Episodios

  • Giannina The Cat | Written By Lucia & Marco Ciappelli (English Version) | Stories Sotto Le Stelle Podcast | Short Stories For Children And Dreamers Of All Ages
    Jan 18 2026
    Giannina the Cat Giannina the cat lived in a house with a garden. The garden wall bordered a park where children gathered to play. The town was small but charming — from the windowsills of the houses, pots of geraniums and petunias tumbled down like colorful cascades. Her owner, Signora Mafalda, often took her around the town center. All the children knew her, and whenever they spotted her, they would run over and shower her with affection. Giannina was quite the little rascal. During the day she loved chasing lizards, hunting insects, butterflies, and anything that moved. To rest, she would stretch out in the sun on the warm stones, then cool off among the blades of grass. In the garden, among the pomegranate tree, the lemon tree, and the olive with its silvery leaves, she and Mafalda spent their afternoons playing together. But one day, Mafalda began to notice something strange. Giannina would leap to catch her prey, but she kept missing and ending up in the rose bushes. "Ow, ow, ow! I've pricked myself and my tail is tangled in the branches!" she meowed. She barely managed to dodge trees she used to climb with ease. She reached her food and water bowls with an uncertain gait. Worried, Mafalda took her to the Veterinarian. After listening to the little cat's strange adventures, the Doctor smiled and delivered his verdict with a wise air: "This little kitty can't see well. She needs glasses." No sooner said than done — in the blink of an eye, the veterinarian searched through a display case full of frames for pets and, finding the perfect one, exclaimed: "Here we are — a pair of glasses fit for an elegant lady!" As soon as they were placed on Giannina's sweet little snout, the cat looked around in wonder. She could see everything so clearly! She rubbed against the Veterinarian's legs and leaped into Mafalda's arms as if to thank her. The Doctor, touched by her sweetness, gave her a special gift: a golden chain with a small pearl at its center that glowed with its own light. Whispering, he told her: "If you close your eyes and touch this pearl with your little nose, you will gain magical powers that only you will have. They will help you help others." Giannina thought that perhaps this Veterinarian was also a Wizard, but she said nothing to Mafalda. It was a secret between her and the strange Doctor. On the way home, people turned to look at her, thinking: that cat seems mysterious — there's something glimmering around her. At home, Giannina's first wish was to climb onto a chair and gaze out the window. The flowers shone in their colors, and even the grass was a brilliant green, as if covered in dew. She smiled, happier than ever. Mafalda, sharing in her joy, decided to take her to the park. They arrived in no time. Squirrels scampered through the trees, birds sang as they flew from branch to branch. Small creatures popped out everywhere, and the children followed them with curiosity — they ran alongside the lizards, leaped with the butterflies dancing in the air, while red ladybugs landed on their skin like good luck charms. After chases, slides, and ring-around-the-rosy, the children sat down on the grass for their snack. From their colorful backpacks came tasty treats. That's when they arrived. "Vriiip! Vriiip! Vriiip!" At full speed, a platoon of ants zoomed in on rumbling mini-motorcycles. They wore shiny little helmets on their heads, round goggles over their eyes, and tiny boots on their feet. They braked sharply in front of the children, raising little clouds of dust. "Make way! We're here too!" shouted the lead ant, lifting her visor. "Can we collect the crumbs?" The children burst out laughing. "Yes, yes! Munch all the crumbs you want!" The ants parked their mini-motorcycles in a neat row, removed their helmets with theatrical gestures, and got to work carrying crumbs twice their size, singing a little marching song. In this joyful atmosphere, Giannina and Mafalda strolled along the pathways. And suddenly, as they passed, the trees bent their branches in a bow and their leaves rustled in greeting. The roses in the flower beds opened their petals and began to sing. The lizards beat their tails on the ground like drums: "Rattatatà! Rattatatà!" And the millipedes started tap dancing to the lively rhythm. "Oh my, what a wonderful commotion!" exclaimed Giannina, who was beginning to feel a mysterious aura around her. She couldn't help but think of the Wizard Veterinarian. What could these magical powers be? And what would happen if she touched the pearl with her little nose? She told Mafalda, who was carrying a book of fairy tales under her arm. They looked at each other and, understanding instantly, seized the moment. Giannina gathered the children in a circle. Some came quickly, others more shy joined in slowly. The ants too, their bellies full, put on their mini helmets again, did one last rumbling lap on their motorcycles, then climbed off and approached ...
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    10 m
  • CES 2026 Recap | AI, Robotics, Quantum, And Renewable Energy: The Future Is More Practical Than You Think | A Conversation with CTA Senior Director and Futurist Brian Comiskey | Redefining Society and Technology with Marco Ciappelli
    Jan 17 2026

    CES 2026 Just Showed Us the Future. It's More Practical Than You Think.

    CES has always been part crystal ball, part carnival. But something shifted this year.

    I caught up with Brian Comiskey—Senior Director of Innovation and Trends at CTA and a futurist by trade—days after 148,000 people walked the Las Vegas floor. What he described wasn't the usual parade of flashy prototypes destined for tech graveyards. This was different. This was technology getting serious about actually being useful.

    Three mega trends defined the show: intelligent transformation, longevity, and engineering tomorrow. Fancy terms, but they translate to something concrete: AI that works, health tech that extends lives, and innovations that move us, power us, and feed us. Not technology for its own sake. Technology with a job to do.

    The AI conversation has matured. A year ago, generative AI was the headline—impressive demos, uncertain applications. Now the use cases are landing. Industrial AI is optimizing factory operations through digital twins. Agentic AI is handling enterprise workflows autonomously. And physical AI—robotics—is getting genuinely capable. Brian pointed to robotic vacuums that now have arms, wash floors, and mop. Not revolutionary in isolation, but symbolic of something larger: AI escaping the screen and entering the physical world.

    Humanoid robots took a visible leap. Companies like Sharpa and Real Hand showcased machines folding laundry, picking up papers, playing ping pong. The movement is becoming fluid, dexterous, human-like. LG even introduced a consumer-facing humanoid. We're past the novelty phase. The question now is integration—how these machines will collaborate, cowork, and coexist with humans.

    Then there's energy—the quiet enabler hiding behind the AI headlines.

    Korea Hydro Nuclear Power demonstrated small modular reactors. Next-generation nuclear that could cleanly power cities with minimal waste. A company called Flint Paper Battery showcased recyclable batteries using zinc instead of lithium and cobalt. These aren't sexy announcements. They're foundational.

    Brian framed it well: AI demands energy. Quantum computing demands energy. The future demands energy. Without solving that equation, everything else stalls. The good news? AI itself is being deployed for grid modernization, load balancing, and optimizing renewable cycles. The technologies aren't competing—they're converging.

    Quantum made the leap from theory to presence. CES launched a new area called Foundry this year, featuring innovations from D-Wave and Quantum Computing Inc. Brian still sees quantum as a 2030s defining technology, but we're in the back half of the 2020s now. The runway is shorter than we thought.

    His predictions for 2026: quantum goes more mainstream, humanoid robotics moves beyond enterprise into consumer markets, and space technologies start playing a bigger role in connectivity and research. The threads are weaving together.

    Technology conversations often drift toward dystopia—job displacement, surveillance, environmental cost. Brian sees it differently. The convergence of AI, quantum, and clean energy could push things toward something better. The pieces exist. The question is whether we assemble them wisely.

    CES is a snapshot. One moment in the relentless march. But this year's snapshot suggests technology is entering a phase where substance wins over spectacle.

    That's a future worth watching.

    This episode is part of the Redefining Society and Technology podcast's CES 2026 coverage. Subscribe to stay informed as technology and humanity continue to intersect.

    Subscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.
    > https://www.linkedin.com/newsletters/7079849705156870144/

    Marco Ciappelli: https://www.marcociappelli.com/


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    24 m
  • Craft, Lineage, and Making Music That Holds | A Conversation with Singer, Songwriter, Guitarist, and She Rocks Awards 2026 Honoree, Margaret Glaspy | The NAMM Show 2026 Event Coverage | Music Evolves with Sean Martin
    Jan 16 2026
    Show NotesSinger, songwriter, and guitarist Margaret Glaspy joins Sean Martin and Marco Ciappelli for a Music Evolves conversation recorded in the context of the NAMM Show and the She Rocks Awards, where Glaspy is recognized as a 2026 honoree. The discussion centers on how artists develop a voice, how creative practice sustains a career, and why music functions as a form of public service rather than a commodity alone. Glaspy shares how growing up in a musically active household normalized creativity and removed the idea that music must be exceptional to be meaningful. Early immersion in Texas-style fiddle competitions, alongside exposure to jazz, songwriter traditions, and alternative rock, shapes a foundation rooted in lineage rather than trend. That sense of lineage continues to guide her current work, where influence is acknowledged openly rather than hidden.Songwriting, as Glaspy describes it, is a daily practice rather than an output-driven process. Writing consistently, sometimes a song a day, becomes a way to maintain agency in a career shaped by touring cycles, releases, and expectations. Albums emerge from accumulation and reflection, not from pre-defined concepts. This approach reframes productivity as presence, with creativity tied to well-being and continuity.The conversation also explores how artists navigate maturity. Early attempts to emulate heroes eventually give way to self-recognition. Glaspy speaks to the value of being a student of music, letting imitation serve as a bridge to personal expression rather than a destination. That perspective resists the myth of originality in isolation and places artists within an ongoing cultural thread.Recognition at the She Rocks Awards introduces another dimension. Glaspy views the honor with humility, emphasizing the importance of creating space to acknowledge women’s contributions in music without turning the work itself into a competition. In that context, the NAMM Show represents the maker side of music, instrument builders, technologists, and craftspeople whose work enables creative expression.This episode positions music not as a product to be optimized, but as a practice to be protected, cultivated, and shared.GuestMargaret Glaspy, Singer, Songwriter, and Guitarist | Website: https://margaretglaspy.com/HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comResources2026 She Rocks Awards: https://sherocksawards.com/The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordsmargaret glaspy, sean martin, marco ciappelli, namm, she rocks awards, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast, singer, songwriter, guitarist, guitar playingMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    24 m
  • Bass Is the Backbone of Music | A Conversation with Bass Magazine Editor in Chief, Jon D’Auria | The NAMM Show 2026 Event Coverage — Bass Magazine Awards | Music Evolves with Sean Martin
    Jan 15 2026
    Show NotesBass rarely leads the conversation about music innovation, yet it quietly shapes how songs move, how bands connect, and how audiences feel rhythm in their bodies. In this episode of Music Evolves, hosts Sean Martin and Marco Ciappelli explore that idea with Jon D’Auria, Editor in Chief of Bass Magazine, through the lens of community, technology, and cultural relevance.D’Auria describes bass not as a background instrument, but as a stabilizing force. It anchors songs while allowing others to shine, a role mirrored by bass players themselves. That identity informs how the bass community operates: collaborative, inclusive, and deeply connected across generations. Events like the Bass Magazine Awards, held alongside the NAMM Show, are not about spectacle alone. They are about recognition, continuity, and shared lineage.Technology plays a central role in how this community grows. Digital publishing allowed Bass Magazine to expand reach beyond the limits of print, creating immediate access to news, gear releases, artist stories, and cultural moments. Social platforms now surface bass players from bedrooms and rehearsal spaces worldwide, creating opportunity while also reshaping how success is measured.Innovation, however, is not framed as progress for its own sake. The conversation questions where technology supports creativity and where it distracts from it. Lightweight amps, compact gear, and modeling tools solve real problems for working musicians. AI, on the other hand, introduces unresolved tension. While it lowers barriers to creation, it also challenges authorship, labor, and artistic value.Through it all, the episode reinforces a simple truth: music remains human at its core. Technology can amplify access, speed, and scale, but it does not replace intention, emotion, or community. Bass, often overlooked, becomes the perfect metaphor for that balance. Present, essential, and powerful without demanding the spotlight.This episode positions bass not just as an instrument, but as a signal of how music culture adapts while staying grounded in human connection.GuestJon D’Auria, Editor in Chief of Bass Magazine | On LinkedIn: https://www.linkedin.com/in/jon-d-auria-2a7b5089/HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesBass Magazine: https://bassmagazine.comBass Magazine Awards: https://bassmagazineawards.com/The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, jon dauria, bass magazine, namm, bass, music, technology, community, creativity, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    38 m
  • From Department of No to Department of Know: The CISO Evolution | A Brand Highlight Conversation with Ivan Milenkovic, Vice President, Cyber Risk Technology of Qualys
    Jan 13 2026

    In this Brand Highlight, Ivan Milenkovic, Vice President, Cyber Risk Technology at Qualys, joins host Sean Martin to discuss how security leaders can break free from the whack-a-mole cycle of vulnerability management.

    With more than 48,000 vulnerabilities disclosed in 2025 alone and the average enterprise juggling 76 different security consoles, Milenkovic argues that the old methods of counting patches and chasing alerts are no longer sustainable. Instead, Qualys helps organizations prioritize threats based on business context through what the company calls TruRisk.

    Milenkovic describes a fundamental shift he sees taking place in boardroom conversations: moving from risk appetite to risk tolerance. Boards and executives now want to know what specific losses mean to the business rather than simply asking whether the organization is secure.

    For CISOs, this means evolving from the department of "No" to the department of "Know," where security leaders understand where problems exist, how to fix them, and what architecture supports business objectives. The key is demonstrating return on investment through resilience metrics rather than vulnerability counts.

    Qualys addresses this challenge through its Enterprise TruRisk Management platform, which facilitates what Milenkovic calls the Risk Operations Center. Unlike a traditional SOC that focuses on incidents that have already occurred, the ROC takes a proactive stance, helping organizations prevent threats and optimize security spending before damage occurs.

    This is a Brand Highlight. A Brand Highlight is a ~5 minute introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlight

    GUEST

    Ivan Milenkovic, Vice President, Cyber Risk Technology, Qualys

    On LinkedIn | https://www.linkedin.com/in/ivanmilenkovic/

    RESOURCES

    Learn more about Qualys | https://www.qualys.com

    Are you interested in telling your story?
    ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full
    ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight
    ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight

    KEYWORDS

    Ivan Milenkovic, Qualys, Sean Martin, brand story, brand marketing, marketing podcast, brand highlight, Enterprise TruRisk Management, Risk Operations Center, ROC, vulnerability management, CISO, cyber risk, risk tolerance, security leadership, proactive security


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    7 m
  • Leopoldo's Secret Library | Written By Marco Ciappelli (English Version) | Stories Sotto Le Stelle Podcast | Short Stories For Children And Dreamers Of All Ages
    Jan 12 2026
    LEOPOLDO'S SECRET LIBRARYSome people are strange — they like to spend their evenings reading books.Others are even stranger — they believe in the magic found between pages, in fantastical adventures, in stories of impossible love, in ghosts that walk among the living, and they think that everything that doesn't exist — maybe does after all.In short, this story is for those who are a little strange, like you and me — you know, for those who.So… listen.If you take the road up the hill from the center of town, you'll find an old and noble villa, one that has been there for a very long time. It must be about 350 years now that it has stood there in silence, watching and breathing softly beneath the Tuscan sky.Enormous rooms filled with history, endless corridors, and windows as large as dreams — but now, instead of porcelain plates and figurines, it gives us stories on paper for those who wish to read them.Yes, now it's the town library — a bit out of the way, but so beautiful. Well, you can't have everything.Now, on a summer night, wrapped in a blanket of stars and the soft glow of delicate lanterns, the villa had filled with voices, music, smiles, and so many stories told and heard, spoken aloud or whispered, intertwining in the embrace of the celebration.A special evening already, no doubt, but pay attention, because something even more unusual was about to happen.Yes, because Elisa was there too. Eyes as wide as the sky, hair as dark as the night, and a book in her hand — as always.Despite everything happening around her, Elisa preferred to read.She was there, in the main corridor: between the garden and the inner courtyard, halfway between the certain and the perhaps, sitting in an armchair a little too big for her, lost in a mysterious and captivating story — in a world all her own.She turns a page, then another, adjusts her yellow glasses, and turns another page…When slowly, the echo of piano music reached her ears.She didn't pay much attention. Thinking it came from the courtyard, she turned another page — and then another.But before long she realized that the notes she heard were not coming from the villa's courtyard but from one of its corridors — carried by a gentle breeze, from faraway places outside of time.Without thinking too much, Elisa rose silently, tucked her book under her arm, and followed the music.She crossed ancient corridors and rooms with shelves full of volumes of every size and color imaginable — rainbows of thoughts and words lined up one by one that seemed to never end.As the music grew stronger, the light faded, the rooms she passed through began to appear forgotten, the stone stairs she climbed and descended worn by time, the side corridors were now dark passages lit only by torches on the walls, appearing and disappearing in the darkness like breaths.A staircase, a wooden door left ajar, another passage, another staircase, and still more rooms and shelves and books without end.Then, suddenly, a mist covered the floor like a gentle tide, and there, before her, a heavy curtain — half open.A little light showed through, and a few small wooden steps.She climbed them, those little stairs, and the music wrapped around her like an embrace.On the stage, candles floated in the air like fireflies on a timeless night. And there, at the center, seated before a tiny piano, was a mouse.But not just any mouse.Leopoldo wore a dark green tweed jacket, brown trousers pressed with care, and on his little snout, golden spectacles that gleamed with ancient and gentle wisdom.His fingers danced on the keys as if they were telling a secret."Welcome, Elisa," he said, without stopping his playing. "I've been waiting for you."Elisa blinked, enchanted. "How do you know my name?""Ah," Leopoldo smiled, letting the last note fade softly into the air, "those who love stories always recognize those who seek them."He stood, adjusted his jacket with an elegant gesture, and looked at her with eyes full of stars."Do you know where you are?""In the town library," Elisa answered, but her voice trembled a little, as if she knew the answer was something else."That one everyone knows," said Leopoldo, stepping down slowly from the stage. "Every town has one that everyone knows. But every town also has another — one that almost no one finds."He paused, his eyes gleaming."You have found the second."Leopoldo led her toward a large wooden door that Elisa could have sworn wasn't there a moment before. It opened slowly, without a sound, like a sigh held too long.And what she saw took her breath away.Endless shelves climbed upward, descended downward, stretched in every direction like spirals of galaxies made of paper and dreams. Candles floated everywhere, illuminating books that seemed to breathe, to pulse softly, like sleeping hearts."What is this place?" Elisa whispered."This," said Leopoldo, walking among the shelves, "is the library of books never written."Elisa followed, confused. "...
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    13 m
  • Dave Tourjé on Art, Music, Skateboarding, Los Angeles and Never Selling Out | Stories, Storytelling & Storytellers | Audio Signals Podcast With Marco Ciappelli
    Jan 11 2026

    Dave Tourjé: You Have to Destroy What You Create to Become Free

    When Dave Tourjé was two years old, he had a box of wooden blocks. Every day he'd dump them on the floor, stack them into towers of color, admire what he built—then destroy it and start over.

    That ritual never stopped.

    Tourjé is a painter, a punk rock musician, a skateboarder, and a founding member of the California Locos—a collective of LA artists who represent the city's raw, multicultural energy. When he sat down with me for Audio Signals Podcast, we talked about survival, rebellion, and what it really takes to stay free as an artist.

    "You have to learn to destroy what you're creating to really become free," Tourjé told me. "Otherwise you're gonna be trapped by your own creation."

    He calls himself a lucky survivor of the eighties. Born in 1960, raised in Los Angeles, he hit the punk rock scene at 19, got his first skateboard at 7, and was riding swimming pools by the time urethane wheels made it possible. He studied art on scholarship but quit when they asked him to do papier-mâché in college. "That was third grade for me," he said. "I just said, fuck this. I'm outta here."

    He's the only practicing artist from that program.

    When galleries started selling his concrete and steel furniture around the world, Tourjé thought they'd embrace his paintings too. Instead, they told him to stick with what was selling. When collectors wanted commissioned work in different colors, he walked away. "I was not built to do it," he said. "So I bowed out."

    Instead of finding a patron, he built one. A construction company that runs without him—a machine that pays him without requiring him to owe anything to anyone. "It's going to be my patron," he explained. "It's a similar model, but without all the social implications."

    That freedom let him focus on the California Locos, a collective he assembled around 2011 with friends who were all leaders in their own corners of LA culture—surf, skate, street art, tattoo, photography. "We are basically Los Angeles," he said. "A very honest reflection."

    Their book, Renaissance and Rebellion, tells the story from the sixties to now. It's published by Drago in Rome and distributed internationally. They're currently showing at the California Surf Museum in Oceanside, with museum shows lined up for 2027 and Spain on the horizon.

    But the moment that stuck with me came at the end of our conversation. We talked about how musicians destroy as they create—every live performance disappears the moment it's played. "It's like painting a painting that as soon as you put it down and you go to get the next paint, the paint is gone."

    And when someone looks at his paintings and sees something he never intended? He doesn't correct them. "The story is the painting," he said. "As soon as the artist says what it's about, everybody has to abide by the rules."

    He refuses to impose meaning. Once he's done, he becomes an observer. The work is no longer his—it's an object from the past. He's already onto the next thing.

    That's what freedom looks like after a lifetime of rebellion.

    Stay tuned. Subscribe. And remember—we are all made of stories.

    -- Marco
    _______________________________________________________________________________________

    Audio Signals Podcast 🌐 https://www.audiosignalspodcast.com

    Dave Tourjé 🌐 https://davetourje.com/

    Marco Ciappelli 🌐 https://www.marcociappelli.com


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    49 m
  • Real-Time Protection Against AI-Driven Account Takeover Fraud | A Brand Highlight Conversation with Israel Mazin, Co-Founder and CEO of Memcyco
    Jan 8 2026

    As AI makes it easier for attackers to launch account takeover campaigns at scale, organizations face mounting pressure to protect their customers and their brand. Israel Mazin, Co-Founder and CEO of Memcyco, joins the conversation to discuss how real-time detection and protection capabilities are changing the game.

    Memcyco is built on four products within a unified platform, each designed to detect and block both traditional and AI-driven attacks in real time. Unlike reactive threat intelligence solutions, Memcyco identifies victims as they interact with fake sites, provides detailed attacker data, and even deploys credential deception to neutralize stolen information before it can be used.

    With an agentless deployment that takes just minutes to implement, Memcyco delivers more than 10x ROI for customers across financial services, retail, airlines, logistics, and hospitality. The company has achieved nearly 300% year-over-year growth, serving organizations across North America, Latin America, Europe, and beyond.

    This is a Brand Highlight. A Brand Highlight is a ~5 minute introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlight

    GUEST

    Israel Mazin, Co-Founder and CEO of Memcyco
    On LinkedIn: https://www.linkedin.com/in/israel-mazin-62215b/

    RESOURCES

    Memcyco: https://www.memcyco.com/

    Are you interested in telling your story?
    ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full
    ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight
    ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight

    KEYWORDS

    Israel Mazin, Memcyco, Sean Martin, brand story, brand marketing, marketing podcast, brand highlight, account takeover, ATO fraud, digital impersonation, phishing protection, real-time fraud detection, credential deception, website spoofing, AI-driven attacks, fraud prevention platform, agentless security


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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    6 m
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