Episodios

  • Episode 176: Stephen Shames (Documentary Photography) Part 2

    Episode 176: Stephen Shames (Documentary Photography) Part 2
    Feb 24 2026
    Stephen Shames – A Legendary Documentary Photographer (Part 2) 📷 Who Is Stephen Shames? American documentary photographer with a career that began in 1966 – now over 60 years of shooting.Known for long‑term, immersive projects that blend social documentary with an intimate, “dream‑like” visual language.Creator of the acclaimed monograph “Steven Shames – A Lifetime in Photography” (published by Klaus Carer, Germany). 🌟 Signature Achievements YearProject / PhotoWhy It Matters1970‑73Black‑and‑white series on the Black Panther PartyCaptured a pivotal civil‑rights movement from inside.1985Iowa farm‑crisis reportageBuilt a multi‑year relationship with a struggling family; later provided them with treasured photos after a tragedy.1990sDrug‑dealer & police collaboration in PhiladelphiaShowed the nuanced humanity behind street‑level crime.2003Stephen Hawking portrait series(Philadelphia Inquirer Magazine)Gained unprecedented access by reading Hawking’s book cover‑to‑cover and proving deep commitment.2023Release of “A Lifetime in Photography”First book presented as a non‑chronological, dream‑sequence, mixing B&W duotone and color plates. 📚 Stephen Shames Book: “A Lifetime in Photography” Concept: Not a chronological retrospective, but a dream‑sequence that moves the viewer fluidly from image to image.Process: Scanned ~20,000 negatives, rated them in Adobe Bridge, collaborated with designer Caleb Kane Marcus, and completed the layout in 1–2 months.Production quirks: Separate signatures for duotone B&W and full‑color plates; careful handling of gutter‑cropping for double‑page spreads. 🎯 What Makes Stephen’s Work Stand Out? Deep Relationships: He treats subjects as family, earning trust that lasts decades (e.g., the Iowa family calling him 30+ years later).The “Zone” Mindset: Total, intuitive focus while shooting; emotions surface only after the shutter clicks.Consistent Visual Voice: Central composition, intimate close‑ups, and a blend of documentary realism with artistic abstraction—what he calls his “shames‑style.”Commitment Over Convenience: Willing to stay with his son instead of flying to a war zone; chooses projects that align with his personal values. 📖 Quick Bio for Press Stephen Shames creates award winning photo essays on social issues for foundations, advocacy organizations, the media, and museums. •• Author of twelve monographs. •• Steve’s images are in the permanent collections of 42 international museums and foundations. •• Outside the Dream won numerous awards including the Kodak Crystal Eagle Award for Impact in Photojournalism. •• 2008 bus shelter and subway ads for the NYC DADS campaign of the City of New York received a Pollie award from American Association of Political Consultants. ** PBS named Hine, Wolcott, and Shames as photographers whose work promotes social change. ** American Photo called him one of the “15 Most Underrated Photographers”. ** Profiled by People, CBS Sunday Morning. Esquire, US News, Ford Foundation Report. ** The Ford, Charles Stewart Mott, Robert Wood Johnson, and Annie E. Casey Foundations have underwritten his work. ** Started an NGO which locates forgotten children (AIDS orphans, former child soldiers, and children living in refugee camps) with innate talents and molds them into leaders by sending them to the best schools and college Steve is represented by: Amar Gallery, London, UK (vintage & contemporary art prints Steven Kasher Gallery, New York (vintage & contemporary art prints Polaris Images, New York (editorial & stock) 🔗 Where to Find His Work Official Book: Purchase a signed copy on eBay (search “Steven Shames signed book”).Online Galleries: Steven Shames Archive – Briscoe Center for American History, University of Texas at Austin.10FPS Episode 175 – Part 1 of the full interview discussing his process and philosophy. Exhibitions: Periodic shows at major museums (e.g., Museum of Modern Art, New York; International Center of Photography). 📌 Takeaway for Photographers Build trust: Treat subjects as collaborators, not just subjects.Cultivate a signature style: Consistency in composition and tone makes your work instantly recognizable.Embrace the Zone: Focus fully while shooting, then allow space to process emotions afterward. ______ farm crisis, Iowa family portraits, suicide remembrance, long‑term photographic projects, building trust with subjects, photographer’s dedication/commitment, beeper/assignment culture, Israel‑Lebanon conflict coverage, child soldier imagery, color vs. black‑and‑white printing, book editing process, scanning thousands of negatives, Briscoe Center archive, dream‑sequence book concept, collaborative design with Caleb Kane Marcus, double‑page spreads, duotone production, gutter cropping, celebrity portraiture (Obama, Sadat), Tokyo subway kids photo, style development (Meyerowitz, ...
    Más Menos
    50 m
  • Episode 175: Stephen Shames (Documentary Photography) Part 1

    Episode 175: Stephen Shames (Documentary Photography) Part 1
    Feb 18 2026
    Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1) Introduction In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs. If you’re a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames’s methods to your own work. Who Is Stephen Shames? FactDetailProfessionPhotojournalist & documentary photographerCareer span50+ years (1960s‑present)FocusSocial issues – child poverty, racism, civil rightsNotable achievementsTestified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HEREKey collaborationsBlack Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations How Stephen Shames Discovered Photography College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests.First camera purchase – After hitch‑hiking to New York’s East Village, he bought a camera at a pawn shop.Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.” “I just wanted to look at the big picture and try and move people with photography.” Working with the Black Panther Party Why the Panthers Accepted a White Photographer Shared goals – Economic and social justice, not just race.Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots).Personal connection – Bobby Seale liked Shames’s images and invited him to use them in the Panther newspaper. Key Facts About the Panthers (From the Interview) Founded: October 1966 (initially ~20 members).National expansion: Post‑1968, 10,000+ members, 50‑60 chapters.Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily.Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.” Lesson for Photographers Build trust by aligning with a group’s mission, not merely your identity. Stephen Shames Research‑First Approach “Journalism is two‑dimensional; you need to experience the culture you want to document.” Steps to Deep‑Dive Research Read nonfiction – History, journalism, policy reports.Read fiction – Novels written by members of the community.Listen to music – Understand emotional tone and cultural references.Watch movies / documentaries – Visual language and storytelling cues.Live the bubble – Immerse yourself in daily life, food, rituals. Why It Matters Breaks the “bubble” of your own biases.Helps anticipate reactions and capture authentic moments. Stephen Shames on Building Trust & Relationships Core Principles Honesty: Be transparent about your intent.Respect: Never mock or look down on subjects (e.g., drug addicts, police).Reciprocity: Offer subjects control—let them tell you when to stop.Presence: Stay physically in the community (sleep on sofas, eat meals together). Practical Tactics Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects.Sit down for a conversation before shooting – explain the project, listen to concerns.Share your work later (photos, stories) to reinforce the relationship. “If you’re honest, people will accept you, even if you’re a ‘liberal New York Jew.’” Bullet‑Point Checklist Identify and contact a respected local figure or organization. Explain your project in plain language. Offer a clear “opt‑out” for subjects. Spend time off‑camera – meals, conversations, errands. Follow up after the shoot with thank‑you notes or shared images. Cameras vs. Guns: The Evolution of “Weapons” 1960s‑70s: Panthers used firearms legally to patrol police.Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice.Why the shift? Legal restrictions on open carry.Instant global distribution of visual evidence. “The camera is a much better weapon because it puts the story directly in front of the world.” Lessons for Modern Photographers InsightHow to ApplyResearch beyond headlinesRead novels, watch local films, listen to playlists from the community.Immerse, don’t observe from a distanceStay in the neighborhood ...
    Más Menos
    53 m
  • Episode 174: Stephanie Keith (Documentary Photography)

    Episode 174: Stephanie Keith (Documentary Photography)
    Jan 27 2026
    Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers 📸 Who Is Stephanie Keith? Background: Studied cultural anthropology at Stanford.Photojournalism degree from the International Center of Photography (ICP).Master’s in photography from NYU. Career Highlights: Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire.Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine. Specialties: Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo.Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S. “Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith 🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism? Visual AnthropologyTraditional Breaking‑News CoverageImmersive – Long‑term, relational storytelling.Immediate – Focus on the moment of impact.Emphasizes culture, rituals, and everyday lives.Emphasizes who, what, when, where of the event.Seeks multiple angles (social, political, personal).Prioritises speed and exclusivity. Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss. 🚦 The “Observers” of Minneapolis: Community‑Driven Resistance Who Are They? A loose, hyper‑local network of volunteers who monitor ICE vehicle movement.Operate in Signal chat groups (encrypted messaging).Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear. How They Operate Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat.Alerting the Neighborhood – Whistles or car horns sound to warn residents.Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants. Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify. “If ICE represents fascism, observers are the front line of American resistance.” – Stephanie Why This Model Works Decentralized – No single command structure; anyone can join a shift.Hyper‑local – Neighbors protect neighbors.Low‑cost – No paid staff, just community solidarity. 📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot.Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios).Process: Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing. Result: The image became the cover story, symbolizing everyday resistance. 🤝 Collaboration in the Field: How Journalists Share Information Signal Chats: Real‑time location sharing, ICE alerts, safety tips.Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe.Cross‑Outlet Support: Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel.Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles). “If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie 🛡️ Staying Safe: HEFAT Training & Practical Gear HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training: Situational Awareness: Constantly locate threats and your nearest exit.Exit Planning: Park cars a few blocks away; know multiple escape routes.Crowd‑Control Devices: Full‑face gas mask for tear‑gas or pepper‑spray.Know how to don it quickly, even with glasses. Physical Gear Checklist: Helmet, vest, body armor.Extreme‑weather clothing – insulated jackets, gloves, thermal layers.Gas mask + cartridges (full face). Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.” 📚 What Early‑Career Photographers Can Learn 1. Find a Mentor Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments. 2. Embrace Community Over Competition Share locations, tips, and safety info in chat groups.Prioritise collective safety over exclusive scoops. 3. Blend Anthropology with Journalism Immerse yourself in the community you’re documenting.Aim for story depth rather than just “the headline moment.” 4. Prepare Logistically Bring all essential gear (mask, cold gear, backup batteries).Use buddy system; never work alone in high‑risk zones. photojournalist Stephanie Keithvisual anthropology in journalismMinneapolis ICE protestscommunity observers resistanceHEFAT training for journalistshow to stay ...
    Más Menos
    41 m
  • Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)

    Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)
    Jan 20 2026
    Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories Archive Episode – Aired in 2023 Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers. Table of Contents Who Is Eman Mohammed?Breaking Barriers: The First Woman Photojournalist in GazaThe Iconic Jacuzzi Image: Symbol of Life After ConflictWhy Long‑Term Projects MatterPreparing for War Coverage: Gear, Safety, and Mental HealthBehind the Book: The Cracks in My Lens (2022)The “Broken Souvenirs” Project: Trauma Without BordersKey Takeaways for Emerging PhotojournalistsFurther Resources & Links 1. Who Is Eman Mohammed? Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia.Born in Saudi Arabia, raised from age two in Gaza.Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more. “I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness. 2. Breaking Barriers: The First Woman Photojournalist in Gaza ChallengeHow Eman RespondedMale‑dominated fieldTurned resistance into motivation; asked “why isn’t there a woman photojournalist?”Cultural taboosLeveraged her unique access to women’s stories that male crews cannot reach.Lack of role models locallyInspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc.Limited resourcesBegan with a simple backpack, later secured protective gear and international support. 3. The Iconic Jacuzzi Image: Symbol of Life After Conflict The Story Behind the Shot Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house.Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau. Why It Resonates Resilience: Shows life continuing amid devastation.Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity.Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope. Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict. 4. Why Long‑Term Projects Matter From Spot News to In‑Depth Storytelling Spot news captures the immediate event (e.g., rockets falling).Long‑term projects uncover causes, aftermath, and human impact. Benefits Highlighted by Eman Mohammed Deeper Understanding: Reveals how extremism forms, how societies heal.Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time.Ethical Responsibility: Offers a full picture rather than “half information.” Practical Steps for Photographers Identify a core question (e.g., “What happens after a house is destroyed?”).Allocate time—months or years rather than days.Build trust with subjects for ongoing access.Document both visual and oral histories. long‑term photography projects, after‑effects of war, in‑depth photojournalism 5. Preparing for War Coverage: Gear, Safety, and Mental Health Gear & Logistics (What Eman Mohammed Learned the Hard Way) Early days: No protective vest, no backup batteries, unreliable electricity.Now: One spare battery, basic body armor, portable solar charger, reliable backup storage. Safety Strategies Know the locality—local journalists share the same surprise factor as residents.Secure evacuation routes (even if embassies may be limited).Maintain communication with a trusted network of fellow journalists. Mental Health & PTSD Therapy is essential – Eman stresses continual sessions, not a one‑off fix.Peer support: Sharing experiences with other photojournalists reduces isolation.Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material. war photographer safety tips, photojournalism PTSD, gear for conflict photography 6. Behind the Book: The Cracks in My Lens (2022) Limited‑edition memoir chronicling a decade‑plus of Gaza coverage.Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native).Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege.Availability: A few copies remain on her website (pre‑order if you’re a collector). The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book 7. The “Broken Souvenirs” Project: Trauma Without Borders Concept: Pair powerful images with ...
    Más Menos
    44 m
  • Episode 173: Claire Rosen (Nature Photography)

    Episode 173: Claire Rosen (Nature Photography)
    Jan 13 2026
    🎨 Claire Rosen’s Whimsical World: From Beatrix Potter Inspiration to the Birds of a Feather Book Keywords: Claire Rosen, Birds of a Feather, fine‑art photography, animal photography, Beatrix Potter influence, conservation photography, conceptual photography, photography process, Fujifilm GFX, nature‑inspired art, limited‑edition photography book Meta description: Discover how award‑winning photographer Claire Rosen blends Beatrix Potter charm, nature conservation, and conceptual photography in her new book Birds of a Feather. Learn her creative process, gear, and where to buy the limited‑edition volume. 📖 Overview Claire Rosen, a Forbes “30 Under 30” honoree and celebrated fine‑art photographer, sits down on the 10 Frames Per Second podcast to discuss: Her early love for Beatrix Potter, natural‑history museums, and Dutch still‑life painting.The journey from her first staged photos with sisters to large‑scale animal “feasts.”The making of her newest, exquisitely crafted book Birds of a Feather – its concept, design, and limited‑run production.The technical tools (Fujifilm GFX, darkroom magic) that bring her whimsical animal portraits to life.How controversy sparked a deeper conversation about animal welfare and conservation. If you’re a photographer, a nature lover, or simply adore beautiful books, keep reading for an inside look at Claire’s process and tips you can apply to your own creative projects. 🌿 Who Is Claire Rosen? FactDetailAward‑winningForbes “30 Under 30” (2012‑2013)SpecialtyWhimsical, anthropomorphized animal photographyInfluencesBeatrix Potter, natural‑history museums, Dutch still‑life traditionKey ProjectsImaginarium (process guide), FEAST series, Birds of a Feather (2024)Current BaseGlenmore, Pennsylvania farm (≈ 1 hour from Philadelphia) 🐰 From Beatrix Potter to Conceptual Photography Why Beatrix Potter Matters Storytelling: Potter’s blend of cute animal characters and narrative inspired Claire’s “anthropomorphic” scenes.Conservation Roots: Potter used her book profits to buy land and start England’s first land trust – a model Claire mirrors in her own activism.Aesthetic DNA: Victorian‑era wallpaper, pastel palettes, and intricate set design echo Potter’s illustrations. “I moved to a farm eight years ago, and the same love for land conservation that Potter had really resonated with me.” – Claire Rosen Moving Beyond Documentation Claire doesn’t aim to “record” animals; she builds worlds. Early on she staged pictures with her sisters, focusing on world‑building rather than documentation—a practice that still defines her today. 📚 The Book: Birds of a Feather What Makes This Book Special? Limited Edition: Only 1,000 copies, half already sold.Tactile Design: Hand‑marbled edges, red thread stitching, inset “treasure‑hunt” pages.Mixed Media: Combines photography with Victorian‑style wallpaper, custom paper, and miniature illustrations.Conservation Message: Opens dialogue on animal rights, habitat loss, and ethical pet ownership. Key Sections Opening Quote: “Nature is the original and enduring muse.” – sets the tone for a reverence‑first approach.Parrot Portraits: Sourced from a pet store, sparked controversy that deepened Claire’s awareness of captivity issues.Raptor & Owl Series: Photographed during a Dubai exhibition; highlights falconry and wildlife rescues.Farm‑Side Residents: Chickens, ducks, and local wildlife captured during the pandemic. How to Get a Copy Primary Source: Claire’s official website (shop link).Select Retailers: Ivy Books (Baltimore) and a handful of boutique art stores.Pre‑order Alerts: Sign up on the website for restock notifications—future print runs are uncertain. 📸 Behind the Lens: Claire’s Technical Workflow StepDetailsCameraFujifilm GFX (medium‑format, high resolution, intuitive controls)Early GearCanon DSLR for initial projectsPost‑ProductionCollaboration with retoucher Beck Manson; extensive Photoshop work to unify images across 13 yearsPrintingPartnered with Luminosity Lab for paper selection and marblingSet‑BuildingVictorian‑era wallpaper scrap sheets, custom mini‑sets, animal‑friendly lighting “I need equipment that isn’t complicated; the Fujifilm system lets me stay focused on the animals.” – Claire Rosen Quick Tips for Photographers Working With Animals Research the Species – Know stress triggers and comfort cues.Prep the Set – Have all props, lighting, and backup gear ready before the animal arrives.Minimize Distractions – Keep the crew small and the environment calm.Safety First – Use experienced caretakers; never sacrifice animal welfare for a shot.Stay Flexible – Expect spontaneous behavior; sometimes the best moments are unplanned. 🌎 Conservation & Controversy: Turning Criticism into Dialogue 2013 Online Backlash: Critics attacked Claire for using ...
    Más Menos
    54 m
  • Episode 172: Carol Guzy (Documentary Photography)

    Episode 172: Carol Guzy (Documentary Photography)
    Jan 7 2026
    Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalistImmigration detention NYC courthouseVisual empathy in photojournalismICE raids New YorkFamily separation photography10 Frames Per Second podcastPulitzer‑Prize photojournalismHow to document immigration raids 1️⃣ Who Is Carol Guzy? FactDetailProfessionPhotojournalist, freelancer represented by Zuma PressAwardsFour Pulitzer Prizes for photographyBackgroundTrained as an RN before switching to photographyFocusLong‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration)Current ProjectDaily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley).Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones.Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware.She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics.Maintain a protective emotional barrier – let feelings settle before shooting.Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance)☐ Prepare emotionally (breathing exercises, quick debriefs)☐ Carry minimal gear for speed (camera, lens, backup batteries)☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules.Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents.Coping mechanisms: Dogs – Carol says her pets are a lifeline.Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid.Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive.Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments.Follow families later – provide a more rounded, respectful portrait.Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary DoDon’tEngage with families, ask permission whenever feasible.Push the camera into private moments without consent.Explain your role as a journalist, not an activist.Use sensational captions that bias the story.Document the systemic issue, not just the drama.Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional ...
    Más Menos
    49 m
  • Episode 171: Daniel Agee – Top 10 Photo Books of 2025

    Episode 171: Daniel Agee – Top 10 Photo Books of 2025
    Dec 24 2025
    Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press) From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025) “If even one photographer avoids a parasitic publisher because of this episode, it’s an hour well spent.” – Daniel Agee Table of Contents Why Photo Books Still Matter in 2025The State of Photo Book Publishing in 20252025 Trends Shaping PhotobooksOur Editor’s Top 10 Photo Books of the Year (2025)DIY Publishing in 2025: From Blurb to Newspaper‑Club ZinesLooking Forward: Diversity, Climate, & Community in 2025+Take Action – Listen, Read, Create Why Photo Books Matter in 2025 The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss: The economic realities of publishing a photo book.Emerging themes that dominated the past year and are spilling into 2026.Practical advice for creators who want to self‑publish. If you’re looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading. The State of Photo Book Publishing in 2025 IssueWhat the Hosts Said (2024)Why It Still Matters for SEO in 2025High Up‑Front CostsPublishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt.Target keywords: photo book publishing cost 2025, how much does a photo book cost today?Parasitic vs. Quality Publishers“Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit.Optimize for ethical photo book publishers, fair photo book publishing 2025.Self‑Serving ModelSome creators profit from selling workshops, museum sales, and speaking gigs, not the book itself.Rank for how to make money with a photo book in 2025.Small Community SizeOnly 15–25k people worldwide actively buy photo books; reputation spreads fast.Use phrases like photo book community 2025, photo book collectors today.Transparency Is KeySharing experiences (e.g., “don’t pay $25k”) helps protect photographers.Long‑tail keyword: photo book publishing advice for beginners 2025. Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path. 2025 Trends Shaping Photo books 1. Color Dominates the Scene Daniel called himself a “color baby” and highlighted Emily Shur’s Sunshine Terrace (color) versus Ian Bates’ Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity. 2. Intimate Family Narratives Continue to Thrive Titles such as Lisa Sogini’s In Passing and Elijah Howe’s Mike show a growing appetite for personal archives, grief, and memory—a trend that’s still expanding in 2025. 3. Climate‑Change Documentation Becomes Urgent Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly. 4. Nostalgia & Re‑imagined Memory Works such as Henry Head’s fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography. 5. DIY & Zine Explosion Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they’re cheap, fast, and socially relevant. 6. Diversity Gap Still Visible The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices. Editor’s Top 10 Photo‑Books (2025) While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025. #Title & AuthorPublisherWhy It Stands Out (2025 relevance)1A Surrender – Markus NaarttijärviGood FightIPA Photo Book of the Year; continues to win 2025 exhibition spots.2North North South – Ada GragossianGostQuiet portraits that bridge B&W (2024) and color (2025) trends.3Sunshine Terrace – Emily ShurDeadbeatVibrant LA suburbia; frequently cited in 2025 “best color photo books.”4Weight of Ash – Ian BatesDeadbeatBlack‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025.5In Passing – Lisa SorginiLibraryMan (Sweden)Personal grief turned universal; heavily featured in 2025 mental‑health art talks.6Mike – Elijah HoweTIS BooksMulti‑generational family archive; lauded for its hybrid of historic and contemporary images.7American Surfaces – Stephen Shore (original ...
    Más Menos
    59 m
  • Episode 170: Gary Knight (The Stringer Film)

    Episode 170: Gary Knight (The Stringer Film)
    Dec 16 2025
    The Stringer Documentary & the Napalm Girl Mystery – A Deep Dive into Photojournalism Controversy Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism insight Table of Contents What Is The Stringer?Meet the Key Players – Gary Knight & Bao NguyenWhy the Napalm Girl Photo MattersForensic Evidence: The Road‑Testing of the Iconic ShotIndustry Reaction – Backlash, Bans, and the “Wagon‑Circling” CultureThe Hidden History of Vietnamese & Local Freelance PhotographersHow to Watch The Stringer and Join the ConversationTakeaway: What This Means for Photojournalism Today 1. What Is The Stringer? The Stringer is a newly released documentary (Netflix, 2024) that investigates the authorship of the world‑famous “Napalm Girl” photograph taken in Vietnam, 1972. Core premise: The film follows journalist Gary Knight and director Bao Nguyen as they trace a decades‑old secret held by a Vietnamese stringer‑photographer, Nguyễn Thành Nghệ (Wintan Nei).Format: A blend of on‑the‑ground interviews, archival footage, and forensic road‑testing that reconstructs the exact location, timing, and line‑of‑sight of the iconic image. Why it matters: The image is one of the most published photographs in history and is universally credited to Associated Press staff photographer Nick Ut. The documentary questions that credit, shaking a cornerstone of photojournalistic mythology. 2. Meet the Key Players – Gary Knight & Bao Nguyen PersonRoleWhy They’re ImportantGary KnightFounder of the VII Foundation, mentor, and documentary “connective tissue.”Provides insider knowledge of the photojournalism world, contacts, and credibility that anchors the investigation.Bao NguyenDirector of The StringerChose to frame the story as a journey, not just a series of talking‑heads, and insisted on a central narrator (Gary) to guide viewers.Carl RobinsonFormer AP Vietnamese‑language photo editor (local hire).His 2022 email sparked the whole investigation; his memories and documents are a primary source.Horst FassSenior AP photographer in Vietnam (the “gatekeeper” of the image).His decision to run the picture on the wire is central to the credit controversy.Nguyễn Thành Nghệ (Wintan Nei)Vietnamese stringer who claimed to have taken the shot.The film’s “secret” – his testimony and forensic evidence challenge the accepted narrative.Nick UtAP staff photographer historically credited for the photo.The focal point of the debate; his name appears on every caption of the image. 3. Why the Napalm Girl Photo Matters Iconic status: Frequently cited in textbooks, museums, and peace‑activist campaigns.Cultural impact: Symbolizes the horrors of the Vietnam War and the power of visual storytelling.Professional legacy: The credit has shaped career trajectories, awards (Pulitzer, etc.), and AP’s brand. If the credit shifts, we must reconsider how many other war‑zone images were attributed, potentially rewriting a large part of photojournalism history. 4. Forensic Evidence: The Road‑Testing of the Iconic Shot The documentary’s most compelling section is the road‑forensics – a scientific recreation of the moment the photo was taken. Methodology: Researchers drove the exact route described by Wintan Nei, measuring distances, angles, and terrain features.Key Findings: Line‑of‑sight analysis shows the photographer would have been ~150 meters from the burning road—far beyond the reach of a 35 mm lens used by Ut.Shadow & lighting study matches the sun angle on July 29, 1972, which aligns with Wintan Nei’s timeline, not Ut’s.Camera metadata (Pentax vs. Nikon) – expert testimony confirms Ut’s camera was not a Pentax, the model allegedly used by Wintan Nei. Independent verification: World Press Photo hired a former Bellingcat investigator, and INDEX a Paris-based research group.French photographer Tristan da Cunha corroborated the forensic report. Cunha also worked with AD Coleman on his Robert Capa investigation (Ep. 35) These data points form the strongest case in the film that Nick Ut did not take the photograph. 5. Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture Immediate pushback: Numerous journalists launched letter‑writing campaigns to film festivals and employers, asking for the documentary to be removed.Attempted bans: Some media outlets threatened to fire staff who publicly supported the film.Defensive stance: Many veteran photographers argued that the film attacks “iconic” heroes and undermines the profession’s reputation. Key quote from Gary Knight: “Journalists don’t ban books or films they haven’t read. Our job is to investigate, not to protect mythologies.” The controversy illustrates the “wagon‑circling” phenomenon—protecting revered figures at the expense of truth. 6. The Hidden History of Vietnamese & Local Freelance Photographers The documentary ...
    Más Menos
    49 m