As far as the dragons are concerned it's still spooky season and this week, they are featuring one of the most beloved 'universal monsters' - the Mummy. From Ancient Egypt to Victorian obsession to post war film era, the Mummy has been a symbol for secrets and forbidden knowledge, often reflecting discomforting truths back at us. Jules and Madeleine take a look at why this is a universal monster - what are its origins? When did it first start appearing in fiction? And what does the creature mean to us today?

On the slab this week - Lok No 249 - Sir Arthur Conan Doyle, The Beetle - Richard Marsh, Ramses the Damned - Anne Rice and many more.

Title music: Ecstasy by Smiling Cynic

Sleep - something so mundane we do it around eight hours out of every twenty-four - makes a great vehicle for horror. Judging by folkloric record and cross cultural points of similarity, it's been part of horror for millennia. From old hag syndrome to nightmares to the simple but essential necessity of being unaware and vulnerable for blocks of time, sleep is it's own carnival of terror. This week Jules and Madeleine delve into why, tracking through folklore into modern horror and looking at how you can use sleep effectively in your own writing. (Aside from aiming for eight hours a night, that is!)

Title music: Ecstasy by Smiling Cynic

This week's spooky season offering dives past the whole haunted house experience to go deeper. What if the haunting was more specific? An attic or cellar is well known trope, but what about a playground? A nursery? A clock or a mirror? What do those things say about the state of the main character's mind in storytelling? And what exactly is the quiet terror of the mundane more effective than dripping gore and howling monsters? Jules and Madeleine tackle these questions and more.

On the slab this week: Rebekah - Daphne du Maurier, The Yellow Wallpaper - Charlotte Perkins Gilman, The Scald Crow - Grace Daly and many more

It's time for episode three of the dragons' spooky season extravaganza and don't be deceived by the title. Folk Magic can go to some pretty dark places... This week, Jules and Madeleine take a look at a magic system that relies on mundane objects and folk knowledge. In fact this type of magic is, on the surface, so mundane that many people would argue that it's more superstition than a magic system. It forms a backbone in many folk horror and dark fantasy stories and even creeps into sci-fi and urban fantasy. So where does the magic of the mundane originate from? What is its logic? And how do you incorporate it in your own world building?

On the slab this week - October Daye - Seanan McGuire, Terry Pratchett's Discworld, Practical Magic and many more.

Title music: Ecstasy by Smiling Cynic

Continuing their spooky season, this week the dragons pose a question: what's more frightening? The object of terror can see or the entity you can't?

A fear of non tangible threats is baked into the essential human make up - we would hardly have survived to evolve as we have if our ancestors had not had the capability to 'what if' about predators concealed in shadows or long grass. This is reflected in fairy tales, folklore, gothic fiction all the way up to modern horror. Jules and Madeleine delve into how this trope hits the fear centres in the brain and how you as a writer can use it. On the slab this week - The Invisible Man - H G Wells, The Little Stranger - Sarah Waters, It Follows and many more.

Title music: Ecstasy by Smiling Cynic

The dragons are back just in time for spooky season. They are naturally kicking off their favourite season with a new slant on and old favourite subject - the Gothic. But what exactly do 'outsiders' have to do with Gothic literature? As it turns out, quite a lot. Jules and Madeleine take a joyful autumn romp through this little mentioned but essential ingredient of the genre from it's literary inception up to its quirky, spooky modern day equivalent.

On the slab this week classics such as Dracula, Frankenstein & Jane Eyre, as well as Penny Dreadful, the Addams Family and Wednesday.

Title music: Ecstasy by Smiling Cynic.

Approximately ten years ago, both dragons signed their first publishing contracts. Since then it's been a riotous series of highs and lows and new adventures - including the creation of this podcast. This week, Jules and Madeleine look back over the last decade. Would they have written their first books the same way if they'd been writing them now? What is the relationship between writing and creativity and where does creative inspiration come from? Where do they see themselves going in their writing from here? And just what is good etiquette around reviews? Join them for a semi- biographical episode about the ups and downs of being a writer.

(Please note this is the last episode of this season - the Dragons will be back in October for spooky season)

Title music: Ecstasy by Smiling Cynic

Part Two of a Two Part Episode

Continuing on from last week's examination of how depictions of the work place in fiction have transitioned over the decades from daily grinds where hard work will reward the worthy to places where you can find fun and family (if you're a team player) to recent depictions of bleak office hellscapes where baffled, exploited employees are required to perform a series of increasingly bizarre and senseless tasks (Severence - we're looking at you), this week Jules and Madeleine delve into the archetypes of this genre. Why might you want to write an anarchist or a saboteur? Why is sci-fi such good fit for telling workplace stories and why might you want to write one? And just what can we learn from these stories?

Under the microscope this week: Severence, Fight Club, Squid Game and many more.

Title music: Ecstasy by Smiling Cynic