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Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started with today’s episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today’s episode:

The idea of a Phishaersary–acknowledging and maybe celebrating the date of your first Phish show–is a fun part of our community. Even more fun is when Phish plays a show on the same date as your first. Even better than that is when you get to attend a show that’s played on the same day as your first.

Then, there’s the trifecta: when Phish plays a show on the same date as your first, you’re able to go, it’s a decades-long round number anniversary, AND they play a big time party show all in the same night. Today’s guest, Jefe from Arizona is here to tell about his experience at such a show: October 24, 2021 at the Fabulous Forum in Los Angeles, the same night exactly 30 years after his first show in 1991.

The beginning of the so-called 4.0 era was an odd time in America. But in retrospect, in our small Phish community, it’s an easy call to say that the fall 2021 tour featured some of the best live music since the band returned in 2009. I would guess that most people link the fall 2021 tour with the stunning and controversial, Halloween shows in Las Vegs, which featured the numbers show, the animals show, and the confounding Sci-Fi Soldier set. But there were many west-coast highlights leading up to that, including today’s show from L.A.

While the band blew people’s minds with a psychedelic spacey show the night prior in Chula Vista, this L.A. show was more of a party night, getting off to a casual start but then literally rocking the house during the second set with a Tweezer and a surprise cover song for the ages!

But this is Jefe’s story. So let’s join him to talk about Prescott, Arizona, unexpected song arrangements, and more, as we discuss October 24, 2021 at the Forum in Los Angeles.

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Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started with today’s episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today’s episode:

We all remember our first Phish show–all of us, that is, except today’s guest, Mike Radicone. Mike’s first show was one of the greatest shows ever played by the band, but he literally didn’t know what he was getting into. But there’s a silver lining to having no memories of your first show: you get to have another first show!

As we are getting ready for Phish’s return to MSG for the New Year’s Run, I felt it would only be appropriate to have Mike here to tell about his second show: December 30, 2010–the night before the night, when Phish summarized the 2010 calendar year in one show. Listening to this show and then talking about it brought back a flood of memories for me, but it was refreshing talking to an enthusiastic guest, more of a casual fan, who spoke as if he were experiencing all of this for the first time.

Meanwhile, Mike is also the founder of Datability–a program that helps gather information for special education students–and the host of a new podcast: Mastered with Mike, where he speaks to everyday people who indulge their passions to create and master something they love. I think a lot of Phish fans can relate!

But I don’t want to get it wrong or step on Mike’s shoes. So let’s join him to talk about Irish bars, fairy wings, and more, as we discuss December 30, 2010 at Madison Square Garden.

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Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started today, I want to remind you that you can support Attendance Bias in several ways: you can visit www.buymeacoffee.com/attendancebias and donate anything you can afford to keep the podcast going, you can leave a rating and a review of the show wherever you get your podcasts, and you can follow attendance bias on social media. Now, on with today’s show:

I received a message on Instagram a few weeks ago from today’s guest, Patrick Quinn. It was a thoughtful and complimentary fan message, telling me how he enjoys Attendance Bias and how our histories as Phish fans seemed to intersect in a number of ways. I love receiving fan mail, and so I clicked on this person’s profile to see who he was, beyond his profile picture.

What I found was an artist who works in one of the most interesting mediums: Pat is a metal forger who helps run and teach newcomers how to forge and shape metal. I was immediately intrigued–when I think of forging metal and blacksmiths, I picture what is probably the most generic image: a medieval peasant, covered in cloaks with soot all over his face, hammering at a piece of metal over an anvil, with sparks flying everywhere. While some things never change, Pat’s organization: The Center for Metal Arts in Johnstown, Pennsylvania is bringing something old to the new millennium. He and his colleagues host workshops where people come to learn ancient arts that result in beautiful, heirloom-quality tools. It has to be seen to believed, and there is a link to the CMA in today’s show notes.

Then, of course, there is Pat’s selection for today’s episode. Pat chose to talk about Phish’s performance of “Most Events Aren’t Planned,” which closed set 1 of July 24, 2024 at the Mohegan Sun Arena. The Vida Blue original is typical for a Page McConnell song–it’s mid-tempo, contains thoughtful lyrics about change and loss, and has a few time changes that whip both the band and the crowd into a frenzy. This version at Mohegan Sun is a stellar performance.

So I didn’t know what to expect diving into today’s conversation, and finished it excited and satisfied. Let’s join Pat to talk about Hartford, metal work, and sandwich cookies, as we revisit “Most Events Aren’t Planned” from 7/24/24 at Mohegan Sun.

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Hi everybody and welcome to today’s episode of Attendance Bias. I am your host, Brian Weinstein. Before we get started, I want to remind you that you can support Attendance Bias by going to www.buymeacoffee.com/attendancebias and donating anything you can manage–we are reaching the end of the calendar year and I would love it if we could meet our goal to cover expenses before 2026 rolls around. You can also leave a rating or a review of the show wherever you listen to podcasts. Now, onto today’s episode:

If you’ve been listening to Attendance Bias for any amount of time, you’ve probably heard me mention the date of my first Phish show: December 29, 1997. There’s been plenty of discussion of the 1997 New Year’s run on here, but with one notable exception: the ‘97 New Year’s run was made up of four shows: 1 show at the Capitol Center in Landover, MD on 12/28, and then the best-known shows–12/29-31 at MSG. For years, I’ve wondered about what went on at that one-off show in Maryland. So you can imagine my excitement when today’s guest, Dan Wagener, reached out to ask if he could come on Attendance Bias to talk about one of the best jams from that underrated night: “Runaway Jim” from 12/28/97.

Was the first night of the 1997 New Year’s run a warm-up show? An underrated gem? A throwaway remnant before the big time shows at MSG? Find out today as we join Dan to talk about the Capitols, mimes, and ghosts in the machine as we break down “Runaway Jim” from December 28, 1997 at USAir Arena in Landover, MD.

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