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The Story of the Lost Child
- The Neapolitan Novels, Book 4
- Narrado por: Hillary Huber
- Duración: 18 h y 27 m
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Resumen del Editor
The Story of the Lost Child concludes the dazzling saga of two women—the brilliant, bookish Elena and the fiery, uncontainable Lila—who first met amid the shambles of postwar Italy.
In this book, life’s great discoveries have been made; its vagaries and losses have been suffered. Through it all, Elena and Lila’s friendship remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved.
Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet, somehow, this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief.
Featured Article: The top 100 series of all time
The feeling of discovering that your favorite new listen is actually the start of a series is euphoric. That you can immediately hit play and re-enter a beloved new world, or love story, or era from history is a gift to the devoted listener. But how to pick just 100 of these unique and immersive listening journeys? We defined a series as having a minimum of three books, and—after some debate—we decided the titles had to be anchored in fiction. From YA to horror to historical fiction, from fresh voices to seminal tales, hours of discovery await.
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De: Ben Lerner
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All Aunt Hagar's Children
- Selected Stories
- De: Edward P. Jones
- Narrado por: James Peter Francis
- Duración: 14 h y 59 m
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Returning to the city that inspired his first prize-winning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens.
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I JUST DON'T KNOW ABOUT THIS!
- De Mimi Routh en 07-05-15
De: Edward P. Jones
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Veronica
- De: Mary Gaitskill
- Narrado por: Kathe Mazur
- Duración: 8 h y 29 m
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As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica: an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal "office kit" and a plaque that reads "Still Anal After All These Years".
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Everything is baroque-en
- De Eric en 12-14-06
De: Mary Gaitskill
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The Days of Abandonment
- De: Elena Ferrante
- Narrado por: Hillary Huber
- Duración: 7 h y 36 m
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An IndiBound best seller, The Days of Abandonment shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband, with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.
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D.I.V.O.R.C.E.
- De Margaret M. Cranston en 01-18-16
De: Elena Ferrante
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A Manual for Cleaning Women
- Selected Stories
- De: Lucia Berlin
- Narrado por: Thom Rivera, Dawn Harvey, Carol Monda, y otros
- Duración: 14 h y 47 m
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A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers, and bad Christians.
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Exquisite writing, lopsided performances
- De Sazafrass en 03-02-16
De: Lucia Berlin
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The Lost Daughter
- De: Elena Ferrante
- Narrado por: Hillary Huber
- Duración: 4 h y 57 m
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Leda, a middle-aged divorcee, is alone for the first time in years when her daughters leave home to live with their father. Her initial, unexpected sense of liberty turns to ferocious introspection following a seemingly trivial occurrence. Throughout the novel, Ferrante's language is as finely tuned and intense as ever, and she treats her theme with a fierce, candid tenacity.
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Subtle suspense. Riveting. Scary yet sentimental!
- De CK en 10-23-21
De: Elena Ferrante
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10:04
- De: Ben Lerner
- Narrado por: Eric Michael Summerer
- Duración: 7 h y 21 m
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In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.
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A novel worth reading
- De Bradley Paul Valentine en 01-29-15
De: Ben Lerner
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All Aunt Hagar's Children
- Selected Stories
- De: Edward P. Jones
- Narrado por: James Peter Francis
- Duración: 14 h y 59 m
- Versión completa
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General
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Narración:
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Historia
Returning to the city that inspired his first prize-winning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens.
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I JUST DON'T KNOW ABOUT THIS!
- De Mimi Routh en 07-05-15
De: Edward P. Jones
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Veronica
- De: Mary Gaitskill
- Narrado por: Kathe Mazur
- Duración: 8 h y 29 m
- Versión completa
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General
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As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica: an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal "office kit" and a plaque that reads "Still Anal After All These Years".
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Everything is baroque-en
- De Eric en 12-14-06
De: Mary Gaitskill
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The Lying Life of Adults
- De: Elena Ferrante, Ann Goldstein - translator
- Narrado por: Marisa Tomei
- Duración: 10 h y 21 m
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Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is.
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Disappointed
- De Kay en 09-02-20
De: Elena Ferrante, y otros
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Pulphead
- Essays
- De: John Jeremiah Sullivan
- Narrado por: John Jeremiah Sullivan
- Duración: 11 h y 57 m
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In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us - with a laidback, erudite Southern charm that's all his own - how we really (no, really) live now.
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Slight spoiler Alert
- De Mimi en 07-30-24
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Hurricane Season
- De: Fernanda Melchor, Sophie Hughes - translator
- Narrado por: Inés del Castillo, Tim Pabon, Ana Osorio
- Duración: 6 h y 41 m
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The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.
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Wow
- De Anonymous User en 11-20-20
De: Fernanda Melchor, y otros
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The Human Stain
- De: Philip Roth
- Duración: 13 h
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It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is the conclusion to Roth’s brilliant trilogy of post-war America—a story of seismic shifts in American history and a personal search for renewal and regeneration.
De: Philip Roth
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The Friend
- A Novel
- De: Sigrid Nunez
- Narrado por: Hillary Huber
- Duración: 5 h y 59 m
- Versión completa
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When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: Dogs are prohibited in her apartment building. While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time.
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Dreadful and misleading...
- De Gail en 11-18-18
De: Sigrid Nunez
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The Copenhagen Trilogy
- Childhood; Youth; Dependency
- De: Tove Ditlevsen, Tiina Nunnally - translator, Michael Favala Goldman - translator
- Narrado por: Stine Wintlev
- Duración: 11 h y 52 m
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Called "a masterpiece" by The Guardian, this courageous and honest trilogy from Tove Ditlevsen, a pioneer in the field of genre-bending confessional writing, explores themes of family, sex, motherhood, abortion, addiction, and being an artist. This program contains all three volumes of her memoirs.
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Masterpiece
- De David Batcher en 03-21-21
De: Tove Ditlevsen, y otros
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The Return
- Fathers, Sons and the Land in Between
- De: Hisham Matar
- Narrado por: Hisham Matar
- Duración: 8 h y 49 m
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When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.
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Touching memoir. Consider hard copy
- De Joschka Philipps en 02-22-18
De: Hisham Matar
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Pastoralia
- De: George Saunders
- Narrado por: George Saunders
- Duración: 4 h y 31 m
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Hailed by Thomas Pynchon as "graceful, dark, authentic, and funny," George Saunders gives us, in his inventive and beloved voice, this best-selling collection of stories set against a warped, hilarious, and terrifyingly recognizable American landscape.
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Greatest living short story author reads own work.
- De Spam en 08-25-19
De: George Saunders
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Far from the Tree
- Parents, Children and the Search for Identity
- De: Andrew Solomon
- Narrado por: Andrew Solomon
- Duración: 40 h y 37 m
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A brilliant and utterly original thinker, Andrew Solomon's journey began from his experience of being the gay child of straight parents. He wondered how other families accommodate children who have a variety of differences: families of people who are deaf, who are dwarfs, who have Down syndrome, who have autism, who have schizophrenia, who have multiple severe disabilities, who are prodigies, who commit crimes, who are transgender.
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A Gripping Masterpiece
- De C. Beaton en 12-14-12
De: Andrew Solomon
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Exit West
- A Novel
- De: Mohsin Hamid
- Narrado por: Mohsin Hamid
- Duración: 4 h y 42 m
- Versión completa
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In a country teetering on the brink of civil war, two young people meet - sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors - doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice.
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Where to Live?
- De David en 04-04-17
De: Mohsin Hamid
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We the Animals
- De: Justin Torres
- Narrado por: Frankie J. Alvarez
- Duración: 3 h y 5 m
- Versión completa
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Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.
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I want my credit back!
- De Van Gilder en 09-02-11
De: Justin Torres
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How to Be Both
- A Novel
- De: Ali Smith
- Narrado por: John Banks
- Duración: 8 h y 29 m
- Versión completa
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Borrowing from painting’s fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths, and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life’s givens get given a second chance.
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Incompetent Foreign Pronunciation
- De J. Kahn en 06-28-15
De: Ali Smith
Lo que los oyentes dicen sobre The Story of the Lost Child
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- beka
- 05-03-20
sad it's over
These books are loaded. Long, emotional, and beautifully written. The turn this took really surprised me. I am sad it's over though - this series was a warm blanket and a comfort during quarantine. I will relisten in a few years and probably be reminded of where I was (home) and what I was doing (cooking constantly). Picking up my headphones to listen to this everyday was a welcome reprieve from this strange season. I love these books! The pace is slow but so are my days right now, so that works out. This narrator is in my all time top 5, what a comfort. I wonder if I'll ever be able to separate her from Elena Greco should I ever listen to anything else she's ever read.
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- inbar
- 02-28-17
i can't believe it's over....
you'll find yourself missing the characters, thinking about them during the day, hoping they find some peace.. but they don't.
also in this (incredible and amazing) book, Ferrante is unforgiving to her characters, and they have hard hard lives, with harsh consequences. i did not want this book to end, i loved the feeling i had while listing to all 4 books, but this one, as it holds another secret book inside, and an oh-so emotional epilog, is by far the best one.
also, because we have to say good by to elena and lila.
you'll love it. don't miss out
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- mc
- 04-29-17
Intense and Brilliant. Totally immersive.
Would you recommend this audiobook to a friend? If so, why?
Extraordinary characters, so intricately developed-- You can't help but be enriched by the intensity, the drama, and the everyday life of these characters. The self examination of the narrating/main character, and her revelations of those that surround her are endlessly thought provoking. This fabulous series would have been ruined with the wrong Narrator-Hillary Huber is perfect. Words fail me. She conveys every mood perfectly.
What does Hillary Huber bring to the story that you wouldn’t experience if you just read the book?
Unbelievably nuanced mood shifts, beautiful voice, quiet and intense.
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- DAG
- 04-16-16
Another Triumph for Ferrante!
This last book in the series was as gripping as the prior 3 books. I loved the characters and am sad to leave them. I am new to the author and will be finding her other writings.
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- JoAnn Garner
- 05-06-16
Epic and Enthralling.
A believable and magical story of friendship in a romantic setting.
The writer chooses a musical styles that makes one want to continue and conveys varios moods.
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- julie
- 02-11-18
Compelling novel
I loved the novel an was sad when I reached the end of the final book of the series.
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- Caterina L.
- 05-10-19
Beautifully written and translated
I’ve listened to all four Neapolitan novels. My family is northern Italian so I thought I might identify with these books. At first I didn’t. In fact I disliked what I thought were stereotypes. But I stuck with each book, in large part because of the beautiful writing (and translation.) Once invested, I couldn’t stop. Ferrante masterfully pulls the reader into the lives of the characters, weaving their stories through modern Italian history. This body of work represents feminist themes in a nuanced and real-world way. The performance was good, although Huber frequently mispronounced Italian words so I would have preferred an Italian-speaking narrator.
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- Cheryl
- 02-06-17
A story of dark and light-often intertwined
Bought My Brilliant Friend tentatively, not even knowing there were 3 more books, then had to think "Do I really want to get book #2?" But I was barely into #2 when I felt like "I've got to get the next two!" And so I did. Nothing I love better in a book (s) than epic relationships and this did not disappoint. Four books worth of Elena and Lila and their combined brlliance, fighting and scraping for any good thing, and their misfortunes which swept over them continually. A wonderful series plus I'm inspired to read up on Italian history now!
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- Vanesa R.
- 12-14-20
Disolver los limites personales
Esta historia disuelve los límites personales. Lenu es Lila, porque esta última parece quien escribe, la ha manipulado desde el principio. Las muñecas son prueba de ello, pero también son prueba de ese amor de infancia, que perdura. Es difícil comprender el final, porque no lo es, es una invitación a pensar. Lila no se disuelve porque Lenu se sale con la suya al hacerla inmortal. La Niña perdida es Lenu que no encuentra en si misma la verdadera razón de escribir... su inseguridad es su verdadera sombra.
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- chetyarbrough.blog
- 12-06-16
WRITE WHAT YOU KNOW
Mark Twain said, “Write what you know” but fails to warn of its consequence. Elena Ferrante completes Twain’s aphorism in “The Story of the Lost Child”. The consequence of “writing what you know” is to reveal who you are and what you think of your family, friends, lovers, and acquaintances. Often, that reveal is not flattering. To “write what you know” can be psychologically, morally, and financially damaging.
“The Story of the Lost Child” is the fourth book in Ferrante’s series about two poor women who achieve economic and social independence in Italy during the sixties, seventies, and eighties. Ferrante takes the story through modern-day Italy and the events of life that change the two main characters that are growing old.
An underlying theme in Ferrante’s fourth Neapolitan Novel is the impact of parental life on children. Children grow into their own lives but they are both genetically and environmentally affected by their parents. Human beings are by nature self-absorbed. It is not that when adults become parents, they lose their lives, their own experiences, their own desires. Decent parents love their children but a parent’s love is within a context of living a life.
The title of this fourth novel is “The Story of the Lost Child” because Lila loses her daughter. That loss is because of parental self-absorption. Both Lila and Elena are focused on getting ahead in life. Each’s self-absorption exhibits in different ways but both have an impact on their children’s lives.
Elena Ferrante, whoever she is, has written a story that lionizes women in some ways but humanizes and degrades them in others. Of course, all human beings are flawed; that is why “writing what you know” has consequences.
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