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The Searchers
- The Making of an American Legend
- Narrado por: John McLain
- Duración: 13 h y 32 m
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Grandes primeros Títulos
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Resumen del Editor
In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches. She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity.
Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne.
Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages."
What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.
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European St. Bernards make the book worthwhile
- De Buretto en 01-25-21
De: Aljean Harmetz
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The Captured
- A True Story of Abduction by Indians on the Texas Frontier
- De: Scott Zesch
- Narrado por: Grover Gardner
- Duración: 10 h y 34 m
- Versión completa
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Historia
On New Year's Day in 1870, 10-year-old Adolph Korn was kidnapped by an Apache raiding party. Traded to Comanches, he thrived in the rough nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years living in a cave, all but forgotten by his family. That is, until Scott Zesch stumbled upon his great-great-great-uncle's grave. Determined to understand how such a "good boy" could have become Indianized so completely, Zesch traveled across the West.
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A taste of real life on the prairies of the west.
- De Philell72 en 10-04-12
De: Scott Zesch
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High Noon
- The Hollywood Blacklist and the Making of an American Classic
- De: Glenn Frankel
- Narrado por: Allan Robertson
- Duración: 14 h y 27 m
- Versión completa
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It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.
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The Blacklist
- De Jean en 03-16-17
De: Glenn Frankel
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The Searchers
- De: Alan Le May
- Narrado por: Tom Stechschulte
- Duración: 9 h y 49 m
- Versión completa
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Alan Le May’s Western novels are widely considered classics in the genre, and the movie adaptation of The Searchers was named AFI’s Greatest Western Movie of All Time. When Martin Pauley and Amos Edwards return to their Texas homestead to find a burning ruin, they set out to find Amos’ missing daughter - and exact revenge on the Comanche responsible for the attack.
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A Mortal (Me) Writes of a Classic
- De Craig en 05-21-14
De: Alan Le May
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Shooting Midnight Cowboy
- Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
- De: Glenn Frankel
- Narrado por: John Pruden
- Duración: 13 h y 53 m
- Versión completa
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Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.
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Well done. Good insight into all aspects
- De S. Adam Bernstein en 07-29-21
De: Glenn Frankel
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The Warner Brothers
- De: Chris Yogerst
- Narrado por: Daniel Henning
- Duración: 13 h y 7 m
- Versión completa
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Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.
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Nostalgic memories
- De Ted Baehr en 07-27-24
De: Chris Yogerst
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The Making of Casablanca
- Bogart, Bergman, and World War II
- De: Aljean Harmetz
- Narrado por: Scott Brick
- Duración: 12 h y 49 m
- Versión completa
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Updated and timed for the 60th anniversary (Thanksgiving Day, 1942) of this movie, this critically acclaimed book draws upon years of research, including access to Ingrid Bergman's personal acting diaries and the vast Warner Brothers archives, as well as interviews with many of those close to the film, including the late Paul Henreid, Lauren Bacall, and scriptwriters Howard Koch and Julius Epstein.
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European St. Bernards make the book worthwhile
- De Buretto en 01-25-21
De: Aljean Harmetz
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The Captured
- A True Story of Abduction by Indians on the Texas Frontier
- De: Scott Zesch
- Narrado por: Grover Gardner
- Duración: 10 h y 34 m
- Versión completa
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General
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Narración:
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Historia
On New Year's Day in 1870, 10-year-old Adolph Korn was kidnapped by an Apache raiding party. Traded to Comanches, he thrived in the rough nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years living in a cave, all but forgotten by his family. That is, until Scott Zesch stumbled upon his great-great-great-uncle's grave. Determined to understand how such a "good boy" could have become Indianized so completely, Zesch traveled across the West.
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A taste of real life on the prairies of the west.
- De Philell72 en 10-04-12
De: Scott Zesch
Lo que los oyentes dicen sobre The Searchers
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- Stewart Fletcher
- 09-30-21
A Fascinating, Rarely Heard Epic
If you thought the Hollywood legend The Searchers was a big enough tale, you were wrong. This telling of the making of the film, the making of the men behind it, the making of the legends that inspired them, and the making of the history the shaped it all is astounding and rewarding. Definitely worth the read!
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- Anonymous User
- 01-03-24
History
Loved all of it, beginning to end.
I’m a distant relative of Quanah & Cynthia Ann.
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- Buretto
- 07-16-17
Enjoyable, but not entirely cohesive
Is there anything you would change about this book?
I enjoyed listening to this audiobook, and would recommend it, with the caveat that it doesn't exactly weave the subjects together quite as neatly as is suggested in the summary. The first half of the book almost exclusively deals with the captivity narrative. It's interesting research, but just slow to get to the film. A few chapters of biographies for the main players, LeMay, Ford and Wayne (We learn a lot about Stagecoach), is also quite entertaining. And finally a few chapters of the film itself, which reads a bit more like production notes at times. Again, all very engrossing, but the promised exploration into American myth making and how the film "upholds the myth and undermines it", is rather thin.
What did you like best about this story?
I liked the accounts of interactions between John Ford and John Wayne, somewhat abusive on Ford's part. I think that could have been a fair book in itself. But mostly, I liked the stories of being on the set of the film itself.
What about John McLain’s performance did you like?
It was a solid performance.
If this book were a movie would you go see it?
As it's a book about a film, it probably wouldn't happen. But, if it focused on the relationship between Ford and Wayne, perhaps spanning their careers, I might be interested.
Any additional comments?
As mentioned, it was an enjoyable listen, but didn't have the same impact as another book about filmmaking by Glenn Frankel, "High Noon: The Hollywood Blacklist and the Making of an American Classic". Maybe because that book was mostly set within the same time frame, the overriding cultural theme was more cohesive.
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- Professor Jacko
- 02-16-21
Thorough, fascinating, and expansive.
The Searchers has long been one of my favorite films. It may seem a throwback to old-school movie-making but its iconic and mythic value should be appreciated by anyone enamored of filmmaking or cinema history. The wonderfully researched book covers all the angles: a history of the Indian Wars, Western mythmaking, capture narratives, author Alan Le May, screenwriter Frank S. Nugent, the film's casting, production, and, of course, colorful information on John Ford, John Wayne, and the rest of the great cast.
Most importantly the story and legends of Cynthia Ann Parker, Peta Nocona, and Quanah Parker (on whose the story is loosely based) are given a full airing. Author Frankel begins with their tale in a full historical context bookended by a wonderful epilogue of the Parker family today.
If you want to dive deep into the full context of how the truth became a legend and became a book adapted into a film classic this book is a feast. The complicated history and the creation of western mythology and of the film in the context of Ford's late-career and Hollywood in the mid-50's are fascinating. The book is long and detailed but never feels gratuitous.
The Searchers audiobook was also a great follow-up to The Big Goodbye: Chinatown and the Last Years of Hollywood, another covering a single film. I also just finished the audiobook for News of the World, another "capture narrative", albeit fiction, which was also followed by a movie.
The narrator, however, almost had me returning it. But I got used to him because I like the book so much. His voice is clear and resonant but he inflects every sentence the same way. The punctilious sameness becomes maddeningly robotic. When he has to speak as a character, the "acting" is just awful. I checked him out and saw that this reader gives classes in voice-over technique. Being an actor myself, I recognize his strengths but the man really ought to put more variety into the reading. We don't need to train a generation of robot readers!
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