How would you feel if you discovered a way to make your hobby your full-time income and create music without the need of posting constantly on social media, awkward networking events, or even a website?

• in 2014 I was fortunate enough to create music for a tv commercial
• The budget wasn’t great, But i needed the money, so I did it.
• created the music in 2 days (commercials, huh), send the finals out, didnt think much of it.
• 1 year later, in June 2015 I got a letter from GEMA and I almost fainted.
• I had to look twice: more than 20k Euros from that 1 commercial.
• Blown away. I felt I was on to something there. the power of Performance Royalties
• That started my journey into sync licensing, because I wanted to have more of that residual, passive cashflow.
• And from my experience being in the space now since 2015 I created the PITCH Framework.

So in this video I’m going to show you what the PITCH framework is, how YOU can get more placements and how any level of music creator can achieve massive success through sync licensing.

Emmy-nominated composer Vinicius Barbosa Pippa Worked on Netflix's "Love in the Villa" Contributed to the score of Fox's "Empire" Composed music for Nike's "I Got Next" commercial Involved in the single-player video game "Meridian Squad 22" Scoring coordinator for all 54 episodes of Disney's "Star Wars Galaxy of Adventures" animated shorts Provided music for the Millennium Falcon: Smugglers Run ride at Disneyland Worked on the sound of the VR game "Blade Runner: Revelations" to bridge the events of Blade Runner and Blade Runner 2049 Emmy-nominated for his work as Music Editor on the animated kids' show "Go! Go! Cory Carson" on Netflix Collaborated with a team of composers to create an original score for Harold Lloyd's 1922 silent film "The Freshman" Toured the US with an orchestra to perform the score live alongside the film

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With this season’s storyline for Miracle Workers: End of Times, the showrunners aimed for an 80s VHS movie vibe, so for Matt, the trick was to find the right kind of synths. He played around with a few different approaches and ultimately landed on the style of Georgio Moroder and John Carpenter. To play up the “junked” aesthetic of the world, he also added some junkyard-type instruments to work along with synths and give the score its unique flavor.

TBS’s Miracle Workers: End Times, premiering on July 10th and releasing weekly