Siblings (Monitor Books) is a unique round-table discussion / poetry collection, convened by Will Harris, between Harris, Jay Bernard, Mary Jean Chan and Nisha Ramayya. The four poets explore real and imaginary siblings, writing communities, and the wayward directions of the lyric mode – writing as makers and friends about the possibilities that poetry enables now. All four poets convened at the Bookshop for discussion and readings.

Get the book: https://lrb.me/siblingsbook

Find more events at the Bookshop: https://lrb.me/eventspod

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When Gillian Rose’s Love’s Work was published shortly before the author’s death in 1995, Marina Warner wrote in the LRB: ‘This small book contains multitudes. It fits to the hand like one of those knobbed hoops that do concise duty for the rosary, each knob giving the mind pause to open up to vistas of meditation on mysteries and passion.’

To mark the publication of a new edition (Penguin Modern Classics) with an introduction by Madeleine Pulman-Jones, we host a discussion of Rose’s ‘masterpiece of the autobiographer’s art’ (Edward Said) and its legacy, featuring LRB contributing editor James Butler, Rebekah Howes of the University of Winchester and the former Archbishop of Canterbury Rowan Williams.

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1917: Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block.

1930: Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman's cottage for sale on the Dorset coast.

1941: Rosamond Lehmann settles in a Berkshire village, seeking a lovers' retreat, a refuge from war, and a means of becoming 'a writer again'.

Harriet Baker describes in Rural Hours (Allen Lane) how three very different writers, more often associated with city living, found solace and inspiration in the English countryside. She was in conversation with Lauren Elkin, author of Art Monsters and Flâneuse and translator of Simone de Beauvoir’s The Inseparables.

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