Episodios

  • Game Changer with Kyle Olson
    Nov 24 2025
    This week on Make Me a Nerd, Mandy Kaplan welcomes back certified nerd-whisperer Kyle Olson—creator of The Swashbuckling Ladies Debate Society and co-host of Craft and Chaos—to induct her into the gloriously absurd and deeply inventive world of Game Changer on Dropout TV. And if you’ve never heard of Game Changer, think of it as Whose Line Is It Anyway? if it were run by a slightly deranged Willy Wonka with a subscription model and a vendetta against YouTube algorithms. And also: there’s a lot of butthole jokes.Kyle walks Mandy through the origin story of Dropout—the phoenix that rose from the ashes of CollegeHumor—and how Sam Reich, comedy’s least threatening puppet master, created a game show format where the rules change every single episode.¹ We start with Sam Says, where Mandy finds herself increasingly charmed by the players, increasingly unnerved by the absence of a studio audience, and deeply offended by a COVID gag that hits a little too close to home. But then we get to Original Cast Recording, where Mandy goes full musical nerd as Zach and Jess (of Off Book fame) improvise an entire musical that’s so good you’ll want to buy the cast recording and name your next child Mountport. And finally: we Beat the Buzzer in a full-blown improv escape room where contestants sprint through studios, flirt with witches, and try not to break into someone’s bedroom to slam a buzzer.Along the way, we talk about pandemic-era creativity, low-budget brilliance, the science of contagious yawns, the economics of performer equity, and how Kyle’s daughter Zoe is singlehandedly enriching the family’s streaming diet. Kyle also reveals which Game Changer episode was his gateway drug (thanks, Zoe!), which one he’d totally fail at (spoiler: Sam Says), and which cast members he’d happily run from studio to sidewalk for. And Mandy? She makes a strong case for climbing into bed with two strangers in the name of game show victory. Naturally.Whether you’re already deep in the Dropout fandom or just learning what a “game samer” is, this episode will make you laugh, cringe, and maybe—just maybe—subscribe. No cap. Low key. We have the riz.Links & Notes
    • 🎥 Game Changer on Dropout TV
    • 🎙️ The Swashbuckling Ladies Debate Society
    • 🎨 Craft and Chaos Podcast
    • 🎧 Off Book: The Improvised Musical Podcast
    • 🧙‍♀️ Dimension 20 (D&D on Dropout)
    • 📚 Station Eleven – HBO Max
    • 🎮 Erika Ishii – Ghost of Yotei
    Make Me a Nerd:
    • Website: makemeanerd.com/join
    • Instagram: @mandy_kaplan_klavens
    • TikTok & Bluesky: @mandymiscast

    ¹ Yes, Sam Reich is the son of economist and former U.S. Labor Secretary Robert Reich. So while his father spent a career fighting corporate greed and income inequality, Sam opted to fight butthole jokes and buzzer-based chaos. Honestly? Same energy.
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    56 m
  • Yuri on Ice with Zehra Fazal
    Nov 17 2025
    You might think figure skating is all glitter, grace, and emotional piano music — but Yuri!!! on Ice says, “Oh no, my friend, this is a blood sport with sequins.” This week, Mandy Kaplan is joined by actor and voice powerhouse Zehra Fazal (Borderlands 3 & 4, Your Friendly Neighborhood Spider-Man, The Chosen Adventures) to unpack the cult anime that somehow manages to combine Olympic-level athleticism, emotional breakdowns, and gay hot tub scenes.Mandy, bless her open heart, has only recently dipped her toe — or skate — into anime. Zehra, meanwhile, is the kind of person who can tell you the real-life skater each character is based on, and yes, she knows the choreographer’s name. Together, they untangle Yuri!!! on Ice’s tangled triple-axel of meaning: Is it a sports anime? A love story? A metaphor for crushing self-doubt wrapped in butt shots and ice shavings?They talk about everything from the meticulous realism — real skaters performed every routine for animators to trace — to the quietly radical queerness at its core. They also cover anime’s emotional shorthand (why everyone screams), its strange obsession with mid-scene “fake ads” for imaginary Hot Pockets, and how Yuri!!! on Ice makes body image, pressure, and perfectionism part of its storytelling language. By the end, Mandy admits she’s still a little confused, but also a little bit moved — and possibly a little bit hot for Victor.This episode has everything: 80s training montages, screaming siblings, existential self-doubt, and the most loving debate about anime crotch shots ever recorded. So lace up your skates, pour yourself some sake, and prepare for a deeply emotional deep dive into nerd culture’s iciest corner.Links & Notes
    • Yuri!!! on Ice (2016 anime series) — Crunchyroll
    • “History Maker” by Dean Fujioka, the Yuri!!! on Ice theme song
    • Follow Zehra on Insta

    Make Me a Nerd
    • Website: makemeanerd.com/join
    • Instagram: @mandy_kaplan_klavens
    • TikTok & Bluesky: @mandymiscast

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    1 h y 2 m
  • Truth or Dare with Abdi Nazemian
    Nov 10 2025
    You know how some documentaries just happen and others ignite a cultural revolution in a cone bra? This week, Mandy reunites with her former roommate, award-winning author, screenwriter, and Madonna scholar-in-chief Abdi Nazemian, to talk about the pop documentary that practically reinvented fame itself: Madonna: Truth or Dare.Abdi literary résumé is already Hall of Fame (Only This Beautiful Moment, Like a Love Story, Exquisite Things)— and he returns to Make Me a Nerd to nerd out about the film that shaped him, inspired his art, and very nearly ruined his high-school Spanish play. (That’s right: the man skipped Madonna for drama club.)Together, Mandy and Abdi dissect the film’s legacy with the obsessive joy of two grad students armed with eyeliner. They talk about Madonna’s audacity, the film’s accidental queerness that became very intentional, and the moment every gay teen of the early ’90s realized: “Oh, so this is what freedom looks like—with backup dancers.” Abdi recounts how the documentary cracked open his world, how its fearless visibility still echoes in his own banned-book-era storytelling, and why he’s still chasing that mixture of defiance and grace three decades later.Along the way, they tackle everything from Warren Beatty’s “human raincloud” energy to Madonna’s evolving accent to the question that divides all fandoms: “Can you be both bratty and brave?” The answer, obviously, is yes—if you’re Madonna. Or Abdi Nazemian.Links & Notes
    • Madonna: Truth or Dare (1991), dir. Alek Keshishian
    • Strike a Pose (2016)
    • Like a Love Story, Exquisite Things, Only This Beautiful Moment by Abdi Nazemian
    • Dick Tracy soundtrack (I’m Breathless)
    • Blonde Ambition Tour / Like a Prayer album
    • Madonna’s Nightline interview on Justify My Love (1990)
    Make Me a Nerd
    • Website: makemeanerd.com/join
    • Instagram: @mandy_kaplan_klavens
    • TikTok & Bluesky: @mandymiscast

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    1 h y 1 m
  • The Last Kingdom with Matt Boren
    Nov 3 2025
    This week on Make Me a Nerd, Mandy Kaplan straps on her metaphorical codpiece and dives headfirst into the sword-swinging, land-grabbing, god-invoking world of The Last Kingdom with guest Matt Boren¹—actor, author, screenwriter, and senior prom date emeritus. And if you’re wondering how the man who wrote Folded Notes from High School and Minister of Loneliness became obsessed with decapitations, Danish warlords, and subtitles thick with blood and Old English vowels—well, Mandy is too. But it turns out: it’s all just General Hospital with furs and beards.Matt lays out the appeal of The Last Kingdom not as a history lesson (God no), but as an ongoing saga of trauma, identity, and—most crucially—soap-operatic betrayal. We learn that he came to the show late, post-Game of Thrones awakening, and stayed for the storylines that feel pulled directly from daytime TV: surprise siblings, secret lineages, and more brooding than a Shakespeare festival in the rain. Mandy, meanwhile, is just trying to keep track of who’s who, why everyone is named Uhtred, and whether “Sieges are for Turds” is historically accurate or just someone’s idea of a bumper sticker.Together, they cover three episodes: the brutal pilot, the climactic battle of season three, and the series finale disguised as a prequel to a disappointing movie. Along the way, they debate teenage kings, historical trauma, and whether The Last Kingdom is actually just The Princess Bride with more fire and fewer laughs. Mandy confronts her own aversion to violence (there’s so much head stuff), and Matt admits he watches most of the beheadings out of the corner of his eye—because, like most writers, he’s here for the emotional subtext, not the arterial spray.Plus: the quiet horror of teenage monarchs, the eternal trauma of land disputes, and why Mandy wants everyone to just share the damn land already. Also: Matt confesses he may in fact be a “quotationist,” and Mandy delivers her thesis on why all television—yes, even this—is basically Friends with fewer coffee mugs and more impalings.Links & Notes
    • ⚔️ The Last Kingdom on Netflix
    • ⚔️ The Last Kingdom: Seven Kings Must Die
    • 📖 Minister of Loneliness by Matt Boren
    • 📚 Folded Notes from High School by Matt Boren
    • 📖 Brackish Waters by Matt Boren
    • 🎥 Matt Boren on Instagram
    Make Me a Nerd
    • Website: makemeanerd.com/join
    • Instagram: @mandy_kaplan_klavens
    • TikTok & Bluesky: @mandymiscast
    ¹ Matt Boren may not identify as a “nerd,” but any man who quotes General Hospital while explaining 9th-century Anglo-Saxon land disputes is at least a Level 12 Soap Mage. That’s canon.


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    1 h y 1 m
  • Dracula with Lester Ryan Clark
    Oct 27 2025
    Dracula is a book where the title character shows up for roughly four chapters and then just... leaves. It's like if "Jaws" spent most of its runtime following insurance adjusters filing claims about boat damage. And yet, somehow, this 1897 novel created pop culture's most enduring monster. That's the central mystery Mandy and guest Lester Ryan Clark tackle in this Halloween extravaganza.Lester teaches Dracula to high schoolers every year (and gradually transforms into Gary Oldman's Dracula throughout Halloween week because he's clearly the best kind of teacher). He confirms what Mandy discovered reading the novel for the first time: Bram Stoker committed the bizarre act of writing a vampire book and then immediately getting bored with his vampire. After a genuinely creepy opening with Jonathan Harker trapped in a Transylvanian castle with a mustached count who climbs walls like a lizard and definitely doesn't eat dinner, the book pivots to diary entries, newspaper clippings, and an excessive amount of Victorian-era day drinking. It's an epistolary novel where characters somehow recall four pages of precise dialogue from memory for their journal entries, which—and stay with me here—doesn't really track.But here's where it gets interesting: Stoker's failure might have been his greatest success. By giving us almost nothing, he forced everyone else to fill in the blanks. We got Bella Lugosi's suave count without a mustache (sorry, Bram), Christopher Lee's menacing aristocrat, the Lost Boys' leather-jacketed vampires, and yes, even Twilight's sparkling immortals. Dracula survives by adapting to whatever each generation finds sexy, which is apparently the most vampire thing possible. The conversation explores why there are so many characters named John/Jonathan/Harker/Hawkins (looking at you, Stoker), why Mina is the book's actual hero despite Victorian men having feelings about her man-brain, what's going on with Renfield eating progressively larger animals, and why the climactic battle happens from a distance through binoculars.They also discuss how Dracula represented Victorian anxieties about foreigners, disease, and women with agency (witches used to be scary because they were "women with power and their own transportation system"), and why the novel works as proto-found-footage horror. Plus: the drinking. So much drinking. Brandy as medicine, brandy to stay awake, brandy to celebrate, brandy to mourn. It's a wonder anyone in Victorian England remained vertical.The episode ends with both agreeing that every film adaptation correctly identified the problem and added more Dracula scenes, because giving people what they want is occasionally good business. Who knew?Links & NotesLester Ryan Clark's Podcasts:
    • Every Minute of Everything Everywhere All at Once
    • The Devil's Details
    Find Lester on Social Media:
    • All platforms: @LesterRyanClark
    Make Me a Nerd:
    • Website: makemeanerd.com/join
    • Instagram: @mandy_kaplan_Kravens
    • TikTok & Bluesky: @mandymiscast
    Mentioned in the Episode:
    • Francis Ford Coppola's "Bram Stoker's Dracula" (1992)
    • "Renfield" (2023) - starring Nicolas Cage and Nicholas Holt
    • Janice Hallett - British mystery author who writes in epistolary format



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    59 m
  • Masters of The Universe with Krissy Lenz and Nathan Blackwell
    Oct 20 2025
    What happens when you take the most toyetic franchise of the 1980s, hand it to the kings of schlock at Cannon Films, and tell them to make the next Star Wars? You get Masters of the Universe—a movie so gloriously confused that it can’t decide if it’s fantasy, sci-fi, or just an over-extended toy commercial. Mandy Kaplan is joined by returning guest Krissy Lenz and first-time guest Nathan Blackwell to revisit Dolph Lundgren’s He-Man, Frank Langella’s unexpectedly Shakespearean Skeletor, and Courtney Cox’s denim-skirted grief arc.Krissy admits she was more of a She-Ra kid than a He-Man fan, Nathan reveals how his early nerd DNA was written by toy catalogues and VHS rentals, and Mandy discovers that her new haircut may have made her look more Eternia than she ever bargained for. Together, they marvel at Billy Barty’s sweaty “space gnome” Gwildor, dissect the bizarre mashup of swords and laser guns, and debate whether Dolph Lundgren’s dubbed dialogue or Evil-Lyn’s parenting-by-imitation scam is the bigger cinematic crime.And of course, Frank Langella steals the show as Skeletor—chewing scenery, rewriting dialogue, and turning what should’ve been a paycheck gig into one of the greatest villain performances of the decade. It’s camp, it’s chaos, it’s nostalgia, and it’s a reminder that sometimes the best way to watch a movie is with tacos, two beers, and friends who know how to laugh at laser-pew-pews projected from a rainbow mist.Links & Notes
    • Masters of the Universe (1987) on IMDb
    • Krissy & Nathan’s Most Excellent 80s Movies Podcast
    • Gank That Drank: A Supernatural Drinking Game Podcast
    • Squishy Studios – Nathan Blackwell’s films

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    57 m
  • Bluey with Kelly Vrooman
    Oct 13 2025
    Look, I need to tell you something about a children's television program featuring animated dogs, and I need you to stay with me here because this is going to sound absolutely bananas. There exists—right now, in this timeline, on this increasingly nightmare-inducing planet—a show called Bluey that has achieved what can only be described as "weaponized wholesomeness," and somehow, somehow, it's making grown adults weep into their throw pillows while their children ask them why they're crying about a cartoon dog going camping.This week, Mandy sits down with actress, writer, and content creator Kelly Vrooman—a woman whose professional credentials include talking to a chicken puppet on morning television, which is either the most or least qualified you can be to discuss children's media, I genuinely cannot tell—to explore why this Australian import has become a global phenomenon. Kelly, who has actual human children (her own, she specifies, which is a concerning clarification but we'll let it slide), walks Mandy through three episodes of this seven-minute existential comfort food. They watch "Magic Xylophone" (teaching sharing through possibly-real magic and parental commitment to the bit), "Camping" (featuring Jean-Luc, a French dog who GHOSTS Bluey without saying goodbye and makes you feel feelings you didn't consent to about animated dogs), and an episode about dad desperately trying to watch sports while his daughter stress-cleans her pretend house using beer koozies as babies.And here's where it gets weird. Because Bluey isn't just good—it's disturbingly, almost suspiciously good. Created by one man, Joe Brum, who writes every single episode himself (which should be a red flag for quality but somehow isn't), the show manages to be both an accurate documentary of parenting's soul-crushing exhaustion AND a joyful celebration of childhood imagination. It's animated "on the ones"—meaning twice as many frames as normal animation, which costs twice as much money—and the child voice actors are kept completely anonymous to protect them from fame, which, AMERICA, ARE YOU LISTENING? Kelly reveals the show has actually made her a better parent, not because it sets impossible standards, but because it reminds adults that play doesn't have to be perfect, it just has to be present. Even Joe Brum responded to complaints about unrealistic parenting by essentially saying, "They're dogs. Dogs love to play. Calm down."But what makes Bluey genuinely fascinating is how it operates on multiple levels without condescending to anyone. Kids get silly games and talking dogs. Parents get jokes about hangovers and wanting to watch the game. Everyone gets emotional moments that hit like a truck carrying feelings. The show depicts single parents, same-sex parents, and families of all configurations without ever stopping to collect applause for being inclusive—it just is inclusive while telling stories about magic xylophones and camping trips. Mandy describes it as "being coated in caramel that is sugar-free and cannot make you gain weight," which is either perfect or evidence that Bluey has broken her brain. In a world that feels increasingly designed to make us miserable, Bluey offers consistent, high-quality comfort—not escapism, but a reminder that goodness and creativity and family connection still exist, even when everything else is on fire.The conversation takes delightful detours (Kelly admits to crushing on the animated dog dad, they debate whether Jean-Luc is a dick for leaving, they're briefly joined by Kelly's three-year-old who wants to talk about monster trucks), but ultimately lands on something important: this is a show where the main characters are all female and nobody cares because they're just kids having adventures. It's medicinal. It's necessary. And if you don't feel moved by it, well, Kelly insists you might not have a soul—which Mandy clarifies is just her being a dick and not the official position of TruStory FM, though they both stand by the sentiment. Now if you'll excuse me, I need to go question why a podcast about cartoon dogs has made me feel more hopeful about humanity than any news broadcast in the last five years.Links & NotesMandy Kaplan on Instagram (@mandy_kaplan_klavins)Join Make Me A Nerd for Bonus ContentKelly Vrooman on social media: @KellyVrooms (Instagram/TikTok)Kelly Vrooman's YouTube: Kelly VroomanBluey on YouTube---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
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    45 m
  • Twilight with Ben Raffle
    Oct 6 2025
    This week on Make Me a Nerd, Mandy Kaplan asks the big, baffling question: how does a grown man in his forties, with a child, a career, and a functioning brain, become obsessed with Twilight? Enter Ben Raffle—software executive by day, nerd savant by night, and unapologetic devotee of sparkly vampires. What follows is a gloriously chaotic conversation about Stephanie Meyer’s cultural juggernaut, the film that launched a thousand “Team Edward vs. Team Jacob” T-shirts, and the angsty blue-filtered fever dream that made Forks, Washington, a tourist destination.Mandy and Ben cover it all: Robert Pattinson’s “did he just poop his pants?” acting choices, Kristen Stewart’s mayonnaise-adjacent performance as Bella, and why Jasper—yes, Jasper!—is the true hero of the saga. They dissect why teenage girls everywhere believed they could “fix” the bad boy who wants to murder them, how Catherine Hardwicke’s low-budget direction gave the film its signature mood, and why vampire baseball is somehow the franchise’s high point. Along the way, they veer into bison make-outs in Port Angeles, Grease 2 supremacy, and the existential question of whether anyone, anywhere, would actually choose Forks as a vacation spot.It’s silly, it’s biting, it’s surprisingly affectionate—and by the end, you may find yourself agreeing with Ben that Twilight is the Sour Patch Kids of cinema: nutritionally worthless, wildly addictive, and impossible not to binge.
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    57 m