• Black Wall Street 1921

  • De: Nia Clark
  • Podcast

Black Wall Street 1921 Por arte de portada

Black Wall Street 1921

De: Nia Clark
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  • Resumen

  • A podcast chronicling significant and related events before, during and after "the single worst incident of racial violence in American history." The Tulsa Race Massacre
    © Nia Clark
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Episodios
  • Episode 12: "Tulsa's Terrible Secret" and the Erasure of Black History

    Episode 12: "Tulsa's Terrible Secret" and the Erasure of Black History
    Jul 1 2020
    Up until the later part of the 20th century, there were sustained and concerted efforts to suppress the full truth of the Tulsa Race Riot, which is now acknowledged as the Tulsa Race Massacre. In the decades that followed, the attack was treated as taboo by both whites and blacks, by residents of Tulsa and government officials, by survivors of the massacre and their descendants. If it was addressed, often times the facts and circumstances surrounding the massacre were misconstrued and in many cases fabricated. Some descendants of survivors have said it was a matter of protecting future generations from enduring a similar tragedy. Others have said it was considered a black mark of shame for Tulsa and few perpetrators wanted to actually accept responsibility for such an event.  Dr. Scott Ellsworth - professor of Afroamerican and African Studies at the University of Michigan and author of Death in a Promised Land, said quote, “The people who brought it up were threatened with their jobs; they were threatened with their lives.” The suppression of the Tulsa Race Massacre is emblematic of the frequency with which the erasure of black life and anything associated with it took place in the early part of the 20th century. In this episode, Journalist, Nia Clark, interviews Texas journalist, writer and author of The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921, Tim Madigan as well as Shomari Wills, journalist and author of Black Fortunes: The Story of the First Six African Americans Who Escaped Slavery and Became Millionaires. Listeners will also hear an audio recording of one of Tulsa's most legendary musicians, Clarence Love.    Musical Attribution: 1. Glueworm Evening Blues (ID 994) by Lobo Loco License, disclaimer and copyrite information. Attribution-NonCommercial-NoDerivatives 4.0 International  https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Linked to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Glueworm_Blues_ID_994 2. Title: Driving to the Delta (ID 923) by Lobo Loco License, disclaimer and copywite information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563Link to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563 3. Spirit Inside (ID 819) by Lobo Loco License, disclaimer and copyright information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4. https://creativecommons.org/licenses/by-nc-nd/4.0/0) Link to music: https://freemusicarchive.org/music/Lobo_Loco/Tree_of_Meditation/Spirit_Inside_ID_819 4. African Moon by John Bartmann Link to license, disclaimer and copyright information: CC0 1.0 Universal (CC0 1.0) Public Domain Dedication https://creativecommons.org/publicdomain/zero/1.0/Link to Music: https://freemusicarchive.org/music/John_Bartmann/Public_Domain_Soundtrack_Music_Album_One/african-moon See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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    1 h y 6 m
  • Ep. 11: Black Wall Street Reborn

    Ep. 11: Black Wall Street Reborn
    Jun 17 2020
    While some African American survivors of the 1921 Tulsa Race Massacre left Greenwood for good, surprisingly, many stayed even though most returned home to ashes. However, of the black Tulsans who decided to remain in their community and rebuild, most had virtually none of the advantages that they had when Black Wall Street was first developed. For example, after the Massacre, black Tulsans had very little to zero assets; little to no access to previously advantageous streams of income; their insular economy was ground to a halt because their community was destroyed, preventing them from immediately generating income. The larger economy of Tulsa in general was ground to a halt as well for several days following the massacre. Additionally, many black Tulsans had incurred more debt with fewer and less expeditious ways of paying it off. Many had also lost loved ones in the Massacre, which not only meant the loss of invaluable life but it also meant the loss of another contributor to household responsibilities or income. Finally, many black Tulsans had little to no ability to seek support from nearby relatives or friends as most of their neighbors were also experiencing similar hardships. Nevertheless, not only did black Tulsans reconstruct Black Wall Street, over time the second version became more prosperous than the first. This was a testament to the resilient, tenacious nature of the community.  In this episode, Multimedia Journalist, Nia Clark, interviews attorney, author and consultant, Hannibal B. Johnson. Listeners will also hear from longtime Tulsa community leader, Jeanne B. Goodwin, who began living in Tulsa in the late 1920's at the beginning of its regeneration.  Musical Attributions  1. Glueworm Evening Blues (ID 994) by Lobo Loco License, disclaimer and copyrite information. Attribution-NonCommercial-NoDerivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Linked to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Glueworm_Blues_ID_994  2. Title: Driving to the Delta (ID 923) by Lobo Loco License, disclaimer and copywite information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563 Link to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563  3. Spirit Inside (ID 819) by Lobo Loco License, disclaimer and copyright information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4. https://creativecommons.org/licenses/by-nc-nd/4.0/0) Link to music: https://freemusicarchive.org/music/Lobo_Loco/Tree_of_Meditation/Spirit_Inside_ID_819  4. African Moon by John Bartmann Link to license, disclaimer and copyright information: CC0 1.0 Universal (CC0 1.0) Public Domain Dedication https://creativecommons.org/publicdomain/zero/1.0/ Link to Music: https://freemusicarchive.org/music/John_Bartmann/Public_Domain_Soundtrack_Music_Album_One/african-moon See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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    39 m
  • Ep. 10 Justice Delayed Is Justice Denied

    Ep. 10 Justice Delayed Is Justice Denied
    Jun 5 2020
    Despite thousands of potential perpetrators of numerous crimes and potentially hundreds or thousands of witnesses to these crimes, law enforcement officials did not pursue any of them with any real vigor in search of the truth. As a result the victims of the Tulsa Race Massacre never got their justice.  The life of one of the victims of the Tulsa Race Massacre of 1921 is an example of the consequences of these actions - or lack thereof by law enforcement officials in Tulsa and Oklahoma. That man, born John the Baptist Stradford, was born a slave in Kentucky. Stradford was a graduate of Oberlin College and Indiana Law School. The J. B. Stradford family moved to Tulsa, OK, in 1899. J. B. became one of the richest African American's in Tulsa. Stradford became known as one of the pioneers of Tulsa. He owned the Stratford Hotel located at 301 North Greenwood. Following the Tulsa Race Massacre, Stradford was one of the few people charged in connection with the attack. He ultimately fled Tulsa and moved to Chicago where his son was living and working as an attorney. He lost just about everything he had in the Massacre. Although he owned several businesses in Chicago, he never amassed the amount of wealth he had in Tulsa. Additionally, the charge hung over him for the rest of his life. In 1996 Stradford was posthumously cleared of the charge of rioting thanks to years long efforts by his descendants.  In this episode listeners will hear from J.B. Stradford's great-great-granddaughter, Laurel Stradford as well as his great-great grandson, Nate Calloway. Listeners will also hear from Tulsa World Reporter and Author of Tulsa 1921: Reporting A Massacre, Randy Krehbiel.  Musical Attributions  1. Glueworm Evening Blues (ID 994) by Lobo Loco License, disclaimer and copyrite information. Attribution-NonCommercial-NoDerivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Linked to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Glueworm_Blues_ID_994  2. Title: Driving to the Delta (ID 923) by Lobo Loco License, disclaimer and copywite information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563 Link to music: https://freemusicarchive.org/music/Lobo_Loco/Welcome/Driving_to_the_Delta_ID_923_1563  3. Spirit Inside (ID 819) by Lobo Loco License, disclaimer and copyright information: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4. https://creativecommons.org/licenses/by-nc-nd/4.0/0) Link to music: https://freemusicarchive.org/music/Lobo_Loco/Tree_of_Meditation/Spirit_Inside_ID_819  4. African Moon by John Bartmann Link to license, disclaimer and copyright information: CC0 1.0 Universal (CC0 1.0) Public Domain Dedication https://creativecommons.org/publicdomain/zero/1.0/ Link to Music: https://freemusicarchive.org/music/John_Bartmann/Public_Domain_Soundtrack_Music_Album_One/african-moon   See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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    54 m
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