Docs in Orbit

De: Docs in Orbit
  • Resumen

  • Docs in Orbit is an artist-led podcast for independent, non-fiction filmmakers. Since launching in April 2020, we have produced over 50 episodes that explore the diverse artistic approaches present in contemporary non-fiction cinema, the challenges filmmakers face as they work with the moving image, and modern approaches to film curation. Docs in Orbit is a top ranking TV & Film Interview podcast in over 30 countries. All episodes are free across several platforms (Spotify, Apple Podcasts, Google, Soundcloud).
    Docs in Orbit
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Episodios
  • Episode 74: The Soldier’s Lagoon with Pablo Álvarez-Mesa
    Mar 29 2024
    Hi everyone, Aylin Gökmen here, with a new episode featuring a conversation with Pablo Álvarez-Mesa about his film, The Soldier’s Lagoon (2024), which received the Docs in Orbit Invitation Award at Cannes Doc-Marché du Film last year.The Soldier’s Lagoon is a strikingly beautiful and multi-layered piece centered on the Colombian páramo region. The film explores the land’s history, encompassing Bolívar's political legacy, colonialism, and the presence of armed groups, shedding light on h...
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    33 m
  • Play Dead! with Matthew Lancit
    Mar 6 2024
    Hello everyone. This is Hosein Jalilvand in Geneva with a new episode for Docs in Orbit featuring a conversation with Matthew Lancit about his latest film, Play Dead! (2023). Play Dead! is a funny, tender video diary on living with diabetes, where Lancit playfully transforms his personal experience and fear of dying into a body horror film, where an invisible disease crawls inside his body. The film premiered in the Camera Lucida sidebar of Dok Leipzig in October 2023 and available to s...
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    35 m
  • IDFA 2023 - Corresponding Cinemas' Refusal to Comply
    Dec 7 2023
    We are releasing a conversation recorded on Tuesday, November 14th, 2023, at IDFA, where I met with Julian Ross and Farah Hasanbegović to recap Corresponding Cinemas. Corresponding Cinemas was a new series at IDFA this year, and in many ways, it was an experiment to see what invisible connections surface when an institution decides to transfer over its curatorial control to filmmakers. The idea is simple and compelling. It would be a series of films and conversations with filmmakers who have ...
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    52 m

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