Although we all know what production entails, it's still hard to get a common understanding of the role of the creative producer amongst teams and companies. But what would it be like if producers actually had a clear definition in the industry?

In this episode, Ruby Valls talks to Emma Willis and Owen Mandy, talented duo and founders of The Art of Production, about the power of being intentional in defining production practice and what a strong community of producers can do to the profession.

If you want to learn more about Emma, Owen and their trainings and community in the Art of Production, go check their website.

_________

Beyond Deadlines: A Creative Producer's Chat is powered by ⁠⁠⁠⁠⁠⁠MOWE Studio⁠⁠⁠⁠⁠⁠.

Edited by: ⁠⁠⁠⁠⁠Bruno Nappo

In the demanding world of production, it's all too common for professionals to find themselves working long hours and facing intense pressures. The expectations and culture surrounding a producer's career can often push individuals to their limits. How can we ensure that boundaries are respected and that professionals maintain a healthy work-life balance?

In this episode, we are joined by the incredibly talented Brian Grady, and together we delve into the intricacies of maintaining a fulfilling career while preserving the essential boundaries that safeguard our personal lives.

If you want to learn more about Brian and Bittersweet Builds, just check this instagram profile.

_________

Beyond Deadlines: A Creative Producer's Chat is powered by ⁠⁠⁠⁠⁠MOWE Studio⁠⁠⁠⁠⁠.

Edited by: ⁠⁠⁠⁠Bruno Nappo

In the world of creative production, producers stand at the nexus of innovation, creating important connections amongst stakeholders.

Joining Ruby Valls in this episode's chat is James Pullin, a seasoned senior account director at Human After All, whose passion for people and communication guides his approach to production. Together, they unravel the intricacies of fostering collaboration, overcoming challenges, and harnessing the power of synergy in creative projects.

If you want to learn more about James and HumanAfterAll, just check ⁠their website⁠ or ⁠their instagram profile⁠⁠. You can also connect with James through his Linkedin profile.

_________

Beyond Deadlines: A Creative Producer's Chat is powered by ⁠⁠⁠⁠MOWE Studio⁠⁠⁠⁠.

Edited by: ⁠⁠⁠Bruno Nappo

To watch Phantom Liberty's full music video just click ⁠right here⁠.

And if you want to learn more about Kamila, Michał and Juice's work, just check their website or their instagram profile⁠. You can also connect to Kamila through her Linkedin profile and to Michał through his instagram profile.

_________

Beyond Deadlines: A Creative Producer's Chat is powered by ⁠⁠⁠MOWE Studio⁠⁠⁠.

Edited by: ⁠⁠Bruno Nappo

Production is, in many ways, still a very broad career without common paths to follow through. For better or worse, professionals generally fall into production after some time working in areas that require some of the same skills production does, or even fall out of production into other related careers. Why not take advantage of the intersections and differences amongst those professions in order to leverage producers' practices?

We are officially starting our second season! In our very first episode of this season, Ruby talks to Marci Selsberg, an artist representative with +30 years of career in the creative industry. Starting, as many of us, outside of production, Marci shares what she learned in her producer years and how those led her to become a creative rep. We talk through interchangeable skills and experiences that are important in both careers and the major take aways she had through those career shifts.

If you want to learn more about Marci's work, just check BLAH! blah? (Blah…) website.

_________

Beyond Deadlines: A Creative Producer's Chat is powered by ⁠⁠MOWE Studio⁠⁠.

Edited by: ⁠Bruno Nappo

In this special episode recorded during the BITBANG 9 International Festival, Ruby Valls talks to Sophie Koko, artist and animation director coming from London, Joe Cappa, director and animator coming from Los Angeles, and Bárbara Cerro, director and founder of BITBANG, about the reality of producing your own independent projects.

BITBANG is a platform to share and promote vanguard animation, video games and digital art. In 2023, its homonymous international reached its 9th edition, presenting global references and discoverying new talents. To learn more about BITBANG go to: ⁠bitbangfest.com⁠ or ⁠@bitbangclub⁠ on instagram.

_________

Beyond Deadlines: A Creative Producer's Chat is power by ⁠⁠MOWE Studio⁠⁠.

Edited by: ⁠Bruno Nappo

En esto episodio especial grabado directamente del BITBANG 9, Ruby Vall habla con Ailin Estrella, jefa de producción en Rudo Company, Lu Roude, productora independiente, y Juan Zaramella, director y animador independiente, sobre la experiencia de producción creativa y animación en América Latina.

BITBANG es una plataforma que difunde y promueve la animación, videojuegos y arte digital vanguardistas. En 2023, su festival internacional homónimo llegó a su novena edición, presentando a referentes globales y descubrimos nuevos talentos. Para saber mas visita: bitbangfest.com o @bitbangclub en instagram.

_________

Beyond Deadlines: A Creative Producer's Chat es promovido por ⁠⁠MOWE Studio⁠⁠.

Editado por: ⁠Bruno Nappo

Allowing experimentation to flourish professionally and personally can be a huge change driver. For this Beyond Deadline's guest, exploring creativity and the production of a memorable experience in her personal life really brought a shift to her career.

In this episode, Ruby Valls talks to Meghan Kotlanger, Director of Content at Advoc8, an experiencial agency from DC. Meghan tells us all about how diving into craft and creativity led her to produce memorable experiences in her career.

If you want to connect with Meghan, just check her profile on ⁠Linkedin⁠. You can also check more about her amazing wedding here and here. And to learn more about Advoc8, go to their Linkedin page or Instagram profile.

_________

Beyond Deadlines: A Creative Producer's Chat is power by ⁠MOWE Studio⁠.

Edited by: Bruno Nappo