Wrath Goddess Sing

A Novel

De: Maya Deane

Narrado por: Katherine Pucciariello

Drawing on ancient texts and modern archeology to reveal the trans woman’s story hidden underneath the well-known myths of The Iliad, Maya Deane’s Wrath Goddess Sing weaves a compelling, pitilessly beautiful vision of Achilles’ vanished world, perfect for fans of Song of Achilles and the Inheritance trilogy.

The gods wanted blood. She fought for love.

Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.

But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.

An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.

Supplemental enhancement PDF accompanies the audiobook.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2022 Maya Deane (P)2022 HarperCollins Publishers

If this book was about original content or even a less told story it could be great

Great concept!! If this book was about original content or even a less told story it could be great (if not a little fan ficy/YA) there is world building and exploration of lots of mythologies, it falls short where it tries to shoe horn in bits from the base mythologies without really using them (characters at times take actions that just don’t make any sense (I mourned the loss of one relationship especially when it was replaced with a sickening couple)). I have studied Greek (and Egyptian) myth in US english, UK English, Greek, and Latin. It took me an hour to get used to the - creative way most names were read (the Egyptian+ names that were added didn’t help as they 1) have so many and 2) were also pronounced in a way I hadn’t heard). The last hour makes this book worth the listen. Like I said, this would be great if it was painted onto an original backdrop instead of onto the Trojan war but worth the listen.

I wanted to love this book

I’m a fan of well written fiction that reimagines well known stories. I was fascinated with the concept of reframing Achilles as a trans woman. Some of the characters are utterly engaging. Somehow, taken all together, it just doesn’t quite work for me. It was bastante bien.

Beautiful, powerful, and well narrated

Wonderfully written and highly recommended to every trans person in the universe and anyone else who likes a good story

masterclass in storytelling

a retelling of The Iliad that concerns itself with the Affairs and conflicts of the Gods as well as Mortals. the book is about the transformative qualities of magic and how the constructs of gender power and relationships change. I was genuinely riveted I'm honest 10 out of 10.

fantastic

This book is tranfeminine rage incarnate. I highly recommend it to any other trans woman.

A beautiful retelling

Though not included in Homer's Iliad, the story which sets up the heroism of Achilles in the Trojan War, there is a story that takes place before Achilles joins the war. Achilles' mother Thetis, in an attempt to save his life, sends him to live on Skyros as a woman among the other women there. In the original tale, Achilles develops feelings for Deidamia, one of King Lycomedes' daughters, and the two end up having two children. Depending upon the source, when Odysseus exposes Achilles as a male and takes him off to fight Troy, Deidamia either takes up a spear and follows him or stays behind and pleads for him to return to her.

Using that story as the source material, Deane makes a single change and goes from there. Instead of Achilles dressing as a woman hiding on the island of Skyros as a man, Deane posits that Achilles is a trans woman, and is living on Skyros as a woman to be true to herself. From this small change comes the rest of this story, though it may be better to think of this as a story entirely on its own, instead of a simple retelling of the myth - especially as this story continues on through the Trojan War. In that sense, it evolves into a retelling of The Iliad, even though the myth of Achilles on Skyros is not included in the original Iliad. I also think it's important, at this point, to mention that Deane is a trans woman. Her own experience informs this story in a way that is very powerful. And while there are some critics who will say that there's no way Achilles was trans, revisiting the myth with an open mind shows that it's not a big stretch and makes sense in many ways.

For those of you who are very familiar with The Iliad and the events of the Trojan War, it should be acknowledged that Deane uses the name Wilusa for Troy in this novel. If that is confusing to you, there is a historical and archeological basis for the change. Wilusa was a late Bronze Age city and has been identified/connected with the archeological site of Troy. Additionally, if you listen to the audiobook, the pronunciation of many of the names is slightly different from how many people say them today. The most noticeable is Achilles' name. Rather than her name being pronounced as "ah-KILL-eez" as most people do, it is pronounced as "AH-kill-eez," with the stress on the first syllable instead of the third. While slightly disorienting the first few times I heard it, I got used to it very quickly, and after the first hour or so, I no longer noticed it; it was just the way Achilles' name was pronounced. The same was true of the other names whose names are pronounced slightly differently.

While listening to the story, I was impressed multiple times at the sheer amount of research that Deane must have done prior to and during the writing. Though the story is centered around Achilles, and thus the Greek pantheon of gods, the other cultures and countries in the area are not ignored. Included are the various factions present in the Mediterranean, including the Hittites, the Achaians, the Amazons (Can I just say, one of my favorite parts is when an Amazon woman threatens Achilles, as she has killed several members of the woman's family, with killing her and dragging her (Achilles) body behind her (the Amazon) horse. I loved the ferocity of the interchange in the scene.), and even Egypt. Not only did Deane use the Greek pantheon of gods, which do figure prominently in the story and are shown to be predatory and bloodthirsty, and who view mortals as little better than playthings to amuse themselves with, but she did not ignore their counterparts that were worshipped in the other countries/kingdoms of the Mediterranean. Again, so much research. I am in awe.

I do want to take a moment here to discuss one of the critiques that Deane has received, and that is the accusation of racism because Achilles, who is white, takes Brisewos, who is black, as a slave. The problem with this accusation is that Brisewos isn't black in the way those making the accusations think of a black man. Brisewos is a Hittite and Anatolian. It is worth pointing out that he is a trans man, and that is one of the reasons he chose to seek out Achilles; he is like her, though he didn't have the benefit of a goddess changing his body the way Achilles did, and instead cut himself (i.e., he performed his own top surgery) to gain the physical body that matched his gender. As for his slavery, he is a slave, yes. But it is important to remember that slavery was a part of life during this time in history. Deane doesn't try to portray slavery in a positive light, but simply as a fact of society at the time. To call that racist is to try and whitewash history, and that isn't fair to history. You are more than welcome to disagree with slavery and to condemn it (and I fully agree with that), but one cannot call an author racist for using a practice in a historical novel that was socially acceptable in that time period.

Okay, stepping back down off the soap box, I will finish by talking about the audiobook. It was narrated by Katherine Pucciariello, and she did an absolutely fantastic job. This is the first book or hers that I have listened to, and I loved it. Due to the length, I had to break up my listening over a few days because of work (how dare my job get in the way of me listening to an amazing story!), and I found myself struggling to stop listening each time I needed to. (Please, can't I just listen to one more chapter? Well, not if I'm going to get enough sleep to go to work in the morning...grr...). I have already added her to my list of narrators that I will listen to, no questions asked, and I definitely encourage you - if you enjoy listening to audiobooks - to listen to this audiobook. It. Is. Marvelous.

Wonderful, terrible excellence

Maya Deane's epic telling of kallai Achilles, warrior and daughter of a goddess, is an incredible read. Katherine Pucciariello's performance makes the story impossibly more brilliant. I appreciate the depth Pucciariello's talent adds with nuanced accents distict character voices. I'm looking forward to listening again while reading along.

A radically new telling of an old story

This is a new telling of an old story that will open up your mind and your heart.

the names

the pronunciation of the names was tedious. the story itself was great. I loved how she interacted with the horses

Pronunciation of Greek names is hard, but not this hard

The story is captivating, but the reader’s mispronunciations are hard to get past. I understand that many Greek names are super difficult to get phonetically correct, but the main character’s name, Achilles, is not. This person is butchering Achilles’s name and many others. I just don’t understand how the author okayed this narration. Why didn’t anyone double check the pronunciation—there are so many audio resources online that they could have referenced.

Guess I’ll just have to go buy the book and read it myself, because I certainly can’t listen to this.