Close your eyes and picture the wilderness. What does it look like to you, and what is or isn’t there? If you had to live there, what would those living conditions be like? Today, we are going to study what the word wilderness means, looking at the Book of Mormon’s named and unnamed women who not only lived in the wilderness but thrived.

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Art forms an impression on our minds. When we visualize scripture stories, it’s often in the style we’ve seen before through art. It’s easy to picture Nephi’s family on the boat, Moroni praying over the plates, Abinadi before King Noah, and more. But can you picture the women from the Book of Mormon? There’s art for them, too.

Find all the art mentioned in today’s episode at bookofmormonartcatalog.org:

Nephi Protected from his Brethren by the Daughter of Ishmael and her Mother by George M. Ottinger
And They Were Strong by Tehya Vassar
Sariah in the Wilderness by Rose Datoc Dall
Holding Holy Things (Sister of Jared) by Caitlin Connolly
The Vision of Abish by Anna Wright
Morianton’s Maidservant by Mandy Jane Williams
They Did Not Doubt by Joseph Brickey

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The scriptures are filled with stories of women once you start looking for them. In conjunction with our weekly Come, Follow Me podcast, this bonus series will explore accounts of women throughout the standard works, focusing on the Book of Mormon this year. Did you know that the only time the word “sisters” is mentioned in the Book of Mormon is when it refers to Nephi’s sisters? Today, we’ll talk about the sacrifices and faith of the women—named and unnamed—of the first family in the Book of Mormon and what we can learn from their examples.

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Here’s an interesting question: How many generations ago were your ancestors speaking a different language than you are now? When Dr. Joel Selway lost his mother when he was 12 years old, he also lost a tie to his Thai ancestry. But shortly before his mission he came across an old book about learning Thai, and something sparked inside of him. Little did he know then that he would embark on a decades-long journey to learn the Thai language and, in turn, discover more about his family history than he could have ever anticipated.

What does sunshine have to do with family history? Well, besides helping our plants and vegetables grow, sunshine has a profound effect on our bodies. One of those effects is melanin production. Melanin is a dark pigment in our hair, skin, and iris of the eye that protects us from the sun’s radiation. Tragically, throughout history some have used melanin to create caste systems that determine social status, ultimately affecting our family history. In this episode, Dr. David-James Gonzales discusses how these caste systems and resulting colorism began and the impact they still have on us as we seek to learn more about ourselves and our ancestors.

Have you ever heard the term “spill the tea”? In recent contexts, this phrase means to perpetuate gossip or rumors. But is spreading gossip and rumors always a bad thing? In family history, it might not be. For this episode, we invited Dr. Sharon Staples to discuss what gossip has to do with family history and whether it can be used as a clue to learn more about our lineage.

“Late at night when all the world is sleeping, I stay up and think of you. And I wish on a star that somewhere you are thinking of me too.” These first lines of legendary singer Selena’s “Dreaming of You” may have been written about a romantic relationship, but they also apply to family history work. Our ancestors think of us, and we think about them—and sometimes we even dream about them too. For this episode, we invited Miya’s and Michelle’s friends (as well as our amazing producer Erika Free) to share how dreams have helped them draw closer to their families in the past, present, and future.

An indigenous teaching in many communities around the world is that in nature, poison is often located very near the antidote. For example, in Mayan legend, the Chechen trees have a toxic sap that causes rashes or burns when touched, but the Chaca trees grow nearby and provide an antidote. This idea of sting and relief can also be found in family histories. In this episode, artist Jalynne Geddes shares in her own life how generational trauma has been a sting and family history the relief.