MaXXXine may be the third film in a downright wild and blood-soaked horror series, but given the fact that the trilogy heavily pays homage to the evolution of cinema, there’s an abundance of very real connections one can make between the state of the industry depicted in these films and where things truly are at present. In fact, there’s one especially prominent one for Primetime Emmy nominee Elizabeth Debicki. In MaXXXine, she plays the only film director willing to take a chance on Mia Goth’s title character. As Debicki explained during our Collider Ladies Night conversation, finding filmmakers who believe in you is of the utmost importance to making it in Hollywood.

After the events of X, MaXXXine follows Maxine Minx to Hollywood in the 80s where she plans to become a star. Maxine is convinced she’s got the talent and determination to make it in the movies, but given her notoriety in the adult film realm, getting her big break has been impossible — until she meets Debicki’s character, Elizabeth Bender. Even though the producers of Elizabeth’s new movie would rather not have Maxine headlining the film, Elizabeth believes in her and insists on giving her the opportunity.

While many might be quick to highlight Baz Luhrmann as the person who took a chance on Debicki and sent her star soaring with The Great Gatsby, Debicki herself insists he’s not the only one. Yes, Luhrmann did give her her first lead role in a feature film, but Debicki insists directors taking a chance on actors never ends. “Yeah, you need to be good at your job, but it's also a real combination of timing and people believing in you enough to give you the job.”

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Getting a breakout role in film and television is the dream for many aspiring actors, but just as important are the projects one chooses to take after that breakout gig. Given the business’ habit of boxing artists into the first thing the world sees them do well, it can be a great challenge to amass a diverse body of work. How does one steer clear of those limitations and carve a path forward with volume and diversity? Perhaps by taking a cue from Kaya Scodelario.

Scodelario’s star began to soar via her work as Effy Stonem in the hit British teen series, Skins. After doing four seasons of the show, Scodelario began to pick up other television and film credits, credits ranging from Hollywood blockbusters like 2010’s Clash of the Titans to Andrea Arnold’s Wuthering Heights, which celebrated its big debut at the 2011 Venice Film Festival before going on to other top tier fests like the Toronto International Film Festival and Sundance.

Over a decade later, Scodelario still enjoys a vast range of work. She headlined the 2019 horror gem Crawl, jumped into a popular game franchise with Resident Evil: Welcome to Raccoon City, and then did the Christmas romantic comedy, This Is Christmas. Yet another vastly different standout credit on her resume? The new Guy Ritchie Netflix series, The Gentlemen, a kinetic crime comedy that's enjoying a good deal of Emmy buzz this season.

Inspired by Ritchie’s 2019 film, The Gentlemen series stars Theo James as Edward Horniman. After his father passes, Eddie inherits the family estate and becomes Duke of Halstead. As if all that isn’t enough to process, Eddie is soon made aware that his father secretly made an arrangement with Bobby Glass’ (Ray Winstone) weed empire. If Eddie continues to let them grow their product below ground on his property, he'll get large sums of money in return, money Eddie needs given the state of the family farm and his brother’s (Daniel Ings) habit of accumulating massive debts with dangerous figures. The person in charge of this weed empire while Bobby is in prison? His daughter, Scodelario’s Susie Glass.

In celebration of The Gentlemen’s successful Season 1 run, Scodelario joined me for an episode of Collider Ladies Night to retrace her steps from breaking out via Skins to starring in an acclaimed Guy Ritchie production.

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Melissa Benoist stepped into the Hollywood spotlight in a big way via Glee. Then she cemented herself as a bonafide star and headliner with Supergirl. Now she continues to broaden her range and her industry skill set by starring in and producing the hugely entertaining political drama, The Girls on the Bus.

Created by Amy Chozick and Julie Plec, The Girls on the Bus is inspired by Chozick's memoir, Chasing Hillary. It follows four female journalists played by Benoist, Carla Gugino, Christina Elmore and Natasha Behnam, who are on the campaign trail with aspiring presidential candidates. They all have vastly different backgrounds and goals, but find themselves supporting one another as they navigate career pressures, personal challenges, and frustrations with flawed presidential hopefuls.

As Collider’s Taylor Gates noted in her review, “[Girls on the Bus] handles serious topics, from sexism and racism to abortion and corruption, in a way that feels both raw and palatable while never taking away from the show’s watchability and enjoyability,” and I must agree. Powered by its perfectly assembled core four and their infectious charm, Girls on the Bus quickly earned my investment and heart. Given that, it’ll probably come as no surprise that the show’s cancellation was a massive disappointment. However, that’s not stopping Benoist from celebrating what she and the team achieved.

Benoist took the time to join me for a Collider Ladies Night conversation to recap her road to Girls on the Bus, to discuss her collaboration with her three top-tier co-stars, and to explain why the show’s cancellation will have zero impact on how she looks back on the experience of making it and the final product she and the team produced.

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