In this conversation, I speak with Brussels-based artist Erwan Mahéo. The conversation took place on May 25, 2023, as we were setting up a project in and around La Sirene de Belle-ile in France.

Erwan Mahéo's art practice moves freely between the categories of sculpture, painting, video, photography, collage, ceramics, and textiles but finds its home in eclectic mixes of genre-fluid forms, ideas, and expressions. In 2023 Bruxelles: La Lettre volèe published a monograph of his work titled Histoires et Gèographies. And in the past decade his work has shifted into comprehensive projects that create spaces where things can happen, inviting artists to create work in deeply entrenched historical and geographic sites.

You can explore his work on Instagram @erwan_maheo

Erwan's work has been presented in various institutions : La Grandeur Inconnue, Domaine de Kerguéhennec (F.1993) ; Laboratorium, Antwerpen Open (1999) ; Nameless Swirls, an Unfolding in Presence, Van Abbemuseum (Nl. 2003) ; Mathématiques, Fri-Art, Fribourg (Ch. 2004) ; Track, Gent (2012) ; Novelty Ltd. Fondation d’entreprise Hermès, La Verrière, Brussels (2017) and in galleries : Unknown Places, Tim Van Laere gallery, Antwerp (2005) ; Dispersion, Galerie Catherine Bastide, Brussels (2008) ; La Grande Image, Galerie Vidal Cuglietta, Brussels (2011), among many others.

He is on the faculty at La Cambre School of Visual Art in Brussels where he heads the Department of Urban Space.

Between 2003 and 2012 he founded and directed an Artist in Residence program called Le Centre du Monde on the island of Belle-ile-en-Mer (F). The collection which grew from this project was given to the FRAC Bretagne in 2014. The book Le Centre du Monde (Description of an invisible sculpture) was published on this occasion. Between 2013 and 2019 he co-founded and co-directed the editorial project Herman Byrd (with Sébastien Reuzé). In 2023 he founded the project La Sirene de Belle-Ile.

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