Episodios

  • IFH Cinematography Archive: How to Become an Indy Mogul with Ted Sim
    Dec 21 2022
    Today on the show we have host, filmmaker, entrepreneur, and president of Aputure Ted Sim. Ted is the host of the Indy Mogul Podcast and Youtube Channel. He took over the reins of the legendary Indy Mogul Youtube channel last year and has really created some amazing content.

    Ted Sim is a Los Angeles filmmaker, originally from Baltimore, MD. Though he has been living in California since 2009, he has traveled to over 45 different countries for work and to meet with local filmmakers from all around the world. He is an alumnus of UCLA's Film Program and is passionate about education.

    In 2014, Ted started working as President of Aputure USA. Aputure is a cinema technology company that designs and manufactures high-end lighting solutions and filmmaking equipment for digital creators. Ted and I talk shop, lighting, and making it in the film business. I love Aputure lights so much that I exclusively used them in the making on my last feature film On the Corner of Ego and Desire.

    I had a ball talking shop with Ted. This episode is going to be fun. Enjoy!
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    1 h y 32 m
  • IFH Cinematography Archive: Lighting for David Fincher & Michael Mann with Erik Messerschmidt
    Dec 14 2022
    Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery. He also is currently shooting Michael Mann’s biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher’s The Killer, starring Michael Fassbender and Tilda Swinton.


    Previously, Messerschmidt shot Fincher’s passion project Mank, chronicling the screenwriter Herman Mankiewicz’s turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt’s meticulous and striking black and white recreation of the period’s aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.
    In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher’s hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.


    With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.

    Enjoy my conversation with Erik Messerschmidt.
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    1 h y 20 m
  • IFH Cinematography Archive: Lighting Big Budgets and Indie Films with Shane Hurlbut A.S.C.
    Dec 7 2022
    My guest today has done it all. He’s gone from cinematography on small-budget indie films to $200 million-plus projects which is literally goals for many in this line of business. 

    Director and cinematographer, Shane Hurlbut's thirty-plus experience and success as a storyteller is categorically innovative to the craft and inspiring for other filmmakers.

    Shane's latest film Love Hard is set for digital release via Netflix this November. This romantic comedy is about a young woman in Los Angeles who falls for a man on a dating app and travels to his East Coast hometown to surprise him for Christmas but discovers that she's been catfished. Her crush actually does live in the same town, and the guy who duped her offers to set them up if she pretends to be his girlfriend for the holidays.

    He’s an esteemed member of the Academy of Motion Picture Arts and Sciences and the American Society of Cinematographers. The ASC recognized Shane’s work very early on in his carrier from his film The Rat Pack and he was one of their youngest cinematographer nominees. 

    Shane Co-founded the Hurlbut Academy alongside his wife and business partner, Lydia Hurlbut. Their platform offers professional online filmmaking education and mentoring materials, curated by other filmmakers. This interactive library has collaborated with filmmakers to develop about 50 Courses, 400+ Lessons, and 700+ hours of instruction videos.

    Some of the top projects he’s worked on include Drumline, We Are Marshall, Terminator Salvation, Act Of Valor, and Game Of Thrones.

    The highly acclaimed HBO series, Game of Thrones was hailed for its spectacular cinematography. Outstanding, if you will. In 2012, Shane served as director of photography for their Game of Thrones: You Win or You Die - Inside the HBO Series that was an interview for major cast and crew members. Wherein, characters, families, kingdoms, and plots were explained with an in-depth look at season one. And what viewers could expect from season two. 

    Some of Shane’s work includes NetFlix’s Rim of The World, Holidate, There Is No Place Like Home, Fathers, and Daughters, the pilot episode for SyFy's Resident Alien, and Disney+ original film Safety.

    Safety was inspired by the true story of Ray-Ray McElrathbey, the film follows a freshman football player for Clemson University who secretly raised his younger brother on campus after his home life became too unsteady.

    His passion for filmmaking goes back to his childhood.  Like the cool kid he still is, Shane did morning announcements at our high school and DJ for a local radio station. As you can imagine, he started doing dances, proms, and homecoming across the local upstate New York area. 

    He earned part of his education at a small community college where he fell in love with radio, TV production, and so forth. A scholarship to study film at Emerson College in Boston sealed the deal for Shane.

    In 2002, Shane’s box office hit film, Drumline became a major splash. Nick Cannon stars as a young drummer who enters the fictional Atlanta A&T University and bumps heads with the leader of his new school's drum section. A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.

    Enjoy my entertaining conversation with Shane Hurlbut.
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    1 h y 26 m
  • IFH Cinematography Archive: Lighting the Biggest Films of All-Time with Dean Cundey A.S.C
    Nov 30 2022
    Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.

    Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween.  Dean is credited as director of photography on five Back To The Future films and Jurassic Park.

    The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place. 

    The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.

    The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.

    Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.

    Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.

    Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.

    Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.

    In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.

    Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.

    One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily. 
    We talk more about this in our chat.

    Enjoy my conversation with Dean Cundey.
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    1 h y 12 m
  • IFH Cinematography Archive: How to Shoot 360 Video & Actually Make Money with Josh Gibson
    Nov 23 2022
    How to Shoot 360 Video & Actually Make Money with Josh Gibson
    This week on the show we have Josh Gibson from 360 Video Academy. I know just enough about 360 video to be dangerous, and not in a good way. I wanted to bring Josh on the show to really break down the myths and techniques on how to shoot 360 video. I also wanted to dive into how filmmakers could ACTUALLY MAKE MONEY shooting 360 video.
    Josh goes over not only the technical aspects of shooting 360 video but he also discusses how filmmakers can make money and a living shooting this exciting format.
     
    How to Shoot 360 Video & Actually Make Money with Josh Gibson
    This week on the show we have Josh Gibson from 360 Video Academy. I know just enough about 360 video to be dangerous, and not in a good way. I wanted to bring Josh on the show to really break down the myths and techniques on how to shoot 360 video. I also wanted to dive into how filmmakers could ACTUALLY MAKE MONEY shooting 360 video.
    Josh goes over not only the technical aspects of shooting 360 video but he also discusses how filmmakers can make money and a living shooting this exciting format. Check out Josh talking shop on 360 video.

    The 360 Video Academy is your one place to learn how to create professional-grade 360º video content. So get your GoPro 360 Video rig out and take some notes. Enjoy my conversation with Josh Gibson from 360 Video Academy.
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    55 m
  • IFH Cinematography Archive: Cinema Lenses MasterClass with Matthew Duclos
    Nov 16 2022
    Cinema Lenses MasterClass with Matthew Duclos
    Today we are going deep down the cinema lenses rabbit hole. I was lucky enough to sit down and speak to the "Yoda" of cinema lenses Matthew Duclos. Matthew has been working on lenses for most of his life. Most cinematographers in Los Anges (and around the world) consider him an expert in the field.
    I was hearing Duclos' name on set as far as I can remember so it was a thrill to get to speak and grill Matthew on all things lenses
    Here's some info on Duclos Lenses:
    Duclos Lenses is the premier destination for high-quality motion picture optics. We strive to provide quality service to the industry's professionals who own and rent top-of-the-line cinema optics. We have the test equipment and experience required to optimize and maintain all of your lenses. We're a family owned and operated business who not only appreciate and respect customers in a way only a small business could, but also thrive off of our customers satisfaction and repeat business
    Enjoy my conversation with Matthew Duclos of Duclos Lenses.
    Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel

    LINKS AND RESOURCES MENTIONED IN THIS EPISODE

    Duclos Lenses
    Matthew Duclos - Facebook
    This is Meg

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    BONUS: TOP TEN Online Filmmaking Courses

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    1 h y 15 m
  • IFH Cinematography Archive: Should You Own Your Own Film Gear? - Ask Alex
    Nov 9 2022
    Should You Own Your Own Film Gear?
    Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:


    Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)



    However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.


    What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs? 


    What advice would you give someone working with non-acting actors who will be getting little to no pay?

    So If I go to submit my film to contests and festivals will I have problems with people in public in background shots? 

    Would making the background more out of focus help? 

    I have scenes in stores. Do I need to blur product labels?


    When is the perfect time in pre-production should you start casting?


    How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal?  Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced.  Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more?  I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).



    Let's get to answering some questions.
    Right click here to download the MP3Download on iTunes Direct

    Slamdance Workshop Discussed on the Show
    Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.


    Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.

    Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.

    A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
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    20 m
  • IFH Cinematography Archive: What is Cinematic Virtual Reality with Jason Diamond
    Nov 2 2022
    What is Cinematic Virtual Reality with Jason Diamond
    Is Virtual Reality the next big step in visual storytelling? Steven Spielberg said:

    “I think we’re moving into a dangerous medium with virtual reality. The only reason I say it is dangerous is because it gives the viewer a lot of latitude not to take direction from the storytellers but make their own choices of where to look. I just hope it doesn’t forget the story when it starts enveloping us in a world that we can see all around us and make our own choices to look at"

    I wanted to understand more about Virtual Reality and what impact it could have (or is having) on the world of cinema. This week I have Virtual Reality expert Jason Diamond from SuperSphere VR on the show. 
     
    The Diamond Brothers, Josh and Jason Diamond, own SUPERSPHERE VR a virtual reality production company based in Los Angeles. They build VR rigs for a number of clients from Fortune 500 companies to major studios and independent films. They follow the projects through from planning to shooting to post and in the past 18 months they have delivered more than 30 full VR projects.

    Some of their most recent, notable projects have been for New York Fashion Week and the Minnesota Twins (See Below). Enjoy my interview with Jason Diamond.
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    1 h y 12 m