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Where Rivers Part
- A Story of My Mother's Life
- Narrado por: Pamela Xiong, Kao Kalia Yang
- Duración: 12 h y 2 m
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Resumen del Editor
This powerful memoir about a Hmong family’s epic journey to safety is a profound “testament to the miraculous strength of women and the indomitable resolve of the human spirit” (Cristina Henríquez, author of The Book of Unknown Americans).
Born in 1961 in war-torn Laos, Tswb’s childhood was marked by the violence of America’s Secret War and the CIA recruitment of the Hmong and other ethnic minorities into the lost cause. By the time Tswb was a teenager, the US had completely vacated Laos, and the country erupted into genocidal attacks on the Hmong people, who were labeled as traitors. Fearing for their lives, Tswb and her family left everything they knew behind and fled their village for the jungle.
Perpetually on the run and on the brink of starvation, Tswb eventually crossed paths with the man who would become her future husband. Leaving her own mother behind, she joined his family at a refugee camp, a choice that would haunt her for the rest of her life. Eventually becoming a mother herself, Tswb raised her daughters in a state of constant fear and hunger until they were able to emigrate to the US, where the determined couple enrolled in high school even though they were both nearly thirty and worked grueling jobs to provide for their children.
Now, her daughter, Kao Kalia Yang, reveals her mother’s astonishing saga with tenderness and clarity, giving voice to the countless resilient refugees who are often overlooked as one of the essential foundations of this country. “Haunting and painfully relevant” (Booklist), Where Rivers Part is destined to become a classic.
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One moonlit night, 14-year-old Reena Virk went to join friends at a party and never returned home. In this “tour de force of crime reportage” (Kirkus Reviews), acclaimed author Rebecca Godfrey takes us into the hidden world of the seven teenage girls - and boy - accused of a savage murder. As she follows the investigation and trials, Godfrey reveals the startling truth about the unlikely killers. Laced with lyricism and insight, Under the Bridge is an unforgettable look at a haunting modern tragedy.
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Powerful Account of 8 Young Teens Killing Another
- De Mary Burnight en 08-16-19
De: Rebecca Godfrey
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Chasing Boaz Manor
- De: Leah McLaren
- Narrado por: Serinda Swan
- Duración: 3 h y 56 m
- Grabación Original
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Boaz Manor was a finance wunderkind. He started a hedge-fund company in Canada and later burst onto Wall Street with a product that could transform the crypto market. By all accounts, he was incredibly hard-working. Possibly brilliant. And...a shameless con man who ended up wanted in multiple countries. Chasing Boaz Manor explores Boaz’s schemes through the perspective of those he left in his wake.
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Drawn out and unresolved waste of time
- De DC en 06-06-24
De: Leah McLaren
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In the 70s and 80s, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to the United States, all in search of a new place to call home. Decades later, their experiences remain largely unknown. Kao Kalia Yang was driven to tell her own family's story after her grandmother’s death. The Latehomecomer is a tribute to that grandmother, a remarkable woman whose spirit held her family together.
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Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until one day a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good.
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Beautiful, full of sadness, power, and heart.
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Somewhere in the Unknown World is a themed collection of stories of refugees from around the world who have converged on Minneapolis, collected and told by the award-winning author of The Latehomecomer and The Song Poet.
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Growing up in the Midwest, raised by a Puerto Rican mother who was abandoned by her family, Jamie Figueroa and her sisters were estranged from their culture, consumed by the whiteness that surrounded them. In Mother Island, Figueroa traces her search for identity as shaped by and against a mother who settled into the safety of assimilation, and presents a cultural coming-of-age story.
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Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.
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Incredible emotional journey
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Pumkin Patterson is a thirteen-year-old girl living in a tiny two-room house in Kingston, Jamaica, with her grandmother (who wants to improve the family’s social standing), her Aunt Sophie (who dreams of a new life in Paris for her and Pumkin), and her mother Paulette (who’s rarely home). When Sophie is offered the chance to move to France for work, she seizes the opportunity, and promises to send for her niece in one year’s time....
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Absolutely perfect
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In the 70s and 80s, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to the United States, all in search of a new place to call home. Decades later, their experiences remain largely unknown. Kao Kalia Yang was driven to tell her own family's story after her grandmother’s death. The Latehomecomer is a tribute to that grandmother, a remarkable woman whose spirit held her family together.
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Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until one day a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good.
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Beautiful, full of sadness, power, and heart.
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Growing up in the Midwest, raised by a Puerto Rican mother who was abandoned by her family, Jamie Figueroa and her sisters were estranged from their culture, consumed by the whiteness that surrounded them. In Mother Island, Figueroa traces her search for identity as shaped by and against a mother who settled into the safety of assimilation, and presents a cultural coming-of-age story.
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Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.
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As the only child of a single mother in Queens, Ava Chin found her family’s origins to be shrouded in mystery. She had never met her father, and her grandparents’ stories didn’t match the history she read at school. Mott Street traces Chin’s quest to understand her Chinese American family’s story. Over decades of painstaking research, she finds not only her father but also the building that provided a refuge for them all.
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Captivating, fascinating and important read!
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No Judgment
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In her writing for Harper’s, the London Review of Books, The New Yorker, and elsewhere, Lauren Oyler has emerged as one of the most trenchant and influential critics of her generation, a talent whose judgments on works of literature—whether celebratory or scarily harsh—have become notorious. But what is the significance of being a critic and consumer of media in today’s fraught environment?
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On September 27, 2018, Christine Blasey Ford testified before the Senate Judiciary Committee which was considering the nomination of Judge Brett Kavanaugh to the United States Supreme Court. She described an alleged sexual assault by the Supreme Court nominee that took place at a high school party in the 1980s. Her words and courage on that day provided some of the most credible and unforgettable testimony our country has ever witnessed. In One Way Back, Ford recounts the months she spent trying to get information into the right hands without exposing herself and her family to backlash.
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When three-month-old Lia Lee arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos.
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Good audiobook but narrator struggles with basic pronunciation
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We Loved It All
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Acclaimed novelist Lydia Millet’s first work of nonfiction is a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.
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It's worth a listen
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The Hazelbourne Ladies Motorcycle and Flying Club
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It is the summer of 1919, and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped run during the war. While she looks for a position as a bookkeeper or—horror—a governess, she’s sent as a lady’s companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea after she rescues the local baronet’s daughter, Poppy Wirrall, from a social faux pas.
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Started well. Didn’t hold up.
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Empty Mansions
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- Duración: 13 h y 34 m
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When Pulitzer Prize-winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly 60 years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the 19th century with a 21st-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades.
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Fascinating, But Know This...
- De Karen K en 04-08-15
De: Bill Dedman, y otros
Lo que los oyentes dicen sobre Where Rivers Part
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- diane lee
- 03-26-24
It’s a story about all our grandmothers and mothers life
Your memoir about your mother’s life is a reflection of similar stories of other Hmong Mothers and Grandmothers that could not be told because they didn’t know where to begin and where it ends. The trauma and suffering petrified in their throats. My grandmother would only tell me the happy stories and never could tell me the dark stories that were also part of her life story. I’m so thankful for your amazing ability to create a beautiful memoir that made sense of the memories and stories that felt like a beautiful quilt in a book. I cried from the beginning to the end.
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- Mawn-lee-uh Shawng
- 04-09-24
Rivers of tears
I cried and I cried yesterday, the day before, today listening to Where Rivers Part: A Story of My Mother's Life by Kao Kalia Yang. I listened as if I am hearing my own mothers' story being told of yearning, running, of fear, death, depression, of love, hope, warmth, and resilience. The narrative is heavy, but it is so needed.
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- Princess Eggie
- 03-27-24
Poor Performance, Beautiful Story
I purchased and listened to Kao Kalia’s previous books and they were beautifully written. Although her voice was a bit monotonous at times, no one knew better than the author on when to make voice inflections. I cried when I listened to her previous books. When I listened to Pamela Xiong’s performance, I was annoyed. Words like parents’ turned into parentses, brothers’ turned into brotherses, etc. The reader had a good understanding and pronunciation when it came to the Hmong words, but her understanding of the English language seemed to be lacking. Her voice inflections and singsong voice seemed inappropriate at times and was such a distraction that I decided to purchase the e-book and read it myself. I wish Kao Kalia had read the book herself as she did with her first 2 books.
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- M
- 04-22-24
Soul touching and deep
What a great book! Moments of tears and sadness. I love reading about what my parents and grandparents endured. I felt like I was there in that time with them. Thank you for giving me a piece of the experience. I appreciate my mom so much more. ❤️
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