In her fourth collection, Driftless Area-based poet Nikki Wallschlaeger further proves herself as a singular poet of astonishing emotional depth and formal range. Hold Your Own is a steadfast search for peace, self-acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women. It was published in May 2024 by Copper Canyon Press.

Nikki joins host Sara Batkie for a conversation about getting the right rhythm, the joys of working with books every day, and the natural beauty of her home state.

Nikki Wallschlaeger’s work has been featured in The Nation, Brick, American Poetry Review, Witness, Kenyon Review, Poetry, and others. She is the author of the full-length collections Waterbaby (Copper Canyon Press, 2021), Houses (Horseless Press 2015), and Crawlspace (Bloof 2017), as well as the graphic book I Hate Telling You How I Really Feel (2019) from Bloof Books. She is also the author of an artist book called “Operation USA” through the Baltimore-based book arts group Container, a project acquired by Woodland Pattern Book Center in Milwaukee.

In this edition of Madison Book Beat, host Lisa Malawski talks with Richard Sweitzer about his book ODE The Scion of Nerikan. Richard is award-winning author and longtime morning radio host. He received his Master’s of Arts degree in Creative Writing from the University of Wisconsin-Milwaukee.

Richard is the author and publisher of ODE The Scion of Nerikan which was published in 2023. The book is about an immortal monster who is searching for a way to die, and the little girl who gives him reason to live...for a little longer.

Richard created an ODE Bingo card which he hands out at book signings and there is a tiny independent book store near his home that he places these cards in. Some of the boxes on the Bingo card ask the reader if they threw the book, hugged the book. laughed, cried and more.

Richard always wanted to publish his books traditionally, but after three false starts working with literary agents, he decided to publish his own book. The agents he had worked with offered some great advice, but he felt the story was drifting away from the adventure which he created. When Richard is not writing, he hosts a popular morning radio show in central Wisconsin. He has been with this show for more than thirty years.

In this episode, Richard reads from his book, discusses self-publishing, marketing, artificial intelligence, going to school at age thirty, being a radio host and his love of fantasy.

Lisa thanks Richard for his message to the audience: Try something new even if it’s scary. Take that course, make that change. Be afraid and do it anyway.

Richard Scott Larson's debut The Long Hallway (University of Wisconsin Press, April 2024) is a lyrical memoir that expresses a boy’s search for identity while navigating the darkness and isolation of a deeply private inner world.

Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter’s 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter’s inscrutable masked villain, as well as Michael’s potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet.

Richard joins host Sara Batkie for a conversation about the masks we wear, the horrors of suburbia, and finding the right home for your work.

Richard Scott Larson is a queer writer and critic. His debut memoir, The Long Hallway, was published by the University of Wisconsin Press. Born and raised in the suburbs of St. Louis, he studied literature and film criticism at Hunter College and earned his MFA from New York University.

He has received fellowships from MacDowell and the New York Foundation for the Arts, and his work has been supported by residencies from the Virginia Center for the Creative Arts, Vermont Studio Center, Paragraph Workspace for Writers, La Porte Peinte, and the Willa Cather Foundation. He’s an active member of the National Book Critics Circle, and his writing has been recognized twice by The Best American Essays.