzling and endearing . . . Gorgeously textured and frequently very funny, [Playworld] revels in all the heady, scuzzy, confusing bits of coming of age.” —Vogue ("The Best Books of 2025")
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A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.
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Richly developed Characters
- De QueeneB21 en 01-24-25
De: Rebecca Kauffman
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Vantage Point
- A Novel
- De: Sara Sligar
- Narrado por: Adam Ewer, Helen Laser, Jess Nahikian
- Duración: 12 h y 10 m
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Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.
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What a disappointment .
- De scumble en 02-10-25
De: Sara Sligar
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The Whole World
- A Novel
- De: Emily Winslow
- Narrado por: John Mawson, Connor Eiding, Philip Battley, y otros
- Duración: 9 h y 36 m
- Versión completa
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At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.
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Boring...
- De rkr4cds en 03-24-14
De: Emily Winslow
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Mountains of the Moon
- A Novel
- De: I. J. Kay
- Narrado por: Elizabeth Sastre
- Duración: 10 h y 56 m
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After 10 years in a London prison, Louise Adler (Lulu) is released with only a new alias to rebuild her life. Working a series of dead-end jobs, she carries a past full of secrets: a childhood marked by the violence and madness of her parents,and a reckless adolescence. From abandoned psychiatric hospitals to Edwardian-themed casinos, from a brief first love to the company of criminals, Lulu has spent her youth in a shifting landscape of deceit and survival. But when she's awarded a settlement claim after prison, she travels to the landscape of her childhood imagination, the central African range known as the Mountains of the Moon.
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Wow!
- De Renee Ashley en 03-10-14
De: I. J. Kay
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Mona Acts Out
- A Novel
- De: Mischa Berlinski
- Narrado por: Alyssa Bresnahan
- Duración: 10 h y 34 m
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Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.
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Hilarious 48 hour romp through New York with a somewhat unbalanced Shakespearean actress and her Beagle.
- De Sally T. Warthen en 02-04-25
De: Mischa Berlinski
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Saltwater
- A Novel
- De: Katy Hays
- Narrado por: Allyson Ryan, Cassandra Campbell, Carlotta Brentan
- Duración: 11 h y 49 m
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In 1992, Sarah Lingate is found dead below the cliffs of Capri, leaving behind her three-year-old daughter, Helen. Despite suspicions that the old-money Lingates are involved, Sarah’s death is ruled an accident. And every year, the family returns to prove it’s true. But on the thirtieth anniversary of Sarah’s death, the Lingates arrive at the villa to find a surprise waiting for them—the necklace Sarah was wearing the night she died.
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The twists
- De Katelin H en 04-10-25
De: Katy Hays
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Animal Instinct
- De: Amy Shearn
- Narrado por: Allyson Ryan
- Duración: 9 h y 28 m
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It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation. But what if one person could perfectly cater to all her emotional needs?
De: Amy Shearn
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Rental House
- A Novel
- De: Weike Wang
- Narrado por: Jen Zhao
- Duración: 5 h y 47 m
- Versión completa
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Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.
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Flat storyline with monotone narration
- De Julia en 01-02-25
De: Weike Wang
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How to Sleep at Night
- A Novel
- De: Elizabeth Harris
- Narrado por: Gabra Zackman
- Duración: 8 h y 43 m
- Versión completa
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Meet Ethan and Gabe. A devoted couple for years, they have successful careers, an adorable daughter, and a house in the New Jersey suburbs. Sure, they may have drifted to different ends of the political spectrum, but their marriage still has its spark. Then one night Ethan makes an announcement: he wants to run for Congress as a Republican—but only if he has progressive Gabe’s blessing.
De: Elizabeth Harris
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Going Home
- A Novel
- De: Tom Lamont
- Narrado por: Jot Davies
- Duración: 10 h y 29 m
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Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.
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Great Story
- De E G Neufeld en 03-12-25
De: Tom Lamont
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The Note
- A Novel
- De: Alafair Burke
- Narrado por: Catherine Ho
- Duración: 9 h y 30 m
- Versión completa
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Growing up, May Hanover was a good girl, always. Well-behaved, top of her class, a compulsive rule-follower. Raised by a first-generation Chinese single mother with high expectations, May didn’t have room to slip up, let alone fail. Her friends didn’t call her the Little Sheriff for nothing. But even good girls have secrets. And regrets. When it comes to her friendship with Lauren and Kelsey, she's had her fair share of both.
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Irritating Narration
- De Bailey Rose en 01-18-25
De: Alafair Burke
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Homeseeking
- De: Karissa Chen
- Narrado por: Katharine Chin, Kenneth Lee
- Duración: 17 h y 12 m
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Haiwen is buying bananas at a 99 Ranch Market in Los Angeles when he looks up and sees Suchi, his Suchi, for the first time in sixty years. To recently widowed Haiwen it feels like a second chance, but Suchi has only survived by refusing to look back. Suchi was seven when she first met Haiwen in their Shanghai neighborhood, drawn by the sound of his violin. Their childhood friendship blossomed into soul-deep love, but when Haiwen secretly enlisted in the Nationalist army in 1947 to save his brother from the draft, she was left with just his violin and a note: Forgive me.
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What a beautiful story!
- De Jennifer Davis en 01-25-25
De: Karissa Chen
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Show Don't Tell
- Stories
- De: Curtis Sittenfeld
- Narrado por: Michael Crouch, Curtis Sittenfeld, George Newbern, y otros
- Duración: 10 h y 33 m
- Versión completa
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In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned.
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Always a pleasure
- De joshua simons en 03-21-25
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Don't Be a Stranger
- A Novel
- De: Susan Minot
- Narrado por: Susan Minot
- Duración: 12 h y 1 m
- Versión completa
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Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence.
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Gut punch
- De NWDC en 01-25-25
De: Susan Minot
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Gliff
- De: Ali Smith
- Narrado por: Eliot Sumner
- Duración: 4 h y 56 m
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An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.
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No other author comes close!
- De Franki en 02-08-25
De: Ali Smith
Lo que los oyentes dicen sobre Playworld
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- Terry Travis
- 03-14-25
Did not like narration
I liked this story and I can understand why an author would want to narrate his own work. But please, please hire a professional narrator for your next novel! I cannot explain why, but the author's voice/cadence or something just grated on my nerves. I almost had to quit several times but just read the book at home and only listened to it in the car. I wish I could have experienced it with a different person narrating, as I think I would have enjoyed it much more.
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- Audrey Fine
- 04-18-25
Beautifully written and narrated
It took me a while to get into this book but once I did, I was mesmerized by Ross’ wonderful way with words (with the exception of three — two too many — uses of the word “cherry” to describe a cigarette’s burning end which made me flinch) and masterful capturing of NYC and the Hamptons in the 80s. As someone who grew up in the city, went to private school (and Studio 54 and Dorian’s) and summered on long island, I’d have been the first to pick apart any mis-representation yet Ross’ pitch perfect recreation of that time in those places, of the myriad minute details— from plastic red and white gingham tablecloths and l’air du temps spritzes at Bloomingdale’s to the old commercial taglines and fingers rubbed raw by blue book contact, listening yo this book was like looking through a gigantic tome of a photo album — he is a master at capturing and conveying details. Bravo, too, to his reading of his work which (aside from pronouncing the “t” in OFTEN) was spot on.
I wish Playworld was like James at 15 — a tv drama from that era which grew along with its titular character — I’m totally down to read “Griffin at 15”. And 16. (And I really hope that neither would include Amanda!)
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- matt
- 03-29-25
Tough time with narration.
Good story but the narration was off putting for me. It sounds like the clichéd affectation of a poetry reading.
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- L.K. Stewart
- 02-13-25
Nostalgic for a Gen Xer
Well developed story, filled with elements from my childhood. Listened to the author speak at a book club. He is well spoken and kind. Was happy to support him!
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- Brady9876543
- 01-14-25
Is it over yet?
I'll be quick, a mercy I wish the author has granted the reader. The book is similar to Catcher in the Rye in that nothing really happens. It's a cycle of various relationships, wrestling, and acting that go nowhere. But where Catcher in the Rye does us the kindness of being short, this book goes on forever. Having said that, it's well written. Just don't expect any of the myriad storylines to go anywhere. What really bothered me was the narration. The cadence of his voice irritated me so much I almost almost stopped listening several times. He tends to draw out his vowels at commas and periods, making him sound like a clichéd beat poet. I imagined him snapping his fingers and saying "Yeah" throughout. Drove me nuts.
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esto le resultó útil a 4 personas
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- Amazon Customer
- 02-16-25
Enjoyable book marred by narration.
Adam Ross does his book no favors by narrating it himself. He has an unfortunate habit of turning simple sentences into two, three or four word phrases. It is a very annoying habit.
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- pinkie
- 01-24-25
I didn’t want it to end
The voice the story the vocabulary were all beautiful.
I was sad when it came to the end.
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- Disco Inferno
- 03-22-25
Wow. A Gen X Must-Read
There are all kinds of memes out there that try to make light of what it was like to grow up in a generation whose parents famously left us to parents ourselves and get home “before the street lights came on” without bothering them too much in-between. At times, while reading, I found myself feeling nostalgic for the freedom and independence that kind of parenting style afforded us (or, as a parent myself (now), how freeing it might have been to be less entrenched in the claustrophobic parenting style we adopted when raising our own). I liked the story’s resistance of nostalgia, even though its set-design is littered with surprisingly wonderful ephemera (Charlie perfume, Members Only Jackets,—InTelevision!). But nostalgia is just memory without the pain, right? Playworld obliterates any “good old days” tropes (thank God). It seduces us into taking a peek backstage and punctuates scenes with their unfettered pain that often accompany actions in verboten spaces. I, for one, felt validated by the discomfort that never gets airtime—especially in the coming-of-age genre epic.
Ross’ book is populated with characters who emulate the complications that arise when the power dynamics of order are less defined by expectations by positions of authority (parent/child; teacher/student, coach/player; older/younger sibling; doctor/patient; president/constituent) while raising uncomfortable questions about power itself through the experiences of people who endured the fallout from switching positions. I was particularly moved by his portrayals of vulnerability; his characters regularly defied tired gender tropes of strength and weakness. Are you strong because you endure pain without bothering your parents? What does it mean for a father to rely on his children to pay his family’s rent? Doesn’t every young man secretly lust over a teacher, a friend’s mom, a mother’s friend? A disciplined athlete follows directions from his coach, but what if that coach manipulates his position for his own weaknesses? Shouldn’t a young man’s masculinity be elevated to hero level if he achieves these fantasy positions so early in his life? I loved the story’s resistance to all of these questions. And though it took a long time to write, somehow the timing of its publication seems perfect. The prose is downright gorgeous, and the imagery hits all of the senses: music (operatic to jingles), scent (the inside of a rubber suit to L’air du Temps), sight (his description of sailors’ eel-ing vomit will stay with me), touch (too many to list—the scary & the sensual), and taste—really—hunger. The denial and gorging of food left me breathless (and hungry).
This is such a big book. I’m still trying to process it. I loved the way Ross read it and marveled at his capacity to capture the intense and quiet moments with perfect tension/tenor. I know it is semi-autobiographical and often wondered what parts were difficult to read out loud; which parts may have felt righteous. I was genuinely sad when it ended, and I hope he writes a sequel—with a request that it comes out a bit sooner than Playworld did!
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- Possum Bean
- 01-10-25
Read by the autor vs being performed
Unfortunately I have to return this after 1 hour. The author is reading the text without much inflection or change of voice for different characters. His reading just doesn't hold my attention.
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esto le resultó útil a 2 personas
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- Cathy Gilmer
- 02-16-25
Fun
What a fun book . It’s just stories . I loved the references . Laugh out loud funny .
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