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- Duración: 7 h y 29 m
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Beautiful
- De Daniel Garcia en 07-22-24
De: Margot Hunt
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Bluebeard
- De: Jim Clemente, Peter McDonnell
- Narrado por: Joseph Fiennes, Karen David, Holt McCallany, y otros
- Duración: 3 h y 38 m
- Grabación Original
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In 1919, Kathryn Wombacher finds a lonely-hearts ad placed by one Walter Andrew: "Would be pleased to correspond with a refined young lady or widow. Object, matrimony.” Kathryn and Walter fall in love and marry within weeks. What Kathryn doesn’t know...is that her new husband is really James “Bluebeard” Watson, a notorious West Coast serial killer who catfished and married 22 women, murdering 10.
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Performances
- De HappyMom en 05-24-24
De: Jim Clemente, y otros
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One More to Die
- De: Joy Ellis
- Narrado por: Hayley Atwell
- Duración: 5 h y 1 m
- Grabación Original
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Det. Inspector Kate Carter and her team are assigned to investigate the murder of man found inside the wreckage of a car. A vintage vinyl record from 1964, found next to the body, soon turns out to be an important clue as a second body is discovered. And meanwhile, Det. Inspector Kate, shrewd and smart, and a happy-go-lucky mum to three children, has something very dark to contend with her in her personal life.
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Very forgetful
- De Linda L. en 08-30-24
De: Joy Ellis
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The Worst of You
- De: Sarah Richards
- Narrado por: Sarah Desjardins
- Duración: 10 h y 51 m
- Grabación Original
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In The Worst of You, just-wed architects Timo and Nia flee a murder scene, setting in motion a chain reaction of lies and betrayals that threaten to unravel everything they have built together. Twisted and propulsive, this thriller is told from the alternating perspectives of the couple and those close to them on Williwaw Island, each with their own motive to use the outcome of the murder case to their advantage. When a huge storm sweeps up the coast, trapping everyone on tiny Williwaw Island, it’s a race against time—and the elements — to stop the murderer from striking again.
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A boring drawn out simplistic plot
- De RJD en 05-31-24
De: Sarah Richards
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Sherlock Holmes: The Definitive Collection
- De: Arthur Conan Doyle, Stephen Fry - introductions
- Narrado por: Stephen Fry
- Duración: 71 h y 57 m
- Versión completa
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- De Katya Rice en 05-25-18
De: Arthur Conan Doyle, y otros
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One Little Mistake
- A Novella
- De: Lucinda Berry
- Narrado por: Brittany Pressley
- Duración: 2 h y 23 m
- Grabación Original
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When overwhelmed stay-at-home mom Alexis finds herself at odds with her husband after she’s charged with a DUI, she is given one chance to get her family back: complete AA and admit her faults. The problem is, she’s never had a drinking problem and has no idea what caused the blackout that led to her arrest. Still, she’s committed to working through the program, if that’s what it takes to be reunited with her two young children. But when she connects with a new friend, Farrah, she’s empowered to take a closer look at her husband’s role in her downfall.
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Lucindaah!
- De Canday Jones en 09-10-21
De: Lucinda Berry
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Too Late
- Definitive Edition
- De: Colleen Hoover
- Narrado por: Ryan Gray, Maxine Mitchell, Joe Arden
- Duración: 10 h y 19 m
- Versión completa
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- De Katherine Epperson en 07-11-23
De: Colleen Hoover
Lo que los oyentes dicen sobre Slipshod
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- lh
- 08-28-23
Great story.
Loved the story, but almost didn't finish it because the music in-between chapters was very annoying. I am glad I did.
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Historia
- PBuck1983
- 12-20-23
Very British, ALL the tropes
I went through this book in audiobook format. My final assessment is 4.5 stars (rounded up). Here’s why:
I was in the mood for a medium-length mystery that didn’t require a lot of work on my part:
Down on his luck private eye? Check.
Desperate, beautiful, wealthy heiress? Check.
English Manor? Check.
Group of strangers stuck in said manor with said private eye and heiress for multiple days? Check.
Ostensible supernatural elements? Check.
Bodies stacking up via multiple classic murder methods? Check.
Reader along for the ride? Check.
Unexpected developments? Check.
Things wrapped up neatly at the end? Double-check.
What sets this book apart is that it is actually two narratives, one at the mystery level described above, and one at the narrator level as a first-time author writing the book. For most of the book, I was hovering around a 4.25 rating because I couldn’t decide if the author-level narrative was a net asset (providing a built-in explanation for any perceived issues with the mystery’s narrative or character development) or mostly pointless dead weight, but (like a typical mystery) the true purpose of the author-level meta-narrative wasn’t apparent until the end (I’d share the general purpose here, but I’m not sure if that would count as a spoiler). It was the concluding development in the author-level narrative that pushed my rating upwards to 4.5.
Also boosting my rating was that the author did an excellent (professional-level) job narrating his own book (and I especially appreciated this because I much pretty much only consume mysteries in audiobook format the last few years). The only production-quality criticism I have is that I think different (shorter) sound-breaks could have been chosen to indicate when the narrative perspective was shifting, such as giving the writer-narrative and the detective-narrative their own distinctive, short, introduction chords to provide the listener with an additional cue which storyline they were going to be listening to next.
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