The year is 1346 and we have, yes, another succession crisis. Without checking through my 1500 pages of transcripts, I have counted a total f 14 contested imperial elections in the 427 years we have covered so far. Henry the Fowler, Herny II, Henry IV, Henry V, Lothar III, Konrad III, Philip of Swabia, Otto IV, Frederick II, Konrad IV, Richard of Cornwall, Adolf of Nassau, Albrecht of Habsburg and Ludwig the Bavarians all had to contend with anti-kings or severe opposition to their ascension to the throne.

I guess you are bored with these and so were the citizens of the empire. But here is the good news. From Karl IV’s reign onwards these succession crises will become fewer and fewer. Why? One reason is of course the Golden Bull we will discuss in a few episodes time. But there is another one, which had to do with the way Karl IV overcome the opposition. He claimed it was divine providence, but modern historians point to a much more temporal force that tied the imperial title to the heirs of the house of Luxemburg…

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights

The Holy Roman Empire 1250-1356

You have heard me complaining regularly over the last 154 episodes that what we report as political ambitions or strategic plans of the kings and emperors was pure conjecture derived from their actions and public statement. But we could never know what they were really thinking because none of them kept a diary, or if they did they did not survive to today. The subject of today’s episode however did write an autobiography, which is believed to have been written by the emperor himself, at least in large parts. So, for the first time we hear an emperor telling his own story. Do you want to hear it?

Well, here he describes what he called the most seminal moment of his youth:

That night, as sleep overcame us, a vision appeared to us: an angel of the Lord stood beside us on our left side, where we lay, and struck us on the side, saying, "Rise and come with me."

We responded in spirit, "Lord, I do not know where or how to go with you." And taking us by the hair of the front part of our head, he lifted us into the air over a great line of armed knights who were standing before a castle, ready for battle.

Holding us in the air above the line, he said to us, "Look and see." And behold, another angel ascending from the sky, holding a fiery sword in his hand, struck one in the middle of the line and cut off his genital member with the same sword, and he, as if mortally wounded, agonized while sitting on his horse.

Then the angel holding us by the hair said, "Do you recognize him who was struck by the angel and mortally wounded?" We said, "Lord, I do not know him, nor do I recognize the place."

He said, "You should know that this is the Dauphin of Vienne, who, because of the sin of lust, has been struck by God in this way; therefore, beware and tell your father to beware of similar sins, or worse things will happen to you." [..]”

There you go, the emperor Karl IV has divine visions. Not quite what you were expecting, but as it happened a good window into his way of thinking. But do not worry, Karl wasn’t just an excessively devout collector of relics, he was at the same time an astute and often ruthless politician who gave the Holy Roman empire its constitution and placed his heirs on the throne for the next centuries.

So let’s talk about Karl’s journey from his youth to becoming the King of the Romans.

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who

The noble and gallant King of Bohemia, also known as John of Luxemburg because he was the son of the Emperor Henry of Luxemburg, was told by his people that the battle had begun. Although he was in full armour and equipped for combat, he could see nothing because he was blind. He asked his knights what the situation was and they described the rout of the Genoese and the confusion which followed King Philip's order to kill them. Ha,' replied the King of Bohemia. 'That is a signal for us.' […] 'My lords, you are my men, my friends and my companions-in-arms. Today I have a special request to make of you. Take me far enough forward for me to strike a blow with my sword.

Because they cherished his honor and their own prowess, his knights consented. [..] In order to acquit themselves well and not lose the King in the press, they tied all their horses together by the bridles, set their king in front so that he might fulfil his wish, and rode towards the enemy.

There also was Lord Charles of Bohemia, who bore the title and arms of King of Germany, and who brought his men in good order to the battlefield. But when he saw that things were going badly for his side, he turned and left. I do not know which way he went.

Not so the good King his father, for he came so close to the enemy that he was able to use his sword several times and fought most bravely, as did the knights with him. They advanced so far forward that they all remained on the field, not one escaping alive. They were found the next day lying round their leader, with their horses still fastened together. "

Anyone with even a passing interest in late medieval history will remember this scene from Froissart’s description of the Battle of Crecy on August 26th, 1346. The Blind King of Bohemia, the epitome of chivalric culture riding into the midst of a battle striking at an enemy he cannot see, relying on his comrades to guide him.

This deed made such an impression on the Edward, the Prince of Wales, known as the Black Prince that he honored his foe by adding the Bohemian ostrich feathers and the dead king’s motto “Ich Dien”, to his own coat of arms. So to this day the Blind King’s heraldic symbols and German motto features on Prince William’s coat of arms, the Welsh Rugby Union Badge, some older 2p coins and various regiments in Britain, Australia, Canada and even Sri Lanka.

But this death, call it heroic or foolish, was only the end of an astounding life. John Of Bohemia, very much against his own intentions, played a crucial role in the establishment of the key counterweight to French hegemony in Europe. No, not England, but a power centered on Prague, Vienna, Buda and Pest.

Let’s dive into this story…

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon:

“In the same way that Jerusalem is the navel of the world, is Nurnberg the navel of Germany” is how Matthäus Dresser described the city in 1581. The astronomer Johannes Regiomontanus moved to Nurnberg in 1471 because there" ...one can easily associate with learned men wherever they live. Because of the cosmopolitanism of its merchants, this place is regarded as the center of Europe”.

How did this city grow within 200 years from an imperial castle far from the main transport links, without a harbour and on famously poor soil into one of the three most important urban centres in Germany whose merchants were well regarded in all corners of the world, whose printers published the works of Europe’s leading intellectuals, whose artists were and remain of global renown and whose engineers produced breakthrough after breakthrough.

Let’s find out

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights

The Holy Roman Empire 1250-1356

“The twelve-year-old Margarete, Princess of Carinthia and Tyrol, was travelling from her seat near Meran to Innsbruck for her wedding with the ten-year old Prince Johann of Bohemia. [..]

Still and serious she sat, in ceremonial pomp. Her bodice was so tight that she had had to be laced into it; her sleeves of heavy green satin, in the very extreme of fashion, fell to her feet ; she wore one of the new jeweled hair-nets which an express courier had had to bring from Flanders, where they had recently appeared. A heavy necklace sparkled on her bosom, and large rings on her fingers.

So she sat, serious and perspiring, weighed down with magnificence, between the peevish, grumbling women. She looked older than her twelve years. Her thick-set body with its short limbs supported a massive misshapen head. The forehead, indeed, was clear and candid, the eyes quick and shrewd, penetrating and sagacious ; but below the small flat nose an ape-like mouth thrust forward its enormous jaws and pendulous underlip. Her copper colored hair was coarse, wiry and dull, her skin patchy and of a dull greyish pallor.”

That is how the author Lion Feuchtwanger described Margarete, the countess of Tirol who is better known as Margarete Maultasch, the ugly duchess. This historic novel that became a huge bestseller in the 1920s describes how a bright and ambitious, but monstrously ugly woman is crushed by society’s habit to judge the inside of a person by its appearance.

I still have a copy of this book from the 1980s when I first read it, and on its cover is the same image I used for this episode’s artwork. The picture was painted by Quentin Matsys in 1513 and according to the National Gallery’s catalogue is called a Grotesque Old Woman.

It is not a portrait of Margarete Maultasch who had died 150 years earlier. The identification of the sitter as Margarete Maultasch goes back the idea of a postcard seller in Meran in the 1920s. Matsys picture also made its way into the depiction of the Duchess in Alice in Wonderland.

But it is all hokum. Chroniclers who knew Margarete personally, like Johann von Viktring either do not mention her appearance at all, or call her beautiful, if not extremely beautiful. So, as much as I love Lion Feuchtwanger’s novel, which btw. is available in an English translation, its premise is simply false.

The truth is much more interesting. Her actions to defend her inherited county of Tyrol were the changes that tilted the complex equilibrium between the Habsburgs, the Wittelsbachs and the House of Luxemburg out of kilter with unpredictable, violent results.

So, let’s find out why and how and what…

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon:

This week we look at the central intellectual debate of the 14th century, did Jesus own property? If yes, then it was right and proper that the church owned land, privileges, entire counties and duchies, yes that the pope was not just the spiritual but also the secular ruler of all of Christianity. And if not, then the pope as a successor to the apostles should rescind all worldly possessions and all political power. The follow-on question from there was even more hair raising: if indeed power does not come from the grace of god as determined by the Holy church, then where does it come from. One thinker, Marsilius of Padua goes as far as stating the obvious, power comes from election by the people…

This is what pope John XXII, Michael of Cesena, William of Ockham and the cast of Umberto Eco’s the Name of the Rose discuss. But there was also a politician, Ludwig IV, elected emperor who took these ideas – and put them into actions….let’s find out just how radical this ruler they call “the Bavarian” really was.

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights

The Holy Roman Empire 1250-1356

The 14th century is a time of fundamental change in practically all areas of social, political and economic life. It is a time when the certainties of the Middle Ages are replaced by a process of trial and error, sometimes successful, but almost always violent. We see new frameworks of how society and in particular the religious authorities should operate, how political power should be distributed and how economic growth could be preserved at a time when the climatic benefits of the medieval warming period has come to an end. Ah, and then there was the Black Death.

In this episode we will talk about the political dimension of this change. First how the conflict between the three dominating houses, the Habsburgs, the Wittelsbachs and the Luxemburg pans out, though whilst the mighty lords believe it is all about marriage alliances and knights dominating the battlefield, the ground on which their mighty warhorses are galloping is shifting….

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights

The Holy Roman Empire 1250-1356

A few months after emperor Henry VII had died in the Tuscan village of Buonconvento and before a successor had been elected, a young man, Ludwig, second son of the duke of Upper Bavaria made his name defeating a much larger Habsburg force. This success could not have come at a more opportune time as it propelled him into contention for the title of King of the Romas and ultimately, emperor.

His rule, constantly contested but lasting 33 years would become a major turning point in German, if not European history as it triggered the modern notion of the separation of church and state.

I know that I cannot always maintain a completely unbiased position in this podcast, but I rarely succumb to my personal bugbears. But this time I will have to expose you to one of my biggest, and that is the weird romanticization of Ludwig II of Bavaria, the mentally ill recluse who built the three kitsch palaces of Neuschwanstein, Herrenchiemsee and Linderhof in the deluded hope of resurrecting an absolutist regime in a kingdom he had sold to Prussia. Don’t get me wrong. The three palaces are worth visiting, if not for their somewhat morbid charm, but what irritates me is that this politically and artistically inconsequential monarch overshadows the more interesting, more complex and more consequential Bavarian rulers, chief amongst them his namesake, Ludwig IV the Bavarian.

Let’s see whether HotGPod cannot right this misconception…..

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights