Episodios

  • Episode 172: Carol Guzy (Documentary Photography)

    Episode 172: Carol Guzy (Documentary Photography)
    Jan 7 2026
    Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalistImmigration detention NYC courthouseVisual empathy in photojournalismICE raids New YorkFamily separation photography10 Frames Per Second podcastPulitzer‑Prize photojournalismHow to document immigration raids 1️⃣ Who Is Carol Guzy? FactDetailProfessionPhotojournalist, freelancer represented by Zuma PressAwardsFour Pulitzer Prizes for photographyBackgroundTrained as an RN before switching to photographyFocusLong‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration)Current ProjectDaily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley).Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones.Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware.She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics.Maintain a protective emotional barrier – let feelings settle before shooting.Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance)☐ Prepare emotionally (breathing exercises, quick debriefs)☐ Carry minimal gear for speed (camera, lens, backup batteries)☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules.Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents.Coping mechanisms: Dogs – Carol says her pets are a lifeline.Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid.Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive.Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments.Follow families later – provide a more rounded, respectful portrait.Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary DoDon’tEngage with families, ask permission whenever feasible.Push the camera into private moments without consent.Explain your role as a journalist, not an activist.Use sensational captions that bias the story.Document the systemic issue, not just the drama.Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional ...
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    49 m
  • Episode 171: Daniel Agee – Top 10 Photo Books of 2025

    Episode 171: Daniel Agee – Top 10 Photo Books of 2025
    Dec 24 2025
    Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press) From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025) “If even one photographer avoids a parasitic publisher because of this episode, it’s an hour well spent.” – Daniel Agee Table of Contents Why Photo Books Still Matter in 2025The State of Photo Book Publishing in 20252025 Trends Shaping PhotobooksOur Editor’s Top 10 Photo Books of the Year (2025)DIY Publishing in 2025: From Blurb to Newspaper‑Club ZinesLooking Forward: Diversity, Climate, & Community in 2025+Take Action – Listen, Read, Create Why Photo Books Matter in 2025 The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss: The economic realities of publishing a photo book.Emerging themes that dominated the past year and are spilling into 2026.Practical advice for creators who want to self‑publish. If you’re looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading. The State of Photo Book Publishing in 2025 IssueWhat the Hosts Said (2024)Why It Still Matters for SEO in 2025High Up‑Front CostsPublishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt.Target keywords: photo book publishing cost 2025, how much does a photo book cost today?Parasitic vs. Quality Publishers“Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit.Optimize for ethical photo book publishers, fair photo book publishing 2025.Self‑Serving ModelSome creators profit from selling workshops, museum sales, and speaking gigs, not the book itself.Rank for how to make money with a photo book in 2025.Small Community SizeOnly 15–25k people worldwide actively buy photo books; reputation spreads fast.Use phrases like photo book community 2025, photo book collectors today.Transparency Is KeySharing experiences (e.g., “don’t pay $25k”) helps protect photographers.Long‑tail keyword: photo book publishing advice for beginners 2025. Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path. 2025 Trends Shaping Photo books 1. Color Dominates the Scene Daniel called himself a “color baby” and highlighted Emily Shur’s Sunshine Terrace (color) versus Ian Bates’ Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity. 2. Intimate Family Narratives Continue to Thrive Titles such as Lisa Sogini’s In Passing and Elijah Howe’s Mike show a growing appetite for personal archives, grief, and memory—a trend that’s still expanding in 2025. 3. Climate‑Change Documentation Becomes Urgent Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly. 4. Nostalgia & Re‑imagined Memory Works such as Henry Head’s fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography. 5. DIY & Zine Explosion Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they’re cheap, fast, and socially relevant. 6. Diversity Gap Still Visible The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices. Editor’s Top 10 Photo‑Books (2025) While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025. #Title & AuthorPublisherWhy It Stands Out (2025 relevance)1A Surrender – Markus NaarttijärviGood FightIPA Photo Book of the Year; continues to win 2025 exhibition spots.2North North South – Ada GragossianGostQuiet portraits that bridge B&W (2024) and color (2025) trends.3Sunshine Terrace – Emily ShurDeadbeatVibrant LA suburbia; frequently cited in 2025 “best color photo books.”4Weight of Ash – Ian BatesDeadbeatBlack‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025.5In Passing – Lisa SorginiLibraryMan (Sweden)Personal grief turned universal; heavily featured in 2025 mental‑health art talks.6Mike – Elijah HoweTIS BooksMulti‑generational family archive; lauded for its hybrid of historic and contemporary images.7American Surfaces – Stephen Shore (original ...
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    59 m
  • Episode 170: Gary Knight (The Stringer Film)

    Episode 170: Gary Knight (The Stringer Film)
    Dec 16 2025
    The Stringer Documentary & the Napalm Girl Mystery – A Deep Dive into Photojournalism Controversy Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism insight Table of Contents What Is The Stringer?Meet the Key Players – Gary Knight & Bao NguyenWhy the Napalm Girl Photo MattersForensic Evidence: The Road‑Testing of the Iconic ShotIndustry Reaction – Backlash, Bans, and the “Wagon‑Circling” CultureThe Hidden History of Vietnamese & Local Freelance PhotographersHow to Watch The Stringer and Join the ConversationTakeaway: What This Means for Photojournalism Today 1. What Is The Stringer? The Stringer is a newly released documentary (Netflix, 2024) that investigates the authorship of the world‑famous “Napalm Girl” photograph taken in Vietnam, 1972. Core premise: The film follows journalist Gary Knight and director Bao Nguyen as they trace a decades‑old secret held by a Vietnamese stringer‑photographer, Nguyễn Thành Nghệ (Wintan Nei).Format: A blend of on‑the‑ground interviews, archival footage, and forensic road‑testing that reconstructs the exact location, timing, and line‑of‑sight of the iconic image. Why it matters: The image is one of the most published photographs in history and is universally credited to Associated Press staff photographer Nick Ut. The documentary questions that credit, shaking a cornerstone of photojournalistic mythology. 2. Meet the Key Players – Gary Knight & Bao Nguyen PersonRoleWhy They’re ImportantGary KnightFounder of the VII Foundation, mentor, and documentary “connective tissue.”Provides insider knowledge of the photojournalism world, contacts, and credibility that anchors the investigation.Bao NguyenDirector of The StringerChose to frame the story as a journey, not just a series of talking‑heads, and insisted on a central narrator (Gary) to guide viewers.Carl RobinsonFormer AP Vietnamese‑language photo editor (local hire).His 2022 email sparked the whole investigation; his memories and documents are a primary source.Horst FassSenior AP photographer in Vietnam (the “gatekeeper” of the image).His decision to run the picture on the wire is central to the credit controversy.Nguyễn Thành Nghệ (Wintan Nei)Vietnamese stringer who claimed to have taken the shot.The film’s “secret” – his testimony and forensic evidence challenge the accepted narrative.Nick UtAP staff photographer historically credited for the photo.The focal point of the debate; his name appears on every caption of the image. 3. Why the Napalm Girl Photo Matters Iconic status: Frequently cited in textbooks, museums, and peace‑activist campaigns.Cultural impact: Symbolizes the horrors of the Vietnam War and the power of visual storytelling.Professional legacy: The credit has shaped career trajectories, awards (Pulitzer, etc.), and AP’s brand. If the credit shifts, we must reconsider how many other war‑zone images were attributed, potentially rewriting a large part of photojournalism history. 4. Forensic Evidence: The Road‑Testing of the Iconic Shot The documentary’s most compelling section is the road‑forensics – a scientific recreation of the moment the photo was taken. Methodology: Researchers drove the exact route described by Wintan Nei, measuring distances, angles, and terrain features.Key Findings: Line‑of‑sight analysis shows the photographer would have been ~150 meters from the burning road—far beyond the reach of a 35 mm lens used by Ut.Shadow & lighting study matches the sun angle on July 29, 1972, which aligns with Wintan Nei’s timeline, not Ut’s.Camera metadata (Pentax vs. Nikon) – expert testimony confirms Ut’s camera was not a Pentax, the model allegedly used by Wintan Nei. Independent verification: World Press Photo hired a former Bellingcat investigator, and INDEX a Paris-based research group.French photographer Tristan da Cunha corroborated the forensic report. Cunha also worked with AD Coleman on his Robert Capa investigation (Ep. 35) These data points form the strongest case in the film that Nick Ut did not take the photograph. 5. Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture Immediate pushback: Numerous journalists launched letter‑writing campaigns to film festivals and employers, asking for the documentary to be removed.Attempted bans: Some media outlets threatened to fire staff who publicly supported the film.Defensive stance: Many veteran photographers argued that the film attacks “iconic” heroes and undermines the profession’s reputation. Key quote from Gary Knight: “Journalists don’t ban books or films they haven’t read. Our job is to investigate, not to protect mythologies.” The controversy illustrates the “wagon‑circling” phenomenon—protecting revered figures at the expense of truth. 6. The Hidden History of Vietnamese & Local Freelance Photographers The documentary ...
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    49 m
  • Episode 169: Janet Jarman (Documenting Midwives)

    Episode 169: Janet Jarman (Documenting Midwives)
    Dec 9 2025
    Birth Wars — How Photojournalist Janet Jarman Uses Visual Storytelling to Transform Maternal Health Meta Description: Janet Jarman, award‑winning photojournalist and MacArthur Fellow, reveals how she moved from analog photography to long‑term multimedia projects, culminating in the powerful documentary Birth Wars and its companion book. Learn about her early career, the role of midwives in Mexico & Guatemala, grant‑writing tips, and why visual storytelling matters for social change. Primary Keywords: photojournalism, Janet Jarman, Birth Wars, maternal health, midwives, placenta prints, MacArthur Foundation, documentary filmmaking, long‑term projects, analog photography, multimedia journalism 📻 About the Podcast Episode 10 Frames Per Second – a photojournalism podcast hosted by Joe Giordano and Molly Roberts – welcomes Janet Jarman (Mexico‑based photojournalist, documentary filmmaker, MacArthur Fellow). The episode dives into: Janets’s childhood spark for photographyHer analog‑first upbringing and transition to digitalThe evolution from newsroom assignments to independent, long‑term storytellingThe creation of the Birth Wars documentary and bookThe power of midwives, placenta art, and community trustPractical advice on securing grants and building a multimedia team 🎞️ From Slide Film to Global Storytelling Early Inspiration First interview at age 6 on a North Carolina beach → curiosity about people’s lives.Influenced by her father’s endless questions, fostering empathy and a desire to see the world from others’ perspectives. Analog Roots Grew up shooting slide film; reluctant to switch to negatives, then to digital.Believes analog training is essential for mastering exposure and minimizing post‑production time. “If you don’t know how to expose correctly, you waste precious time that could be spent on the next story.” – Janet Jarman Transition to Digital & Multimedia Adopted digital tools to add audio, video, and interactive graphics while preserving the discipline of analog shooting.Built a one‑person multimedia workflow (camera, sound recorder, editing software) after learning to wear many hats on grant‑funded projects. 📚 Long‑Term Projects that Shaped Her Career ProjectRegionFocusOutcomeImmigration story of MarisolUS‑Mexico borderHuman‑rights & migrationOver 2 decades of follow‑up; deep personal connection; shows power of sustained storytellingWater & environmental reportingLatin AmericaClimate justice, resource distributionWon awards from Picture of the Year International & American PhotographyMaternal health & midwivesChiapas, Mexico & GuatemalaTraditional midwives vs. institutional obstetricsPublished NYT photo essay (2015), sparked global conversation, led to Birth Wars film & bookAshoka NGO multimedia series18 countriesSocial entrepreneurshipServed as launchpad for independent journalism career 🤱 Birth Wars – A Visual Narrative of Dignified Childbirth The Core Idea Systemic power struggle: Who decides how a woman gives birth?Goal: Highlight the clash between traditional/indigenous midwives and the medicalized obstetric model. Key Visual Elements Opening image: A striking, belly‑forward photograph that instantly captures the universality of pregnancy.Placenta prints: Each portrait is paired with a translucent placenta imprint, symbolizing the life‑giving organ and its cultural reverence.Pandemic footage: PPE‑clad birth scenes illustrate how COVID‑19 amplified the need for midwife‑led care. Impact & Reception Screened for 200+ midwives in San Cristóbal and 200 doctors in Oposingo – both groups responded positively, promising collaborative change.Presented at the Mexican National Congress, Belgian events, and Istanbul book‑launch (2024).Generates discussion panels that connect midwives, policymakers, and the public. 🩺 Why Midwives Matter – Insights from the Interview Continuum of care: From pre‑pregnancy, through birth, to postpartum (the 40‑day “quarantina” tradition).Cultural trust: Midwives are embedded in the community, offering personalized, respectful care.Systemic gaps: Institutional hospitals lack the flexibility to provide this holistic support. “Midwives are the bridge between a woman’s community and the formal health system.” – Janet Jarman 💰 Funding Long‑Term Visual Stories – Grant Tips Show Depth & Commitment – Demonstrate years of immersion (e.g., Janets’s decade‑long work with midwives).Create a Multimedia Prototype – A short video or photo essay can prove you can deliver across platforms.Leverage Past Publications – Highlight work in The New York Times, National Geographic, and award recognitions.Build a Small Core Team – Sound, editing, and a trusted local fixer make the difference; Janets prefers a 2‑3 person crew.Stay Flexible – Learn basic sound, editing, and graphic design to fill gaps when funding is low. 📑 Quick Takeaways for Aspiring ...
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    57 m
  • Episode 168: Ed Kashi (Archiving Photography)

    Episode 168: Ed Kashi (Archiving Photography)
    Dec 2 2025
    Ed Kashi on Archiving, Personal Projects & the Future of Photojournalism Insights from the “10 Frames Per Second” Podcast with photojournalist Ed Kashi, co‑founder of Talking Eyes Media, and his newest book A Period of Time (Briscoe Center, UT Austin). Ed’s career spans 40 years of visual storytelling—from early analog darkrooms to iPhone coverage of Hurricane Sandy, from Iraq’s Kurdish frontlines to a decades‑long “Aging in America” project. His journey offers timeless lessons for anyone who creates, curates, or consumes visual media. 10 Frames Per Second – a weekly photojournalism podcast from Loyola Radio (WLOY) – brings together veteran photojournalists to discuss the craft, the business, and the stories that shape our world. In episode 168 (released 12/02/25), hosts Molly Roberts, and guest host Stephen Crowley (a guest on Episode 91) sit down with Ed Kashi, a 40‑year visual storyteller who has worked for National Geographic, The New Yorker, Time, MSNBC and more. “We love to start with an origin story. So, Ed, how did you first fall in love with photography?” – Molly The interview uncovers the hidden gems behind Kashi’s career, his new retrospective book, and the lessons he’s learned while navigating a changing media landscape. If you’re a photojournalist, documentary filmmaker, or simply love visual storytelling, you’ve just landed on a summary of Ed Kashi’s recent interview on the 10 Frames Per Second podcast. We break down: Ed Kashi’s origin story and why photography hooked him 50 years ago.The making of his new book A Period of Time (Briscoe Center, UT Austin).Why archiving is essential for a sustainable career.The power of personal projects—especially his “Aging in America” series.Mentorship tips for emerging photographers.Ethical challenges in the age of AI. Grab a coffee, skim the headings, and dive into the actionable takeaways! How Ed Kashi Fell in Love With Photography Freshman at Syracuse University (1976) – originally wanted to be a novelist, but a poetry professor told him he was “a really bad writer.”Discovered the Newhouse School of Public Communications, one of the world’s top photojournalism programs.Took a basic black‑and‑white darkroom course, learned about legendary photographer Imogen Cunningham (who was still shooting in her 90s).Realized photography could synthesize politics, art, and storytelling—the perfect medium for his activist spirit. “Even at age 10 I was stuffing envelopes for Hubert Humphrey against Nixon. Photography just seemed the vehicle to combine that political impulse with art.” Takeaway for Readers If you’re just starting out, look for a mentor or a historic figure who inspires you. That spark can sustain a 50‑year career. A Period of Time: A 40‑Year Retrospective Why a Retrospective Now? Archive donation – Ed Kashi gave 127 banker‑boxes of negatives, slides, prints, and ephemera to the Briscoe Center for American History (UT Austin).Unexpected invitation – Briscoe’s director, Don Carlton, asked Ed Kashi, “How does one get collected?” and then offered to collect him.Creative freedom – The Center gave him full editorial control: “This is your story. Do whatever you want.” The Book’s Core Idea Linear, issue‑oriented storytelling – Each chapter is a deep dive into a major project (e.g., Northern Ireland, Kurds, Aging in America).Scholarly rigor meets journalistic depth – The book reads like a photo‑anthropology textbook with stunning visuals. “Opening the book felt like holding a newborn—overwhelming but beautiful.” The Power of a Well‑Organized Archive “My archive is like a garden; I can harvest what I need because everything is sorted.” – Ed Kashi How Ed Kashi Keeps His Archive Manageable Early adoption of digital workflow – Transitioned from analog boxes to searchable digital files.Meticulous cataloguing – Every image tagged by date, location, project, and theme.Professional support – Collaborated with studio managers (e.g., Frish Brandt) and curators (e.g., Alison Nordstrom). Benefits for Photojournalists Monetization – Ability to license old images for new publications.Storytelling efficiency – Quickly locate relevant photos for pitches or books.Legacy preservation – Ensures future generations can study and exhibit the work. Quick Tips to Organize Your Own Archive Create a consistent naming convention (YYMMDD_Location_Project_Sequence).Use metadata tags for keywords, people, and locations.Back up on at least two external drives and a cloud service.Review annually – purge duplicates and update tags. Personal Projects: The “Aging in America” Series Why Aging? Not “sexy” but universally human – Kashi wanted a topic that would outlive trends.Long‑term commitment – 8 years, 25 states, $300k in grant funding (Robert Wood Johnson, George Soros).Humanizing statistics – The ...
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    58 m
  • Episode 165: Mickey Osterreicher (Legal Protections For Photojournalists)

    Episode 165: Mickey Osterreicher (Legal Protections For Photojournalists)
    Nov 26 2025
    Mickey Osterreicher of NPPA Discusses Photojournalism in the Modern Era: Legal Rights, AI Challenges, and How to Protect Your Work The 10 Frames Per Second podcast episode featuring Mickey Osterreicher, General Counsel for the National Press Photographers Association (NPPA), uncovers the toughest challenges facing today’s visual journalists: Shrinking newsrooms & the rise of freelancersLegal battles over copyright, AI‑generated images, and fair usePolice confrontations, arrests, and deportations of journalistsThe vital role of the NPPA in advocacy and education If you’re a photojournalist, visual storyteller, or anyone who relies on images to inform the public, the insights from this episode are essential reading. A past guest on 10FPS (Episode 20) Mickey’s career arc illustrates how photojournalism and law intersect: PhaseHighlightsEarly YearsStarted with a 35 mm camera in college, photo‑edited the school newspaper, then worked for the Buffalo Courier‑Express (10 years).TV TransitionMoved to WKBW‑TV, covered sports, and realized visual storytelling mattered more than column space.Law SchoolInspired by covering the Attica prison uprising and escorting attorneys William Kunstler & Ramsey Clark, he enrolled in law school while still working nights at the TV station.NPPA Legal CounselJoined the NPPA in the early 1970s, later became its volunteer legal counsel, handling copyright, First Amendment, and police‑training issues. Key takeaway: A solid legal background can turn a photojournalist into an advocate for the entire visual‑journalism community. The State of the NPPA Why the NPPA Is Still Critical Founded 1946 – the “voice of visual journalists.”Membership shift: From staff photographers at newspapers/TV to freelancers & independent contractors.Financial pressure: Dues are modest, but staff salaries have been cut; board members now perform many staff functions pro‑bono.Advocacy priorities: Protect First Amendment rights.Provide legal training for journalists and law‑enforcement agencies.Fight AI‑related copyright infringement. NPPA’s Current Initiatives Legal hotline – direct access to counsel for members.First‑Amendment training – delivered to police departments nationwide (e.g., Minnesota, Chicago).Copyright small‑claims court – a low‑cost venue for photographers to enforce their rights.Writing with Light (WwL) Coalition – developing standards for image provenance and authenticity. First Amendment & Police Encounters: What Every Visual Journalist Should Know 1. Know Your Rights Public spaces: You have the right to photograph and record, subject only to reasonable time, place, and manner restrictions.“Indicia” of journalist status: Press credentials, professional gear, and a clear “press” identifier help officers recognize you as a journalist. 2. Prepare Before You Go Contact local police ahead of time to introduce yourself.Work in pairs or a small team—the “buddy system” improves safety and documentation.Carry a written list of emergency contacts (phone numbers inked on your arm or stored offline). 3. If You’re Detained StepActionStay calmDo not resist; comply with lawful orders.Identify yourselfShow press credentials, explain you’re exercising First Amendment rights.Document the encounterKeep an audio/video record if safe to do so.Call the NP hotline (or the Reporters Committee for Freedom of the Press at 800‑336‑4243) as soon as possible.Notify a trusted contact (family, lawyer, editor).Ask for a copy of the arrest report and any charges filed. AI & Generative Images: The New Copyright Battlefield Why AI Threatens Photojournalism AI‑generated images can be indistinguishable from reality (e.g., deepfakes, synthetic disasters).Massive ingestion of photographers’ work to train AI models, often without permission or compensation. Legal Landscape (U.S. Focus) Copyright registration is required before you can sue for infringement.Statutory damages: Up to $150,000 per image for willful infringement (as illustrated by the Daniel Morrel case).Fair‑use defense is fact‑intensive; courts evaluate purpose, nature, amount used, and market effect. Practical AI Safeguards Register every image you intend to license (or that has high news value).Add a visible watermark or embed metadata indicating ownership.Use tools from Adobe’s Content Authenticity Initiative (CAI) to embed provenance data.Monitor platforms for unauthorized use; send a cease‑and‑desist using NPPA’s model letters (available on their website). Practical Steps to Safeguard Your Images {#practical-steps-to-safeguard-your-images} Register Your Work File a registration with the U.S. Copyright Office within 90 days of first publication to get retroactive protection. Maintain a Documentation Log Date, location, equipment, and a brief description for each shoot.Store original RAW files in an offline, encrypted backup. Use Model Release & License Agreements Clearly ...
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    58 m
  • Episode 167: Anika Burgess (Early Photography)

    Episode 167: Anika Burgess (Early Photography)
    Nov 18 2025

    The Early Days of Photography: Insights from Anika Burgess Discover the fascinating stories behind early photography, from Anna Atkins’ cyanotypes to the Daguerre‑Talbot rivalry, women’s hidden studios, and the first surveillance photos of suffragettes—highlights from Anika Burgess’ interview on the “10 Frames Per Second” podcast. The “10 Frames Per Second” podcast is a go‑to resource for anyone interested in photojournalism history, yet this particular …

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    45 m
  • Episode 166: Sandra Stevenson (Education & Archives)

    Episode 166: Sandra Stevenson (Education & Archives)
    Nov 12 2025

    Photojournalism & Education: Insights from Sandra Stevenson on the 10 Frames Per Second Podcast Published on 10FramesPerSecond.com – Your go‑to source for photojournalism news, tips, and industry trends. In the latest episode of 10 Frames Per Second, hosts Joe Giordano and Molly Roberts sit down with Sandra Stevenson—award‑winning writer, visual editor, curator, and now Managing Editor of Visuals & Immersive Experiences …

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    50 m
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