Nathan Gelgud joins me to discuss Reel Politik, a comics collection about a group of Brechtian revolutionaries who take over the movie theatre they work in.

Nathan and I discuss our shared love for movies, the radical nature of paying attention to a movie screen, and The Chelsea Theater, a local movie theatre in Chapel Hill that Nathan and I both love (I even worked there!). Many thanks to Bruce Stone, who ran The Chelsea for decades!

You can find the book here: https://drawnandquarterly.com/books/reel-politik/

Micah Belong joins me to share a radical reading of the Book of Genesis in which wealth isn't a blessing on God's people, but a curse!

I recently appeared on Micah's podcast, The Word in Black and Red, to discuss the 10 Commandments with Micah. That link is here: https://podcasts.apple.com/us/podcast/s-2-20-exodus-19-20-arrival-at-mt-sanai-the-ten-commandments/id1682991552?i=1000730399185

I also recently appeared on The Skeptical Leftist podcast! That link is here: https://creators.spotify.com/pod/profile/skepticalleftist/episodes/The-Anti-Influencers-Case-For-Anarchism-with-Graham-Culbertson-e3a0a4j

And the YouTube video of that conversation is here (I didn't watch): https://youtu.be/YXYH1ngF30A?si=4DMONaFxIUGRuCNc

Alfie Kohn returns to the show to discuss his new podcast, the role of teachers in social progress, and why someone's view on chatbots in the classroom tells you eveything you need to know about their view of education.

You can listen to Kohn's Zone wherever you get your podcasts, or get it straight from his website: https://www.alfiekohn.org/podcasts/

It's not your imagination: everything is getting worse. And there's a reason why.

The film Henry Fonda for President is showing this Thursday, October 2 at Duke University. Please join us if you are in the area!

https://cinematicarts.duke.edu/screensociety/screenings/henry-fonda-president-alexander-horwath-2024

More than any other individual, Henry Fonda was a symbol for better, more leftist, more social democratic America, from The Grapes of Wrath to 12 Angry Men. He even played an English professor who faced cancellation for teaching anarchist literature!

Then in the 1960s, he was the literal father figure that New Left Hollywood figures Jane and Peter Fonda were rebelling against. And Henry let himself be used as a villain in Sergio Leone's Once Upon a Time in the West, playing the embodiment of rapacious American capitalism.

Alexander Horwath weaves together all these threads into his essay film Henry Fonda for President. As we live in a world haunted by 50 years of neoliberal decay, the America Fonda represented seems further away than ever, even as his films still crackle with righteous rage against injustice. Alex and I talk about all these issues and more - I hope you enjoy the conversation, and see the film when you have a chance!

According to conventional history, the last 12,000 years has seen the steady march of progress from primitive savagery to enlightened civilization.

In the age of Trump, Elon, Bezos, Zuckerberg, Putin, Xi, Orbán, Netanyahu, Erdoğan, and Khamenei, this story can't be true.

Luke Kemp joins me to offer another story, one in which mutual aid is what makes humans special - and what historians call "civilization" is actually the history of domination and coercion.

I cannot recommend the book more highly!

https://flyleafbooks.com/book/9780593321355

Happy 4th Anniversary to Everyday Anarchism!

For this year's anniversary episode, Ruth Kinna comes on to talk about a couple of Hollywood Westerns: Fort Apache (John Ford, 1948) and Rancho Notorious (Fritz Lang, 1952).

Hollywood Westerns are about law and order, violence and vigilantism, community and individualism, savagery and civilization, and imperialism and resistance. They're perfect for illustrating political ideals - and that's just what Ruth and I do!

Look forward to an episode all about the activism and idealism of Henry Fonda with the director of Henry Fonda for President at some future date.

Thanks again to Ruth, but above all thanks to everyone for listening for the past four years!

In normal cinema, the goal of the director is to control the audience, to direct their gaze, to dictate their emotions.

What does it mean when directors make movies where the audience is allowed to decide what the film means to them?

Legendary filmmaker Paul Schrader (screenwriter of Taxi Driver and Raging Bull; director of Mishima: A Life in Four Chapters and First Reformed) , joins me to discuss his book Transcendental Style in Film: Ozu, Bresson, Dreyer and the democratic nature of slow cinema.