You can find Mark at Mahalak Auto Group  and here is a little but about his creative life below..

Mark S. Graham (Director) has directed over 100 plays and musicals including
the premiere of Elizabeth Fuller's Me and Jezebel at The Actor's Playhouse. Mark
worked with Ms. Fuller to develop the play from her book. He has produced and
directed Me and Jezebel in productions across the country including a production
starring Jim Bailey. Mark directed John O’Hern's Rooster in the Henhouse at
Theater Row. At Feinstein’s in NYC, he directed Barbara Schottenfeld’s cabaret
act. Mark staged a musical version of Dark of the Moon narrated by Werner
Klemperer at The Weill Recital Hall at Carnegie Hall. He directed the premiere
of Sweetspot, a comedy about golf addiction by John O' Hern. He directed E.
Katherine Kerr in Ann Richards, Backwards in High Heels at The Abingdon
Theater. At The Theatre for The New City, Mark recently co-directed
Renovations, a new play by William Russell. Mark has directed and co-produced
Stan Lachow's Harry and Thelma in The Woods in readings with Rue McClanahan
and productions at The New Jersey Rep and The Hollywood Playhouse. He is
currently developing a play about the life of William Shakespeare, entitled 
Shakespeare in The Dark by Mary Jane Schaefer, which will be read at the
National Arts Club in September. For ten years, Mark was a producing partner
with the late Tony Award winning producer Lester Osterman. He began his career
as general manager of Lucille Lortel's White Barn Theater. Mark is a founding
member of The Downtown Cabaret Theater in Bridgeport, Ct. Mark has an
MFA in directing from the University of Connecticut. He has served as a board
member of Westport Country Playhouse and Playhouse on the Green. In
addition, Mark is a thirty year member of The Theatre Artist's Workshop.
What the critics have said:
 ―The story is delightful, the writing is entertaining, and what comes out
of Bette’s mouth is priceless.‖ — New York Post
 ―Delicious.‖ — The New York Times
 ―A Sparkling two-hander…Elizabeth Fuller, playing herself, lends the
evening both authenticity and a touch of the surreal…‖ — London Times

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