
The Handmaid's Tale
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Narrado por:
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Claire Danes
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De:
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Margaret Atwood
Acerca de esta escucha
Audie Award, Fiction, 2013
Margaret Atwood's popular dystopian novel The Handmaid's Tale explores a broad range of issues relating to power, gender, and religious politics. Multiple Golden Globe award-winner Claire Danes (Romeo and Juliet, The Hours) gives a stirring performance of this classic in speculative fiction, one of the most powerful and widely read novels of our time.
After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred, now a Handmaid serving in the household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Despite the danger, Offred learns to navigate the intimate secrets of those who control her every move, risking her life in breaking the rules in hopes of ending this oppression.
Cover Art by Fred Marcellino. Used with permission of Pippin Properties, Inc.
Explore more titles performed by some of the most celebrated actors in the business in Audible’s Star-Powered Listens collection.©1985 Margaret Atwood (P)2012 Audible, Inc.Los oyentes también disfrutaron...
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Reseñas de la Crítica
“Claire Danes sparkles in this performance…Danes’s Offred is complex, and her flashes of intense strength highlight her vulnerability. This is a consuming listen, thanks to Danes’s emotional subtleties.” (AudioFile)
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Amazing
- De psiegler en 07-25-18
De: Toni Morrison
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Alias Grace
- De: Margaret Atwood
- Narrado por: Margaret Atwood, Sarah Gadon
- Duración: 15 h y 57 m
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It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.
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Beautiful and Intense Story
- De Aparries en 11-27-17
De: Margaret Atwood
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Tender Is the Flesh
- De: Agustina Bazterrica
- Narrado por: Joseph Balderrama
- Duración: 6 h y 44 m
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Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.
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Uhhhhhhh....
- De Josh E. en 12-05-20
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The Kite Runner
- De: Khaled Hosseini
- Narrado por: Khaled Hosseini
- Duración: 12 h y 1 m
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Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.
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A Worhty Read
- De P. C..S. en 08-17-03
De: Khaled Hosseini
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Brave New World
- De: Aldous Huxley
- Narrado por: Michael York
- Duración: 8 h
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When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
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Michael York should stick to the stage and leave narration to the pros.
- De SD en 08-21-19
De: Aldous Huxley
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I Know Why the Caged Bird Sings
- De: Maya Angelou
- Narrado por: Maya Angelou
- Duración: 10 h y 11 m
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Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old, Maya is attacked by a man many times her age - and has to live with the consequences for a lifetime. But years later, she learns about love for herself and the kindness of others, her own strong spirit, and the ideas of great authors.
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Emotional & Powerful
- De Miss Toni en 06-30-13
De: Maya Angelou
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The Giver
- De: Lois Lowry
- Narrado por: Ron Rifkin
- Duración: 4 h y 47 m
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December is the time of the annual Ceremony at which each twelve-year-old receives a life assignment determined by the Elders. Jonas watches his friend Fiona named Caretaker of the Old and his cheerful pal Asher labeled the Assistant Director of Recreation. But Jonas has been chosen for something special. When his selection leads him to an unnamed man, the man called only the Giver, he begins to sense the dark secrets that underlie the fragile perfection of his world.
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This guy's mouth makes some serious noises...
- De Nikki Cole en 07-09-12
De: Lois Lowry
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Summary of Margaret Atwood’s The Handmaid’s Tale by Swift Reads
- De: Swift Reads
- Narrado por: Adrienne Walker
- Duración: 28 m
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The Handmaid’s Tale (1985) by Margaret Atwood is a dystopian novel set in a version of the US that has been overthrown by religious fundamentalists. In what was once most likely Massachusetts, under the militaristic regime of the Republic of Gilead, women no longer have civil rights or autonomy.... (Disclaimer: This is NOT the original book. If you’re looking for the original book, it is available from Amazon and Audible.)
De: Swift Reads
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The Color Purple
- De: Alice Walker
- Narrado por: Alice Walker
- Duración: 7 h y 58 m
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Celie has grown up poor in rural Georgia, despised by society and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women.
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way better than the movie
- De Ms. Blacq en 10-13-19
De: Alice Walker
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The Bell Jar
- De: Sylvia Plath
- Narrado por: Maggie Gyllenhaal
- Duración: 7 h y 24 m
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The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
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A must-read for every woman
- De Julie W. Capell en 05-06-16
De: Sylvia Plath
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Slaughterhouse-Five
- De: Kurt Vonnegut
- Narrado por: James Franco
- Duración: 5 h y 13 m
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Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
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Don't Quit Your Daytime Job, James
- De Keith en 11-20-15
De: Kurt Vonnegut
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My Evil Mother
- A Short Story
- De: Margaret Atwood
- Narrado por: Hillary Huber
- Duración: 57 m
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Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.
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Great easy read
- De Fundamental I. en 04-02-22
De: Margaret Atwood
Lo que los oyentes dicen sobre The Handmaid's Tale
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- David
- 02-17-13
The most ground-breaking dystopia since "1984"
The chilling thing about The Handmaid's Tale is not the oppressive misogynistic regime of the Republic of Gilead, but how effective it is as a police state and how plausible its operation if not its genesis is. All the small ways in which Gilead dehumanizes and isolates, turns women (men too, but especially women) into empty vessels, tools, nameless, faceless units of biological function. This is a dystopia that is actually scary and horrible because unlike Panem or, for that matter, certain other feminist dystopias written by authors named Sheri S. Tepper or Suzette Haden Elgin, this one requires minimal suspension of disbelief. Gilead is not a lot more extreme than certain Islamic regimes, the FLDS, or North Korea. Could the United States literally turn into the Republic of Gilead? Atwood proposes a massacre of the Executive Branch and Congress as the incitement for the takeover of the government by right-wing theocrats. Things get worse bit by bit, in backstory narrated by the Handmaid of the tale, until we arrive at the police state in which the nameless protagonist finds herself trapped.
Offred ("Of-Fred") never tells us her real name. She remembers the time before Gilead, when life was "normal." She had a husband. a daughter, a job. Now she is a Handmaid, a forced surrogate who, because she is one of the few women in the country who still has viable ovaries (Atwood never really explains what caused this widespread sterility, though it's implied that it's a result of pollution and radiation), is obligated to attempt to become pregnant by one of Gilead's Commanders. This obliges her to live in the Commander's house in a sort of veiled purdah, suffering the resentment of the Commander's wife, who has to participate in the humiliating procreation "ceremony." The way in which the Wives, supposedly free women of much higher status than the Handmaids or the Aunts or the "Marthas," are little better than chattel themselves despite their privileges, is something Atwood draws our attention to without spelling it out or hitting us over the head, but it's how we come to feel sympathy for the Commander's wife, Serena-Joy, former evangelical singer and advocate for a "Godly" society who is now angry, resentful, and bitter now that she's gotten what she supposedly wanted. Serena-Joy is just as oppressed and constrained as the Handmaids, she just has a prettier cage that lets her see sunlight through the bars.
Atwood has taken some flack for claiming at one point that she didn't write science fiction. Although she later backed off from that a bit, after reading The Handmaid's Tale, I can kind of see her point. The Handmaid's Tale is a lot like 1984, a speculative look at how very badly wrong things could go in our society, given a few flips of the historical dial, and the point is not the "alternate history" it creates but what this look at a dystopian society that maybe could be tells us. Is 1984 science fiction? Kind of — Orwell creates a new society, a new language, and mentions a few bits of technology that were futuristic at the time he wrote it. But it would be fair to say that it's not a conventional sci-fi story, at least, and that's also true of The Handmaid's Tale. Atwood isn't making up this fictional off-the-rails version of a future U.S. to do worldbuilding or as a vehicle for a tale about rebellion or resistance. The small bits of resistance in this book consist of a thought, a whispered conversation, a glimpse of a banned magazine, and like 1984, we never know if the supposed resistance is for real. Offred is no rebel; she pines for the old days, she hates her "reduced circumstances" and the reeducation she undergoes at the Rachel and Leah Center, but she is mostly a passive chronicler of her age, a vessel, a Handmaid. Things are done to her; she doesn't do things, though she occasionally fantasizes about doing them.
Atwood writes in descriptive literary prose; Offred's thoughts are poignant, heavy, mournful, occasionally smart-alecky, but mostly you just feel the oppressive claustrophobia, the daily dehumanization and erasure, and how readily a modern 20th century woman with a brash feminist mother can find herself submitting to such wholesale, brutal oppression as the new normal, clinging to memories of her old life while slowly forgetting who she used to be. Her oppression is a hundred small humiliations every day, none really cruel or violent, just things reminding her of her status, all the things she is no longer allowed to do (read, write, show her face to men, use hand lotion, talk to anyone about non-trivial matters). In this environment, the smallest conversation, a meeting of eyes, can become an act of rebellion, and Atwood shows us that repeatedly, how defiant and rebellious can be the simple act of asserting, "I am here, I exist, I am a person."
This was a chilling book precisely because there are no action scenes, there is no grand escape, there is no uprising, and you keep wanting Offred to have some way out, to see some way out for any of the people of Gilead, but there is no cavalry coming to bring down the tyrants, no Katniss Everdeens or District 13 here. It ends, arguably, on a more hopeful note than Orwell's book does, but then we've been told repeatedly by Offred herself that she is an unreliable narrator.
It was much less of a feminist polemic than I expected it to be. Yes, the points about right-wing Christians and their various fetishes were made, and Gilead is definitely a nightmare product of the very worst woman-hating religious extremists, but Atwood shows them slaughtering Catholics and Baptists as zealously as they kill abortionists and homosexuals, and there is relatively little soapboxing on the part of the author. The story says a lot of things about what happens when you take certain ideologies seriously, but it does not serve as a vehicle just to knock down those ideologies and push the author's own dubious ideas like certain other authors who tread the same ground broken by The Handmaid's Tale (I am looking at you, Sheri S. Tepper).
So, this book really does deserve to be read. I didn't even read it as a "cautionary tale," per se - it stands on its own as a work of fiction. The characters stand out as living human beings who talk and think like real human beings, because they are so ordinary, in their extraordinary "reduced circumstances." Is this science fiction? Kinda not really. But it is a very dark Bible-thumping dystopia, by a literary author who writes better dystopias than all those trying-too-hard SF authors.
Claire Danes gives a great performance as Offred, making her sad, introspective, and occasionally hysterical as the mood demands it, though something about her voice occasionally annoyed me in the way it drew me out of the writing and made me focus on the narrator.
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- toromei
- 02-27-14
Surreal yet familiar
Incredibly well written, but I am not sure I would have enjoyed this book as much without the fantastic narration.
With the feel of "The Road" meets "1984" meets "Children of Men" (all of which I enjoyed), this was more a journal than it was a story with a beginning, middle, and end.
I'm not sure I would read this again, but I am glad that I did. Well worth my time.
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- Megan
- 01-07-19
Haunting story, phenomenal narration
Claire Danes' narration took this book to a completely new level for me. She was an excellent choice to bring the right emotion to this story. The tale is chilling and extremely interesting. It's incredibly easy to lose yourself in the world and feel overwhelmed by Offred's situation. I thoroughly enjoyed the ending and listened to it 3 times in a row. I think this is a story that deserves multiple listens.
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- Emerson M.
- 04-29-13
Amazing
This book is even more relevant now than it was when first written.
Claire Daines is an excellent narrator.
Highly recommend this if it's been over twenty years since you last read it (like me).
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- David Kirby
- 02-12-17
Danes is brilliant
I had read this book before and had thought it a classic then. Given the current political situation, I thought it would be a good book to revisit. Listening to Claire Dane's narration elevated the experience well beyond expectations.
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- Julie Lambert
- 02-28-17
Powerful
This was a very powerful book. It was also pretty scary to listen to in regards to everything that's going on in the US today and not to far off from what could become a reality.
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- Tori
- 04-26-17
Poignant and Timely
Claire Danes brings you into a dystopian world where social status is clearly defined, families are products of careful planning, and no one is truly free. In the beginning you can feel a little bit lost, but clarity comes bit by bit as the horror of the narrator’s tale is slowly revealed. The Handmaid’s Tale makes you really think about what it would be like to be in the narrator’s place, and how far you might be willing to go to salvage your life – a life that might be too far gone.
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- Kimberlee67
- 01-24-19
Disappointed
Had so looked forward to this, but was very disappointed. I couldn't get past the narrator. Just, no. (And, yes, I listened to the whole thing!)
I waited to watch the show, since the book is (almost) always better. Am hoping the show is great.
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- Michaela J. O'Connor
- 08-20-20
Lived up to the hype
Very captivating. Would sit in the car listening long after I had arrived at my destination. I do feel like Margaret Atwood's delicious language might have been greater appreciated when read from a book. Claire Dane's delivery is strong but her voice is so soft the volume must be turned up, but so sibilant that its painful to the ears when you do.
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- jessica
- 06-11-13
Hard to follow at times but generally good
I generally liked this book and would be interested in reading similar books. I am glad I bought and read this one!
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