-
The Story Grid
- What Good Editors Know
- Narrado por: Dan Portnoy
- Duración: 8 h y 9 m
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Grandes primeros Títulos
Resumen del Editor
What is the Story Grid?
The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not.
The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).
The Story Grid is a tool with many applications:
- It will tell a writer if a story "works" or "doesn't work".
- It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a story (not the person creating the story) has failed.
- It will tell the writer the specific work necessary to fix that story's problems.
- It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer.
- It is a tool that can inspire an original creation.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
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General
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Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Legendary writing teacher John Truby provides a guide to understanding the major genres of the story world.
De: John Truby
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The Secrets of Story
- Innovative Tools for Perfecting Your Fiction and Captivating Readers
- De: Matt Bird
- Narrado por: Eric Michael Summerer
- Duración: 12 h y 2 m
- Versión completa
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The Secrets of Story is a revolutionary and comprehensive writing guide for the 21st century, focused on clever ways to get an audience to fully identify with an all-too-human hero. Authors will learn to how to cut through pop culture noise and win over a jaded modern audience by rediscovering the heart of writing: shaping stories that ring true to our shared understanding of human nature.
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Good Story Impossible? 'Au Contraire'!
- De Gillian en 05-26-17
De: Matt Bird
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Character
- The Art of Role and Cast Design for Page, Stage, and Screen
- De: Robert McKee
- Narrado por: Robert McKee
- Duración: 15 h y 44 m
- Versión completa
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Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.
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I question whether Robert wrote it
- De C. Deputy en 06-27-21
De: Robert McKee
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Writing Tools (10th Anniversary Edition)
- 55 Essential Strategies for Every Writer
- De: Roy Peter Clark
- Narrado por: Neil Kaplan
- Duración: 9 h y 22 m
- Versión completa
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Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost 30 years of experience in journalism, writing, and teaching into a series of 50 short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available. This new edition includes five brand-new, never-before-shared tools.
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Refreshing
- De Danielle en 06-15-21
De: Roy Peter Clark
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Story
- Substance, Structure, Style, and the Principles of Screenwriting
- De: Robert McKee
- Narrado por: Robert McKee
- Duración: 6 h y 12 m
- Versión resumida
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- De Stephen Buck en 02-15-11
De: Robert McKee
Lo que los oyentes dicen sobre The Story Grid
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Anonymous User
- 05-25-21
great
Great boost for writers. I understand my story better now. Shares a lot of experience.
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- Michael Maloney
- 03-05-20
Fantastic information with poor narration.
Coyne does a great job explaining his system in general, but the organization of the book is a little fractured. Far too many chapters could have been compressed and there’s a fair amount of repeated concepts. There’s also a bit too much “we’ll cover that later” in the beginning. The first half of the book sounds like it’s still trying to sell you the book. Then there is the shoddy narration. Often it repeats lines and many times the voice changes to a much lower quality, as if it were corrected and the narrator phoned it in. Overall, it gets the point across, but I feel like the physical book would be better. Some of the images on the attached PDF are low quality as well.
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- Anonymous User
- 03-18-21
Excellent starting point for a struggling writer
I really needed this. I’ve known for years that writing fiction is what I want to do with my life. I have about 35 notebooks on my bookshelf, filled with stories that fizzled out and went nowhere. I had acquired some talent for turning a phrase. I had some talent in world-building, character creation/development, and plotting a decent inciting incident, crisis, and conclusion. But it wasn’t enough.
I got lost. Every single time. I would constantly rewrite my first draft as I wrote it. My pacing was atrocious. Worst of all, I would put in the titanic effort to execute my plan to the best of my abilities, only to find that it didn’t work at all.
This book really helped me understand what I subconsciously love as a reader when I’m tearing through an exciting book. I think I wanted to believe that if you had the correct ingredients, the dish would come out perfect. Execution is as important as the underlying creative output.
I’m still lost. But now I have a map!
(My only complaint is that I can’t read it because the pdf is not a high enough resolution to view on my phone...but I can view it on the website).
Most important of all, I’m enjoying writing again! With any luck (and a titanic effort), I will actually complete my first novel using this method. And I’d you’re anything like me, maybe you can too!
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- RB
- 02-08-22
Oh the irony that this book was not edited.
This book is masterful at helping the writer learn the grid of a story and how to make it work. It is ironic that the audio version was not edited and often repeated itself or skipped. The narrator was good, but was ruined by the producers not double checking and editing out bad spots. Kind of crazy.
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- Aleah Marie
- 04-17-21
Buy the Print, reader is not great.
It's ironic that the reader of a book about editing would fail to edit his recording. Multiple times in the recording he reads the same thing over and over again, stumbling over his words, failing to get it right. Most audiobook readers would, afterwards, go back and edit the places they marked as spots where they stumbled. This reader does not.
Aside from that, he reads extremely fast, and this book is all about exacting details of form and function of the anatomy of books and stories.
Save yourself a credit and buy the Print book instead.
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esto le resultó útil a 1 persona
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- The bookworm
- 01-31-20
Terrible narrator
Dan, I hope this was your first book as narrator, and that you have improved your skills since recording this. There are so many technical and quality issues with the narration, that it completely distracts from Shawn’s writing. Sudden changes in volume, missing words (including verbs!), spliced-in sentences using a suddenly more/less hoarse voice, double readings and stumbling over sentences, incorrect reading of words (“causal” not “casual”), irritating and inconsistent use of the word “slash”, etc. I’d recommend redoing this narration to give listeners a better experience. It was hard to finish.
Shawn, this is an awesome tool that you have laid out for story writers. Thank you. Your final chapter is key to understanding the philosophy of how to best use this tool. I look forward to applying this tool to my own work.
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- Dustin Allen Smith
- 11-11-21
a godsend
The book answered so many questions I had. I'm glad I picked it up. The book is actually intended for editors, well, for writers that have to edit their own book.
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- PB&MO
- 10-11-22
Great info!
Loved all of it. Will definitely be going over it again and again as a tool and reference. The audio was obviously recorded over a few times (intermediate change in voice/audio quality, and saying the same thing twice). It was a little distracting at times. But I would still highly recommend this title.
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- readynworking
- 10-26-21
The info & Study I have been looking for!
The information and depth of practical application is invaluable to me. The thorough way that Shaun goes through the details of writing and editing a work is challenging to me and his use of well known literature to illustrate his points were so well done that I did not find it necessary to have read them all.
A must have for writers, enthusiasts and every-day hobbyists!
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- Brenda
- 12-28-19
A great manual for any writer!
This book will give new perspective to authors and help aspiring novelists look at the task of writing a novel in a new way.
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